Dez
Rock Star
- Messages
- 3,814
Does your white version say type?Hmmm yeah I guess it depends on how old the stock is. I doubt they tossed the "old" ones. Perhaps manufactured post August 2025 is more accurate
Does your white version say type?Hmmm yeah I guess it depends on how old the stock is. I doubt they tossed the "old" ones. Perhaps manufactured post August 2025 is more accurate
If I don’t like a capture I’ll move on right away, there are so many of them out there that I’d rather find the right one and really only tweak minimally. You can EQ the capture a bit so I’d probably try to tweak it at the amp block. You could always throw an eq after the amp just in case, but I’d do it after the amp!So I think the general consensus is that w amp captures you either like it or don't and that you should move on to a different one rather than use its eq or gain parameters in the block to tweak it. Is that sort of correct or nah? Is that why you will see a bunch of the same ones but slightly different settings?
Also maybe related but maybe not. Do you put an eq block after the amp block? Which one and what is your strategy w it?
I play through different cabs at shows and we never get long sound checks so adjusting an eq block is more feasible than trying a few different captures.
Since the original tone stack is already baked into the capture, I like to think of the tone controls in the capture block as a post-amp EQ. It is very much like putting a very basic EQ pedal in the fx loop of an amp. It will help you sculpt or fine tune the capture, but you need to like the core tone of the capture first.So I think the general consensus is that w amp captures you either like it or don't and that you should move on to a different one rather than use its eq or gain parameters in the block to tweak it. Is that sort of correct or nah? Is that why you will see a bunch of the same ones but slightly different settings?
Also maybe related but maybe not. Do you put an eq block after the amp block? Which one and what is your strategy w it?
I play through different cabs at shows and we never get long sound checks so adjusting an eq block is more feasible than trying a few different captures.
The tone controls can be pretty powerful tone shaping tools. They shouldn't be ignored.
So I think the general consensus is that w amp captures you either like it or don't and that you should move on to a different one rather than use its eq or gain parameters in the block to tweak it. Is that sort of correct or nah? Is that why you will see a bunch of the same ones but slightly different settings?
Also maybe related but maybe not. Do you put an eq block after the amp block? Which one and what is your strategy w it?
I play through different cabs at shows and we never get long sound checks so adjusting an eq block is more feasible than trying a few different captures.
Man, I'm really considering getting a Nano when V2 comes to it. I had the QC twice and it's a great unit for playing with a band but overall overkill for my needs at the moment.So, posting here since the Nano Cortex thread is mainly me posting…
I got a Nano last week and got to spend a little time with it this weekend. Really enjoying the whole package even if it’s quite limited (that’s actually what I was after).
Now I’d like some tips on who to follow and what captures to check out! Any members who are up for it? Please send me your recommendations and/or usernames here or via DM. :-)
I must say though that Neurals own V2 caps seem quite good. The Driftwood Purple Nightmare and Savage 120 caps I previewed sounded quite useable straight from the bat. No weird input levels or tweaking needed.
I also tried capturing my amp and coming from NAM and Tonex the experience was quite different. In just a little while I made three captures and could just get going. Having everything in one box is definitely a much more polished experience than Tonex… And it just sounds really close even though the Nano is still using V1 for capturing!
I’m going to wait for V2 before going into the deep end on capturing my amp, but can send over V1 caps if anyone is interested in a Fireball 25 with or without a Precision Drive for boosting.
Yeah the package right now feels just right for me, except the lack of V2 capturing. I already have an OK’ish audio interface and digital setup on the Mac plus my one and only tube amp with cab and full analog pedalboard.Man, I'm really considering getting a Nano when V2 comes to it. I had the QC twice and it's a great unit for playing with a band but overall overkill for my needs at the moment.
The Nano though, with NCv2 capturing tech + the ability to double as a compact audio interface is going to look pretty attractive; just wish it had some sort of on-board display but it is what it is.
To answer your question, I follow artists that I like: Sorceron, OlaEnglund, DustieWaring, EugeValovirta. Some of the people I follow are because I bought captures (like GuitarJon/SonicDriveStudios). And I’ve followed a bunch of folks here. My username is MikaelDez! https://cloud.neuraldsp.com/cloud/u/MikaelDezSo, posting here since the Nano Cortex thread is mainly me posting…
I got a Nano last week and got to spend a little time with it this weekend. Really enjoying the whole package even if it’s quite limited (that’s actually what I was after).
Now I’d like some tips on who to follow and what captures to check out! Any members who are up for it? Please send me your recommendations and/or usernames here or via DM. :-)
I must say though that Neurals own V2 caps seem quite good. The Driftwood Purple Nightmare and Savage 120 caps I previewed sounded quite useable straight from the bat. No weird input levels or tweaking needed.
I also tried capturing my amp and coming from NAM and Tonex the experience was quite different. In just a little while I made three captures and could just get going. Having everything in one box is definitely a much more polished experience than Tonex… And it just sounds really close even though the Nano is still using V1 for capturing!
I’m going to wait for V2 before going into the deep end on capturing my amp, but can send over V1 caps if anyone is interested in a Fireball 25 with or without a Precision Drive for boosting.