I’m burnt out with their plugins (I say before they drop Archetype Devin Townsend and I immediately buy)New Mayer plugin incoming?
Oh yeah. So am I. Just wondering if there is a financial relationship in place (maybe not)I’m burnt out with their plugins (I say before they drop Archetype Devin Townsend and I immediately buy)
Meh does it matter what any given artist use's ?? they are not you
I'm certainly not going to sell my F9 cause John Mayer is using a QC
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That is a misrepresentation of what I said.There was a discussion a few pages back if the QC was a "professional" unit or not, despite the QC being all over some major touring band rigs.
If I spot a digital unit on a stage of significance…the majority of times its a Kemper or a QC… not exactly the most praised brands in this corner of the internetThere was a discussion a few pages back if the QC was a "professional" unit or not, despite the QC being all over some major touring band rigs.
They are quite easy to buy in various stores, while Line6 doesn't really have anything as compact as the QC or that does the same thing as the Kemper (of which the powered toaster is probably the most popular).If I spot a digital unit on a stage of significance…the majority of times its a Kemper or a QC… not exactly the most praised brands in this corner of the internetMaybe the takeaway is that they are at least fit for purpose in the major leagues.
Before I get lynched, plenty of other brands are also, just my personal count of “digital unit spots”.
If I spot a digital unit on a stage of significance…the majority of times its a Kemper or a QC… not exactly the most praised brands in this corner of the internetMaybe the takeaway is that they are at least fit for purpose in the major leagues.
Before I get lynched, plenty of other brands are also, just my personal count of “digital unit spots”.
If what you say is true…. that may make it “non professional” for you. In what rig situation hasn’t it worked in a way that you believe a professional would demand?I have said multiple times that for me the Quad Cortex is not a professional device, because it does not play nicely in a more complicated amp-centric rig.
Simple - 4-cable-method.If what you say is true…. that may make it “non professional” for you. In what rig situation hasn’t it worked in a way that you believe a professional would demand?
I will!Try putting the doubler at the start of the chain. It gets summed to mono by the amp but boy, is it beefy.
Yeah extra noise sucks. I’ve ran into too much of a noise floor on other units as well. A few of the Fractal units did. Seems they have worked that out now. The Helix has a ground issue as well as the HX Effects when using those to switch channels on an amp in 4CM. I wouldn’t call them non professional. Heck even had amps that had a higher noise floor than other amps. They were very professional amps. Maybe you would call those unprofessional. To each his own though. That’s totally subjective anyway.Simple - 4-cable-method.
It is super super super non-performant in any scenario where you're connecting it up to other gear. It is just far too noisy:
Here's a few noise-floor recordings. I boosted them all by 10dB just to make the waveform higher, but the relative differences are still maintained.
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In the room, the last one (the 4cm one) was way more noticeable than the others. The ones where it is just the amp have the lowest noise floor, as you'd expect. As soon as you put the QC into the signal path once, you get a higher noise floor because the DAC conversion noise of the unit is amplified by the gain of the amplifier. It is a lot worse in 4-cable-method.Baseline noise floors between Axe3, Helix, and QC - all in 4-cable-method with an amp:
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The last one is the QC. The noise floor is twice as loud as the other two.
Same amp. Same cables. Same amp levels. Same everything. Just switching the units.
The base level of noise from the QC is twice as high as other modellers.
People are very handy at choosing one way of using the QC, and using that to represent it as a professional device. But nearly all of the exampled offered, are people using it straight into the PA and IEM's simultaneously, without any (or at least very few) bits of gear in tandem with it.
Even in the Rabea valve amp rig that I posted before, you can hear the same issue.
If you don't give a shit. That is fine. But I do give a shit. It isn't a professional device. TO ME. Which is all I've ever said.
Now I've offered objective measurements and a reasoned position. What have you got that isn't one of the three categories of fallaciousness that I listed?
Noise floor isn't subjective. It is objective.Yeah extra noise sucks. I’ve ran into too much of a noise floor on other units as well. A few of the Fractal units did. Seems they have worked that out now. The Helix has a ground issue as well as the HX Effects when using those to switch channels on an amp in 4CM. I wouldn’t call them non professional. Heck even had amps that had a higher noise floor than other amps. They were very professional amps. Maybe you would call those unprofessional. To each his own though. That’s totally subjective anyway.
I didn’t say noise floor is subjective. I said what someone considers “professional” is.Noise floor isn't subjective. It is objective.
What is subjective is one's ability to accept or not accept a certain threshold.
But yes, ground issues are super annoying. Bit of a different thing though, because those are easy to fix. You can't go into a QC and change the DAC parameters or replace it for a higher quality one.
I've had ground loops with Helix and Axe III. 100% I have. Humbuster cables have pretty much never gotten rid of it for me, when it comes to the Fractal stuff.
I use these:
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Which has cured a ground loop issue 100% of the time whenever I've used one. I have two of them for the times where I do a stereo rig too.
One of these would completely eliminate ground hum with a HX Effects.