NDSP Quad Cortex

reducing the output volume
Along with your signal. Noise floor doesn't change its relative position when turning down the output volume. So it isn't really useful to do and in 4-cable-method can be even more detrimental, because then you need to turn up your amp louder, which then adds in more of the amps noise floor itself.

or using a noise gate
Yep. But a noise gate should be optional in most cases, not required. With Helix and AxeIII, in 4-cable-method clean tones don't need a noise gate. With the QC, they do.
 
I got off the complaint train a good ways back. And this is sort of hypocritically popping in to say hi to that train in it's own way; but they should have never promised plug-in porting. Imagine if they didn't have that still hanging around their neck.
Yup. That was my take when they announced it, that it was going to be a rat hole for development. That was before it was even clear that Neural's development pace was going to be well behind compared to its peers. Doug should have told people they'd research it rather than just committing to it with no scoping on the technical side.
 
The Quad Cortex is very noticeably noisier than others. Both in 4-cable-method with a valve amp (any valve amp) and also when putting other digital pedals into the effects loops.

It also has lower overall output than all other devices I've tried too.
Although I haven't had the opportunity to experience the 4cm issues, it definitely seems to have lower output. Hasn't been an issue in my use case (into the FR-12s) but it's noticeable.
 
I understand your point also. But just bear in mind I'm speaking for myself here. Not for everyone else.

There are pretty unacceptable issues with the Quad Cortex when it comes to integrating it into a wider rig. Most of the artists I've seen who use the Quad Cortex - one of my favourites being a band called The Ocean - are using it as a standalone device, where most of the issues I am talking about are drastically minimized. You simply wouldn't notice how poor the signal quality is unless you were running 4-cable-method, or integrating external pedals into the FX loops.

Even the guys around here who do that have corroborated my view.

At various times in the past couple of years, I've had the Helix, Boss GT1000, Axe FX III, Kemper, and Quad Cortex, side-by-side in various combinations, along with a raft of pedals, and I can honestly say that the Quad Cortex is the nosiest bit of equipment I've ever tried to use with a valve amp. It simply is not professional enough in that context.

It doesn't really factor into my assessment the fact that a band can tour with the unit, plug in the main outs into the FOH, and route the other outputs to their IEM's and play a show. That isn't my world, and the fact it can do it is irrelevant to me.

And it really is a shame. Because algorithmically, I think it sounds great. Not as good as the Axe FX III, but better than the Helix in many cases. The stock effects were not even that bad, there just wasn't enough variety. Being able to load plugins on it is really cool, and I did enjoy running the plugins I own on it. It was a shame that not everything I owned was already supported - considering the device launched in 2020. That was five years ago if we're counting.

The looper block is genuinely really good. They nailed that. To this day, I'm still not sure if I'm a shit guitarist, or if the Axe FX III and default FC12 layout is buggy or what. I don't know. But I rarely seem to get a good loop using the Axe III and FC12; whereas with the QC I did. With the Flashback X4 I did. With the DD500 I did. Kinda strange.

Ultimately, I think they made a consumer device. Not a professional one. Which is fine. There is space - arguably most of it at this point - for consumer electronics. But I think Fractal wipe the floor with it just for raw circuitry and understanding of digital audio conversion and how to best optimize it to reduce noise, aliasing, and harmonic distortion.
Thinkin out loud.. are real valve amps noisy? When using a lot of gain,stack pedals,turning up the drive knob..hahaha!
Lots of music have been made with noisy amps from the getgo. Are we really thinking that the QC is useless with other gear??
This is just wierd...!
The obsession on shiting on the Quad Cortex is hilarious! I`m 48 years old... it`s like a kindergarden sometimes being on these forums :rofl
 
Thinkin out loud.. are real valve amps noisy? When using a lot of gain,stack pedals,turning up the drive knob..hahaha!
Lots of music have been made with noisy amps from the getgo. Are we really thinking that the QC is useless with other gear??
This is just wierd...!
The obsession on shiting on the Quad Cortex is hilarious! I`m 48 years old... it`s like a kindergarden sometimes being on these forums :rofl
Idk Orv response was pretty well thought out and he said it was his view and not to take it as a general statement. He also has the proof to back up the higher noise floor.
 
Thinkin out loud.. are real valve amps noisy? When using a lot of gain,stack pedals,turning up the drive knob..hahaha!
Lots of music have been made with noisy amps from the getgo. Are we really thinking that the QC is useless with other gear??
This is just wierd...!
The obsession on shiting on the Quad Cortex is hilarious! I`m 48 years old... it`s like a kindergarden sometimes being on these forums :rofl
I've owned two. One I bought last year while you were seemingly taking a break from the forum. I just sold it. I've described exactly what I liked about it and what I didn't, and where my first experience differed from my latest one. Feel free to go look that up.

First of all, my valve amps are quieter when I plug my guitar into it directly, with no effects in the signal path. This is completely normal and obvious, and is to be expected. So it isn't the valve amp at fault.

Noise definitely exists in the analog domain. No question. But that isn't the noise that is the problem here; it isn't the root cause.

Now. Noise floor in digital systems is incredibly difficult to deal with. All you can do is your best. You'll never get rid of it 100% because the physics simply does not allow for it. But there are some things that you should try to do at the electrical engineering level, in order to give the system as a whole the best chance of having the lowest noise floor possible:

  • Before audio reaches the digital stage, reduce noise in the analog domain as much as possible. This means making sure that channel crosstalk is kept to a minimum, using high quality components throughout the buffering stages and the general I/O stages, using low-noise op-amps and JFET based preamps for high impedance input signals, rather than a generalized component that takes a line level signal and steps it down - which would be an example of how to do it badly.
  • Making sure you use properly shielded signal paths and grounding techniques to avoid hum.
  • Making sure your PCB layout design reduces opportunities for EMI as much as possible.
  • Dual-gain input: take two inputs at different levels of gain, and dynamically blend between them. This is the same principle used in digital cameras to help reduce noise in images.
  • Perform high-order noise shaping and dithering in Sigma-Delta ADC stages.
Those are just some of areas to look at. Whether NeuralDSP did this or just bought some components off the shelf and slapped them together, I simply cannot say.

But what I can say, and can show in images and audio (if you want it) is this:
1741367690802.png

1741367699019.png


The baseline noisefloor of the Quad Cortex when running in 4-cable-method (and also when just running into the front) with a real amplifier puts it firmly in last place when compared to Helix and Axe FX III. For a certain class of user, this is incredibly important, because making sure that each component in an entire system has the lowest noise floor possible, is one of the overall goals of putting together complex multi-device rigs. This is why things like the Bradshaw rig, the GigRig, and loopswitchers in general, exist in the first place.

So, I've never said the Quad Cortex was "useless" - that is a strawman. What I've said is, the kind of noisefloor I've seen from it when put at the centre of a complex rig, is unacceptable. Especially at this price point.

That is my opinion. I don't care if anyone else doesn't care about noise. Like I said, that is your prerogative. But what I do care about is objective measurement and valid comparison between devices.

For the avoidance of doubt; yes. I think the Quad Cortex is unacceptable in this context. I think the Helix Floor and Axe FX III (and VP4 now) are acceptable. I am not expecting zero noise. I am just expecting minimal noise.

And to finish up, the obsession with shitting on people who are critical of the quad cortex is what is hilarious. The defensiveness is hilarious. The fuckwittery and sheer amount of technological and scientific ignorance is hilarious. The anti-intellectualism is hilarious.

And by 'hilarious' I really mean 'pathetic, stupid, and sad'.

Welcome back.
 
I've owned two. One I bought last year while you were seemingly taking a break from the forum. I just sold it. I've described exactly what I liked about it and what I didn't, and where my first experience differed from my latest one. Feel free to go look that up.

First of all, my valve amps are quieter when I plug my guitar into it directly, with no effects in the signal path. This is completely normal and obvious, and is to be expected. So it isn't the valve amp at fault.

Noise definitely exists in the analog domain. No question. But that isn't the noise that is the problem here; it isn't the root cause.

Now. Noise floor in digital systems is incredibly difficult to deal with. All you can do is your best. You'll never get rid of it 100% because the physics simply does not allow for it. But there are some things that you should try to do at the electrical engineering level, in order to give the system as a whole the best chance of having the lowest noise floor possible:

  • Before audio reaches the digital stage, reduce noise in the analog domain as much as possible. This means making sure that channel crosstalk is kept to a minimum, using high quality components throughout the buffering stages and the general I/O stages, using low-noise op-amps and JFET based preamps for high impedance input signals, rather than a generalized component that takes a line level signal and steps it down - which would be an example of how to do it badly.
  • Making sure you use properly shielded signal paths and grounding techniques to avoid hum.
  • Making sure your PCB layout design reduces opportunities for EMI as much as possible.
  • Dual-gain input: take two inputs at different levels of gain, and dynamically blend between them. This is the same principle used in digital cameras to help reduce noise in images.
  • Perform high-order noise shaping and dithering in Sigma-Delta ADC stages.
Those are just some of areas to look at. Whether NeuralDSP did this or just bought some components off the shelf and slapped them together, I simply cannot say.

But what I can say, and can show in images and audio (if you want it) is this:
View attachment 39964
View attachment 39965

The baseline noisefloor of the Quad Cortex when running in 4-cable-method (and also when just running into the front) with a real amplifier puts it firmly in last place when compared to Helix and Axe FX III. For a certain class of user, this is incredibly important, because making sure that each component in an entire system has the lowest noise floor possible, is one of the overall goals of putting together complex multi-device rigs. This is why things like the Bradshaw rig, the GigRig, and loopswitchers in general, exist in the first place.

So, I've never said the Quad Cortex was "useless" - that is a strawman. What I've said is, the kind of noisefloor I've seen from it when put at the centre of a complex rig, is unacceptable. Especially at this price point.

That is my opinion. I don't care if anyone else doesn't care about noise. Like I said, that is your prerogative. But what I do care about is objective measurement and valid comparison between devices.

For the avoidance of doubt; yes. I think the Quad Cortex is unacceptable in this context. I think the Helix Floor and Axe FX III (and VP4 now) are acceptable. I am not expecting zero noise. I am just expecting minimal noise.

And to finish up, the obsession with shitting on people who are critical of the quad cortex is what is hilarious. The defensiveness is hilarious. The fuckwittery and sheer amount of technological and scientific ignorance is hilarious. The anti-intellectualism is hilarious.

And by 'hilarious' I really mean 'pathetic, stupid, and sad'.

Welcome back.
It`s been super nice. Been making music and enjoying life.
I did not know you got another QC. But at least NOW you know haha (kidding)
I did see The Ocean warm up on the last Karnivool show here in Oslo, sounded good!

Thanks!
 
I've owned two. One I bought last year while you were seemingly taking a break from the forum. I just sold it. I've described exactly what I liked about it and what I didn't, and where my first experience differed from my latest one. Feel free to go look that up.

First of all, my valve amps are quieter when I plug my guitar into it directly, with no effects in the signal path. This is completely normal and obvious, and is to be expected. So it isn't the valve amp at fault.

Noise definitely exists in the analog domain. No question. But that isn't the noise that is the problem here; it isn't the root cause.

Now. Noise floor in digital systems is incredibly difficult to deal with. All you can do is your best. You'll never get rid of it 100% because the physics simply does not allow for it. But there are some things that you should try to do at the electrical engineering level, in order to give the system as a whole the best chance of having the lowest noise floor possible:

  • Before audio reaches the digital stage, reduce noise in the analog domain as much as possible. This means making sure that channel crosstalk is kept to a minimum, using high quality components throughout the buffering stages and the general I/O stages, using low-noise op-amps and JFET based preamps for high impedance input signals, rather than a generalized component that takes a line level signal and steps it down - which would be an example of how to do it badly.
  • Making sure you use properly shielded signal paths and grounding techniques to avoid hum.
  • Making sure your PCB layout design reduces opportunities for EMI as much as possible.
  • Dual-gain input: take two inputs at different levels of gain, and dynamically blend between them. This is the same principle used in digital cameras to help reduce noise in images.
  • Perform high-order noise shaping and dithering in Sigma-Delta ADC stages.
Those are just some of areas to look at. Whether NeuralDSP did this or just bought some components off the shelf and slapped them together, I simply cannot say.

But what I can say, and can show in images and audio (if you want it) is this:
View attachment 39964
View attachment 39965

The baseline noisefloor of the Quad Cortex when running in 4-cable-method (and also when just running into the front) with a real amplifier puts it firmly in last place when compared to Helix and Axe FX III. For a certain class of user, this is incredibly important, because making sure that each component in an entire system has the lowest noise floor possible, is one of the overall goals of putting together complex multi-device rigs. This is why things like the Bradshaw rig, the GigRig, and loopswitchers in general, exist in the first place.

So, I've never said the Quad Cortex was "useless" - that is a strawman. What I've said is, the kind of noisefloor I've seen from it when put at the centre of a complex rig, is unacceptable. Especially at this price point.

That is my opinion. I don't care if anyone else doesn't care about noise. Like I said, that is your prerogative. But what I do care about is objective measurement and valid comparison between devices.

For the avoidance of doubt; yes. I think the Quad Cortex is unacceptable in this context. I think the Helix Floor and Axe FX III (and VP4 now) are acceptable. I am not expecting zero noise. I am just expecting minimal noise.

And to finish up, the obsession with shitting on people who are critical of the quad cortex is what is hilarious. The defensiveness is hilarious. The fuckwittery and sheer amount of technological and scientific ignorance is hilarious. The anti-intellectualism is hilarious.

And by 'hilarious' I really mean 'pathetic, stupid, and sad'.

Welcome back.
I read the first 80% of this and was convinced I needed to go hunt down whoever had stolen your identity. Then I got to the bottom and thought, "ok never mind. He was just having a moment."

Great post btw. ❤️
 
I read the first 80% of this and was convinced I needed to go hunt down whoever had stolen your identity. Then I got to the bottom and thought, "ok never mind. He was just having a moment."

Great post btw. ❤️
The thing is, I don't like sucking myself off. I have a very bad habit of playing the class clown to cover up for the basic human self-esteem fragilities.

But when it comes down to it - I really do know my shit.
 
I made some captures with a new Synergy 20IR and Z Wreck module today. Still working through getting the levels "right", but I was impressed with the first go at it. I'll share them after working out the lessons learned.
 
Orv, I've just seen today a Vulfpeck live show at YT... Cory Wong with a QC. If this guy use it professionally, I definitely call it a professional device.
It doesn't really factor into my assessment the fact that a band can tour with the unit, plug in the main outs into the FOH, and route the other outputs to their IEM's and play a show. That isn't my world, and the fact it can do it is irrelevant to me.
 
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