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No. The R variant doesn’t have the Treble imbalance between the channels.Would there be any reason to clip the C19 in an HR/40CR, or did Marshall "fix" that in the revision?
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No. The R variant doesn’t have the Treble imbalance between the channels.Would there be any reason to clip the C19 in an HR/40CR, or did Marshall "fix" that in the revision?
May I suggest a:… I've gone from being indifferent to Marshalls to outright greedy for Marshalls in the span of about two weeks LOL.
I gotta slow down for a minute LOL.
I gotta slow down for a minute LOL.
Do you have something digital that does captures? Edit, you have a QC.Going back and forth and going crazy because I love them both. Which is the right problem to have, I guess.
Bottom line, I think I slightly prefer the sound of the H, but I much prefer the features of the HR. So comparing their tones is almost a moot point. :/Do you have something digital that does captures? Edit, you have a QC.
If so..capture the preamp of one via the send…and a/b against real, both into the return of the H.
Maybe it helps FOMO![]()
Bottom line, I think I slightly prefer the sound of the H, but I much prefer the features of the HR. So after a point, comparing their tones is almost moot. :/
I couldn’t agree more. And every time I find myself convinced that the HR is lacking or the H is more legit or whatever, it turns out I’ve done something stupid with the Masters, or the EQs aren’t quite like for like, or… (This also speaks to the fact that making a couple of captures to A/B is actually non-trivial.)I’ll probably get booted from the forum for saying this… but just get rid of one and you won’t even notice the tone differences anymore.
I always find I’m perfectly happy with the sound of a piece of gear until I start doing side by side comparisons. Then my brain starts noticing differences and tries to decide which slight differences it prefers, and it’s a slippery slope from there.
What If you could do the observation that digital preamps into return sound and feel the same, and you run all your preamp sections from the QC…wouldn’t you have all the switching options you could ever want in the QC?Bottom line, I think I slightly prefer the sound of the H, but I much prefer the features of the HR. So comparing their tones is almost a moot point. :/
I couldn’t agree more. And every time I find myself convinced that the HR is lacking or the H is more legit or whatever, it turns out I’ve done something stupid with the Masters, or the EQs aren’t quite like for like, or… (This also speaks to the fact that making a couple of captures to A/B is actually non-trivial.)
So I agree getting rid of one makes sense. The only problem is that the less practical amp for my purposes (H) is going to be more difficult to unload, whereas the HR is just a matter of telling MF I want my money back. (Also, that small matter of finding an HR that ain’t broke.)
So recognizeable..always find I’m perfectly happy with the sound of a piece of gear until I start doing side by side comparisons. Then my brain starts noticing differences and tries to decide which slight differences it prefers, and it’s a slippery slope from th
Soooo, where are you located?I couldn’t agree more. And every time I find myself convinced that the HR is lacking or the H is more legit or whatever, it turns out I’ve done something stupid with the Masters, or the EQs aren’t quite like for like, or… (This also speaks to the fact that making a couple of captures to A/B is actually non-trivial.)
So I agree getting rid of one makes sense. The only problem is that the less practical amp for my purposes (H) is going to be more difficult to unload, whereas the HR is just a matter of telling MF I want my money back. (Also, that small matter of finding an HR that ain’t broke.)
Once the dust settles, that’s probably how I’ll run things 9x out of 10. But it’s still valuable to know which amp sounds better in straight up caveman mode. So far, it seems to be damn near a tie, as you’d expect.What If you could do the observation that digital preamps into return sound and feel the same, and you run all your preamp sections from the QC…wouldn’t you have all the switching options you could ever want in the QC?
I run a 2 channel amp I love to death, I run it in 4cm, analog preamp in scene 1, scene 2 to 4 are captures of it.
I don’t even bother to take the footswitch of the amp.
So scene 1 is my analog preamp, sometimes it’s the clean channel, sometimes the drive…in any case…I got the other one available as a digital version.
The nice thing about it is that you have all the control you want, and at the same time your “analog itch” scratched. Also nice..it’s really an “apples to apples” comparison, and it’s so hybrid..you never have to consider if you go analog or digital![]()
100%. Although we should acknowledge that we’re talking about a backup for a piece of gear I didn’t exactly “need” in the first place.I suppose another option could be keep both, but put one in storage as a backup? Never a bad thing to have a backup.
Or get an sde-3000 and run both in stereo![]()
Excellent question - same one my wife kept asking, in fact. Unfortunately, I’d say yes; MV, MIDI control, and switching on the FX loop rather than the mediocre reverb are all attractive features that I’ll get some mileage out of.Do you actually need the features the HR provides that the H doesn't?
CT. Looking for a DSL100H? :)Soooo, where are you located?![]()
Bah, I’m way on the other side of PA.CT. Looking for a DSL100H? :)
And we’ve already established you won’t drive 4 hours for a DSL, unlike a certain idiot here.Bah, I’m way on the other side of PA.