They're mostly fine. But I do prefer the spacing of the Boss 500 series.I just noticed that the switches on those pedals (same for the LVX) are incredibly close to each other. No idea how one could properly operate the inner switches live...
They're mostly fine. But I do prefer the spacing of the Boss 500 series.I just noticed that the switches on those pedals (same for the LVX) are incredibly close to each other. No idea how one could properly operate the inner switches live...
This thing is so interesting. It actually works as a full-fledged synth module as well.
To me the Boss just sounds dated. I'd love to hear some videos/samples where it sounds modern. The Enzo sounds very modern to my ears.The BOSS GM-800 does as well. You can do more with it because you can layer 4 synths and a drum program on top of each other![]()
To me the Boss just sounds dated. I'd love to hear some videos/samples where it sounds modern. The Enzo sounds very modern to my ears.
They're mostly fine. But I do prefer the spacing of the Boss 500 series.
Get a Fleshlight.Compared them to the GT-1000 (which is possibly sort of a minimum requirement regarding switch distance) on Pedalplayground and they're really a *lot* closer to each other. Defenitely nothing for me just because of that (and I'm actually sort of in the market for whatever kinda "let's do some strange things" device).
Get a Fleshlight.
Main issue with the Boss in this kind of discussion is it is NEVER going to carry any sort "cool" cred in the crowd that wants that sort of thing for their boards. The Meris definitely will.The GM-800 has Roland's Zencore sound engine. The same as in their Fantom keyboards. You can get almost any type sound out of that. Much more powerful than the sound engine inside Enzo. The presets do sound dated because they are same as what has been in Roland's Zencore/Zenology library forever. But you can program new sounds for the GM-800 on your computer and import them. Enzo does have the advantage of sound design right on the box itself.
Main issue with the Boss in this kind of discussion is it is NEVER going to carry any sort "cool" cred in the crowd that wants that sort of thing for their boards. The Meris definitely will.
Main issue with Boss is they don't think folks are smart enough to do sound design themselves (they might right about that) and they make it f'ing hard to do so. At least Meris lets you try without making you going through a Ninja Warrior obstacle course. Now that's cool.
Nah not true, come on. There is a lot of ways to control things in boss sy-300, and sy-1000
Nah not true, come on. There is a lot of ways to control things in boss sy-300, and sy-1000 and heck even gr-55 and vg-99 etc..
GM-800 is fantastic, even if you do have to go in editor to do more deep stuff, but it's the most deep synth there is for guitar right now.
I also agree the the GM-800 is the most deep synth there is for guitar right now.
But it's MIDI-only, which is a fundamental difference when it comes to accepting your playing technique.
Elantric is twitching somewhere as you type thisIT'S NOT MIDIit's hex system.
Yes, it has MIDI. And, it has a hexophonic pickup system called the GK-5. Don’t call that MIDI.But it's MIDI-only, which is a fundamental difference when it comes to accepting your playing technique.
IT'S NOT MIDIit's hex system.
Yes, it has MIDI. And, it has a hexophonic pickup system called the GK-5. Don’t call that MIDI.
I’m curious about the same. Atmospheric and beep boop can be fun until it isn’t.Is this all atmospheric beep boop or can it track fast lines like the SY1000?