I'm so fond of this pedal. I really didn't "get it" when I tried it in the shop... but now I basically wouldn't part with it.
You're supposed to ream me out and accuse me of being a forum shill and a paid-for-informer with a shit Dick Dastardly moustache!Well aint nothing wrong, we go with what we like and what inspires
That is def not youYou're supposed to ream me out and accuse me of being a forum shill and a paid-for-informer with a shit Dick Dastardly moustache!
#expression pedal envyThis morning.... I want to sell my Axe FX III.
I can't help it. I'm just finding even my shitty little prototype board way more inspirational:
View attachment 18658
But then he'd have nothing in reserve for the QC fans.You're supposed to ream me out and accuse me of being a forum shill and a paid-for-informer with a shit Dick Dastardly moustache!
Honestly.... you can go back about a year or so and see my comments on this pedal, where I'm quite derisive about it.I had ZERO interest in this pedal. And then I watched about half of your video and realized I shouldn’t have written this pedal off…. There are some really cool textures in there that I’m not sure I could recreate in any device I currently have. Maybe I could squeeze something close out of the FM9 when I get it, but it would probably be a lot more work than it is on the LVX.
D
This morning.... I want to sell my Axe FX III.
I can't help it. I'm just finding even my shitty little prototype board way more inspirational:
View attachment 18658
Honestly.... you can go back about a year or so and see my comments on this pedal, where I'm quite derisive about it.
I had tried it out in a guitar shop for about 20-30minutes, and whilst I liked the sound of the presets.... I really struggled to get my head around it. The shop staff were a bit bothersome too, hovering around me like I was some teenager who didn't have the money anyway, and so I sorta wrote it off as being too expensive for what you get, being too complicated and difficult to use, and just generally not bringing much tonally to the table.
I was 100000% incorrect. Once you get your head around it, this pedal actually makes a lot of sense and has a butt-ton of tones in it that other pedals cannot really do. It is also really good at emulating the sounds you can get with your other pedals.
For example... my Helix "oscillating delay" chain which consists of Adriatic delay (quarter note) into a bucket brigade delay (eighth note) and then into a compressor, EQ, and finally a reverb .... this pedal can do that tone very very closely, all in one preset... complete with spillover too.
So after owning the LVX since the start of November 2023... I've just really really gotten into it. One of the best delay pedals ever made. I even purchased the MercuryX completely sight-unseen recently, because they absolutely won me round.
As for the comparison to the Fractal stuff. There are things in the LVX that the Fractal ecosystem simply doesn't do. But even the stuff it does... it is a bit of a mission to get there. Whereas now for me the LVX feels intuitive... the Fractal I could go really crazy with routing and parallel paths and EQ tweaks in the feedback loop of a delay and all the rest of it... and probably still not get where I wanted to be. The Axe III is cracking gear no doubt. But right now I'm just not feeling the work required.
There you go! Add that to your G3 gas list!
Hey slag! I don't member any questions!Pretty sure I asked you some questions you ignored, too, c*nt!
Hey slag! I don't member any questions!
Honestly.... you can go back about a year or so and see my comments on this pedal, where I'm quite derisive about it.
I had tried it out in a guitar shop for about 20-30minutes, and whilst I liked the sound of the presets.... I really struggled to get my head around it. The shop staff were a bit bothersome too, hovering around me like I was some teenager who didn't have the money anyway, and so I sorta wrote it off as being too expensive for what you get, being too complicated and difficult to use, and just generally not bringing much tonally to the table.
I was 100000% incorrect. Once you get your head around it, this pedal actually makes a lot of sense and has a butt-ton of tones in it that other pedals cannot really do. It is also really good at emulating the sounds you can get with your other pedals.
For example... my Helix "oscillating delay" chain which consists of Adriatic delay (quarter note) into a bucket brigade delay (eighth note) and then into a compressor, EQ, and finally a reverb .... this pedal can do that tone very very closely, all in one preset... complete with spillover too.
So after owning the LVX since the start of November 2023... I've just really really gotten into it. One of the best delay pedals ever made. I even purchased the MercuryX completely sight-unseen recently, because they absolutely won me round.
As for the comparison to the Fractal stuff. There are things in the LVX that the Fractal ecosystem simply doesn't do. But even the stuff it does... it is a bit of a mission to get there. Whereas now for me the LVX feels intuitive... the Fractal I could go really crazy with routing and parallel paths and EQ tweaks in the feedback loop of a delay and all the rest of it... and probably still not get where I wanted to be. The Axe III is cracking gear no doubt. But right now I'm just not feeling the work required.
There you go! Add that to your G3 gas list!
I'm so fond of this pedal. I really didn't "get it" when I tried it in the shop... but now I basically wouldn't part with it.
Eh... I had one and I say you're still going to have to spend hours on it to find juice that's worth the squeeze. The video's 20 minutes long and that's just to share what he's already worked out...it wasn’t that complex and you quickly got to some textures that are very hard to create with other stuff.
Yeah I get you. I think if you checked my band out it would probably make sense. I'm playing my guitar, of course I am. But the ambience/atmosphere is a core part of the music, rather than just a bit of spice thrown over the top, if that makes sense?Lovely sounds!
But I can't see myself using it like you do, and I think it's summed up by something you say in jest at the end, "who needs guitars anyway?" I do, I like playing the guitar when I play guitar. But again, lovely sounds and compliments on the effects building creativity.
I genuinely don't think the Axe III could do that tone at the end of the video. You can definitely do some huge ambient pad things though, no question. A lot of the time on the Axe III, you can really just get away with loading a Cumulonimbus reverb (for example, picked it because it is one of my favourites!) and then crank the time parameter to 20 seconds or so, and the mix parameter to above 50% ... and you'll get a very nice wash. But anything that is a bit more complex and requires parallel paths and expression pedal control and all the rest of it... just a bit more difficult.Eh... I had one and I say you're still going to have to spend hours on it to find juice that's worth the squeeze. The video's 20 minutes long and that's just to share what he's already worked out...
It is pretty quick to use. I definitely suggest trying one out. But if you do, buy it from a shop that offers a healthy return period. I think I really learned my lesson about trying complex products in a guitar shop.I wrote it off because I generally don’t like messing with complex multi delays even though I know they can do amazing stuff. I fiddled with them years ago with the magicstomp and then again with Fractal, always decided the juice wasn’t worth the squeeze. When the LVX came out (and the polymoon before that), I was immediately like nope I’ve already learned that lesson before. Your video changed my mind… it wasn’t that complex and you quickly got to some textures that are very hard to create with other stuff.
I don't mean to rag on the Fractal stuff. I do genuinely love the tones, and I don't find the interface daunting or anything. I really understand how it works. But at the same time, it doesn't feel like a creative space to me at the moment... it feels like obligation, rather than creation.You’re scaring me about fractal stuff, I may have given it far too much credit about having improved with regard to quickly getting specific sounds compared to the old days. I guess I’ll try it anyway and see what my experience is like for the kind of stuff I like to do.
I'd be curious what sort of setup you're imagining there. Here's where I am at as of about 5 minutes ago:Not gonna lie, I surveyed the pedals I have around last night and did a thought experiment about which ones I would keep for a G3 rig and which new pedals I would want to buy… I still need a direct solution and don’t want multiple rigs though which complicates things a little.
D