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It's web-based. Here's a link.@Digital Igloo , I don't see the editor in the downloads. What is the latest status on that?
It's web-based. Here's a link.@Digital Igloo , I don't see the editor in the downloads. What is the latest status on that?
Fuzz for me is the single one thing I couldn't get to sound right with the Floor. I didn't expect this to change with 1.1 but would love to see something new (Agoura?) down the line. I never had any problems with all the other dirt options though and used Helix as my standalone pedalboard for the last 8 years.
It's funny how opinions can differ. I never truly was happy with the amps on Helix, but the Fuzz stuff, specially the Fuzz Face - IMO - is the best digital recreation of the effect, behaving remarkably close the real ones. The way it reacts to the volume pot of the guitar is quite amazing. Of course we need to take into consideration how different the circuit can differ, but it does have all the stuff that makes me recognize the Fuzz Face thing. And you need to also be careful about the input impedance. Years ago I made this video to showcase the fuzz and the importance of the input impedance.
The few tones he had the Silver Sky sounded pretty cool.
It's funny how opinions can differ. I never truly was happy with the amps on Helix, but the Fuzz stuff, specially the Fuzz Face - IMO - is the best digital recreation of the effect, behaving remarkably close the real ones. The way it reacts to the volume pot of the guitar is quite amazing. Of course we need to take into consideration how different the circuit can differ, but it does have all the stuff that makes me recognize the Fuzz Face thing. And you need to also be careful about the input impedance. Years ago I made this video to showcase the fuzz and the importance of the input impedance.
The embargo has been lifted. YouTubers have opened the floodgates.
It's funny how opinions can differ. I never truly was happy with the amps on Helix, but the Fuzz stuff, specially the Fuzz Face - IMO - is the best digital recreation of the effect, behaving remarkably close the real ones. The way it reacts to the volume pot of the guitar is quite amazing. Of course we need to take into consideration how different the circuit can differ, but it does have all the stuff that makes me recognize the Fuzz Face thing. And you need to also be careful about the input impedance. Years ago I made this video to showcase the fuzz and the importance of the input impedance.
@GuitarJon delivered all the chugs we were waiting for - sounds fantastic.
Huh....I thought he made it sound pretty good.This one is a little frustrating to watch because he seems to not fully understand that all the fx are the same and the majority of amps are not yet in Agoura. He also seems to not realize the new cabs are available in current gen Hx boxes.
The guy could at least do his homework first.
Sorry, no idea.@Digital Igloo is there any info on shipping in the EU? People over here are confused by thomann shipping dates jumping back to 1-2 weeks. People gonna be patient but would like to know for how long.
Thanks! The manual was all Steve F, our illustrious technical writer—I just went in and wordsmithed a bit. Now that's it's web-based, it's much easier to go in and tweak stuff.Thanks.
By the way, take a bow dude. Well done.
I think he was asking about the editor, not the manual.
I think that's here. You have to select Helix Stadium in the Choose Software pulldown.
I had no issue with the tones at all. I just thought some of his criticism of the unit was misinformed, which unfortunately now goes out and gets repeated all over the net.Huh....I thought he made it sound pretty good.
Sorry, no idea.
Thanks! The manual was all Steve F, our illustrious technical writer—I just went in and wordsmithed a bit. Now that's it's web-based, it's much easier to go in and tweak stuff.
Hey @Digital Igloo we appreciate the shout out in the manual!Thank you for joining the ranks of Line 6® Helix®Stadium users; it's an elite group of musicians from rock stars touring (ahem) stadiums to weekend warriors to a veritable army of armchair producers who debate online the merits and deficiencies of guitar gear more than they use it. (We're not one to judge.)