Just heard the origins of line 6 on DAWbench podcast

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@Digital Igloo i just listened to this podcast stating that one of the developers of the adat protocol (which so many of us use to this day and is probably 99% or more of todays multichannel digital interconnects) was also a founder of line 6. And he gave the story about how the name came about. Unreal!
 
@Digital Igloo i just listened to this podcast stating that one of the developers of the adat protocol (which so many of us use to this day and is probably 99% or more of todays multichannel digital interconnects) was also a founder of line 6. And he gave the story about how the name came about. Unreal!
Y’all got a link or Episode number?
 
@Digital Igloo i just listened to this podcast stating that one of the developers of the adat protocol (which so many of us use to this day and is probably 99% or more of todays multichannel digital interconnects) was also a founder of line 6. And he gave the story about how the name came about. Unreal!
Yeah, Marcus Ryle is an absolute legend—he's worked on so many immeasurably influential pieces of gear. Met him first in May of 2010, where a friend at Line 6 (who's now at Fender) set up a pitch meeting for a product line I designed. Was hoping for a bit of constructive feedback from one of the biggest names in the industry; absolutely did not expect a job offer at the end.

Marcus and his wife Susan (who's also awesome) run a consulting firm now and have already done some amazing things. Would love to work with them again some day.
 
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Also, DAWBench podcast is well worth a regular listen and a follow. Loads of great people coming through on there!
 
A VERY big part of the reason I do what I do, is to pay pennance for being raised in the religion of Pro Audio in my formative years and preaching what we were taught in church about "vintage is always better" "analog is always better than digital" "Mic preamps that test the same still sound different and you need to spend at least 2500 dollars per channel"

All that bullshit

One of the biggest Fatwas this religion had in the 90's was against the ADAT...We had all sorts of proverbs bout how track to track phase would be off between machines, claims about the sounds, etc...All stuff WE DID TEST and found not to be true, but we were told to believe anyway.

Every other post on the early recording newsgroups was about how bad adats sucked, but really, they were great (yes locking up sucked donkey dongles, and there were some reliability issues, but sound was fine)

I feel really bad for being a part of it, and that's why I push so hard when people are telling noobs to spend piles of money on stuff that won't make a difference.

The ADAT rep at the time for the bigger studios I serviced, Jimmy Church, really forced me to take a look at my claims and was a big part of leaving that religion

It is really awesome to hear how such a pioneer created so much of my universe. Its incredible that the ADAT format is still running in my studio every day, (18 cables worth)!
 
IMG_1536.jpeg


Our ADAT sat on the wooden rack (left)

Did a few albums with it!
 
Found these old photos of my home studio in Tucson from... 2002?

Left monitor was Logic (front end for ProTools MIX Plus); right monitor was for Gigastudio (bottom of the rack to the left). Boxes on the desk must've been from some of the video games I scored. Still using the Argosy desk and JP-8080.
DI_Studio2002_Logic.jpg


8 channels of ADAT lightpipe from Akai S5000, 16 channels of ADAT lightpipe from Digidesign ADAT Bridge 24, and 8 channels of AES/EBU from Apogee AD8000, all to 32 inputs on the Mackie D8B. Everything clocked from an Aardvark Aardsync II. Worked flawlessly with negligible throughput latency. This photo must've been a bit earlier, before the V-Synth replaced the Korg Triton.
DI_Studio2002_Mixer.jpg


Live rack rig from old band. Empty space above the POD Pro was for the Echo Pro looper, which would record and play back vocals live so our singer could harmonize with herself in later choruses. Additional production workstation with Sony ACID, an early version of Ableton Live, and more Gigastudio channels. Cable management tragedy.
DI_Studio2002_Gigastudio.jpg


This must've been from a year later when I upgraded to a G5 with PT|HD and switched to EXS24 for sampling duties:
DI_Studio2002_Flowchart.jpg
 
A lot a great stuff in there to talk about!

I’ll just pick one for now… I was a big sonic foundry sound forge/Sony acid user for a while, just creating tunes while in flight across the country. ~2001

👍❤️🙏


All SF/Acid loops …




 
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