kartikg3
Roadie
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True, thats why I love TB2/3when you stare into the abyss you realize we're all a little TB2 on the inside.
True, thats why I love TB2/3when you stare into the abyss you realize we're all a little TB2 on the inside.
I hate to pull out this ol' yarn again, but:
The powered Kemper experience is actually not soooooo far off of this -- definitely the closest one can get in the digital world, imo. I imagine liquid profiling has brought it even closer. The ability to load only the rigs you want onto the unit is really nice, along with the ability to "lock" the effects so they stay the same as you swap in/out amp and cab profiles.I think it’s an interesting idea. I mocked it up for Cliff years ago:
I think there is a market for people that want to leverage digital, but in something that resembles a traditional amp, providing the traditional amp experience, but without the dumbed down or limited modeling. And it doesn’t even need to have any other effects and shit bogging it down. Just amps, with maybe an IR loader on the back if you want to go direct. But it should be treated as no different than a traditional amp, bring your own effects, bring your own cab, the only non-traditional thing required is to select which given amps you want running from the controls at any given time, but otherwise it’s WYSIWYG and you interact and build a rig around it just like an amp.
The powered Kemper experience is actually not soooooo far off of this -- definitely the closest one can get in the digital world, imo. I imagine liquid profiling has brought it even closer. The ability to load only the rigs you want onto the unit is really nice, along with the ability to "lock" the effects so they stay the same as you swap in/out amp and cab profiles.
yeah, there is the front-end work of getting the thing loaded with the amps you want -- but honestly, the same is kinda true of Fractal at this point. "I know I want a classic black panel amp on here....let's see....". But I totally agree that the capture/profile approach is fundamentally wrong for the ideal unit in this area.I don’t think captures leans into the idea i envision for it, because the potential need to demo and cycle through captures finding the golden ones slightly flies in the face of the more traditional experience I have in mind. I envision something like this as a straight amp experience with the only notable exception of needing to select (or change) which amp models you’d want for each channel on the physical device.
Nonetheless yes I’ve always liked the idea of the Kemper Powered toaster for a lot of the reasons you listed. It’s a cool solution in their ecosystem.
Not to bring it back up but Liquid Profiles do address this to a degree. When I had my Kemper, I was able to try the LPs and it significantly reduced the profile hunt.don’t think captures leans into the idea i envision for it, because the potential need to demo and cycle through captures finding the golden ones slightly flies in the face of the more traditional experience
Not to bring it back up but Liquid Profiles do address this to a degree. When I had my Kemper, I was able to try the LPs and it significantly reduced the profile hunt.
Just replied about this on another thread. But yeah I only see it super valuable if it's your own amp you profile and then are now able to adjust. Models are always going to be someone else's interpretation or amp model. The profile (ideally) should be your amp settings and tone which with LP can now be tweaked like your amp.Not to derail, and this is just my personal opinion, if you want an underlying model to make the capture work better, why not just use the model to begin with? lol Note: I’m just out on capturing largely these days. I get the value.
Reminds me of the Carlin bit “Undisputed Heavyweight Champion. If it’s undisputed, then whats all the fighting about?”
“Liquid Profiles. If we want to leverage a model, what’s all the capturing about?”
Not to derail, and this is just my personal opinion, if you want an underlying model to make the capture work better, why not just use the model to begin with?
Given the current prices of Helix/HX boxes, what would people be willing to pay for such a beast? We looked at a comprehensive Helix-in-a-combo and Helix-in-a-head years ago and felt it'd be too expensive to do right. But public perception may have changed by now.I woke up from my half dream state this morning with this image in my head: a beautiful lunchbox amp head sitting on top of a nice 1x12 cab, with the Helix logo in the center, kinda like the REVV D20 series form factor. Standard amp control knobs and a bunch of freely assignable infinity encoders for freely assignable params (amp / verbs / delays / mods and such), levels indicated by lights surrounding those encoders, and colour coded to indicated the kind of effect the param is controlling (std. Helix colours: green for delays, orange for verbs, blue for mods, purple for filter/pitch, orange-yellow for dist/fuzzes, lemon-yellow for EQ/Comp/Dynamics etc. Perhaps little screens / scribble strips indicating the type of params etc.
What do folks here think market for a Helix powered amp head would be?! What features do you think such a hypothetical amp head would have? (We have Katana heads in this space already for inspiration)
Hypothetically, could L6 make it (clarity added: a powered Helix, compatible with the current Control) work for a price similar to the other powered modeler on the market (2000-2200)?Given the current prices of Helix/HX boxes, what would people be willing to pay for such a beast?
Considering the Helix is already overpriced ( ) and the fact that a combo would basically get rid of a ton of the ins/outs/switches/audio interface/pots/switches etc ... I guess around exactly 1150 euro would be just right.Given the current prices of Helix/HX boxes, what would people be willing to pay for such a beast? We looked at a comprehensive Helix-in-a-combo and Helix-in-a-head years ago and felt it'd be too expensive to do right. But public perception may have changed by now.
I know you’re joking, but counterpoint: the Rack is $1600 to Floor’s $1700. Removing the stuff that makes Floor, Floor doesn’t seem to save (the consumer) much. That’s why I’d expect this hypothetical thing to start at the $1600 price point, then of course there are costs added for the amplifier and whatever else L6 would choose to add to make the Helix Cranium the amp head we all crave.Considering the Helix is already overpriced ( ) and the fact that a combo would basically get rid of a ton of the ins/outs/switches/audio interface/pots/switches etc ... I guess around exactly 1150 euro would be just right.
Assuming the power amp is 6l6 / EL34 of course.
Well ... I would assume that the critical hardware cost between something like Pod Go and Helix Floor is probably less than 100 euro. CPU, RAM, storage etc. So they'd have to basically put the guts of an upgraded Pod Go ( that runs the full helix software ) between the V1 preamp tube and the 6l6 power section and call it a day. All in all ... 1150 should be more than reasonable.I know you’re joking, but counterpoint: the Rack is $1600 to Floor’s $1700. Removing the stuff that makes Floor, Floor doesn’t seem to save (the consumer) much. That’s why I’d expect this hypothetical thing to start at the $1600 price point, then of course there are costs added for the amplifier and whatever else L6 would choose to add to make the Helix Cranium the amp head we all crave.
The OP was talking lunchbox in the 20-30 watt range. Some guys use big bottles for that but if we're getting cost conscious maybe step down to 84s or 6V6s.
Bigger glass = bigger iron = bigger bucks.