Hey digital igloo .. i must say

I likes my Yamaha MG12XUK mixer for playing live and rehearsal.

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Yamaha is some kind of a sure bet.

I've got a cheap mixer (MG06X) that I use professionally for live shows when there's just a singer, backing tracks and little more else. It always deliver exceptionally well, while being small and simple.

I also own a classical guitar NCX3, all solid, and I absolutely love it.

But I bought for dirt cheap a used acoustic FG800 (yeah, I think it's the most sold acoustic guitar of all times), and compared to my high end Larrivee it keeps its ground. Of course, I prefer the Larrivee, but the differences are mostly in nuances that could perfectly vary with tastes. To be honest, I upgraded the nut and saddle for bone ones, and made a detailed adjustment for my liking. I also installed a pickup (similar to a K&K) so it gets superbly effective for plugged gigs... I can use it for big gigs knowing it will deliver just the same as a high end acoustic.

It's quite hard not to love Yamaha's consistency.

Then it's Line6. Another Yamaha selling point. It's not easy to find a weak point in that company.
 
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And even though I’ve harped on it a million times, I can’t help to say it again- Yamaha makes great PA speakers and studio monitors. Collaborating with them for "FRFR" and whatnot seems like a no brainer.
 
Yamaha is some kind of a sure bet.

I've got a cheap mixer (MG06X) that I use professionally for live shows when there's just a singer, backing tracks and little more else. It always deliver exceptionally well, while being small and simple.

I also own a classical guitar NCX3, all solid, and I absolutely love it.

But I bought for dirt cheap a used acoustic FG800 (yeah, I think it's the most sold acoustic guitar of all times), and compared to my high end Larrivee it keeps its ground. Of course, I prefer the Larrivee, but the differences are mostly in nuances that could perfectly vary with tastes. To be honest, I upgraded the nut and saddle for bone ones, and made a detailed adjustment for my liking. I also installed a pickup (similar to a K&K) so it gets superbly effective for plugged gigs... I can use it for big gigs knowing it will deliver just the same as a high end acoustic.

It's quite hard not to love Yamaha's consistency.

Then it's Line6. Another Yamaha selling point. It's not easy to find a weak point in that company.
So i have a fg800c the gfc-ta . The a1rc a3rc and a5rc and a taylor 114ce. I had the fg800j but didnt like the shorter scale. And have the tagc-3 on order. Bought these all last month snd will only be returning the a1rc as ot cost more then the fgc-ta i just bought and doesnt sound as good to me plus none of the cool effects which really are fun to make music with.
 
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