Fractal ICONS Plugin

[Orvillain]

5150III's shold've been in the Fender volumes

<ducks>

 

[KFF]

5150III's shold've been in the Fender volumes

<ducks>

Bold. I like it.

And that kind of cross-pollination might sell more packs down the road.

Come on out from cover there, fella.

 

[nightlight]

For recall of an amp when using a Fractal hardware, just create a midi track for every project.that transmits the require midi PC/CC to the Axe FXIII.

If the plugin aas cheaper, it might have been a good choice for even Axe FX bardware owners, but $500 is really pushing it for a plugin that you ha e to keep adding to.

But that's just my point of view.

 

[Dom Mcsweeney]

Axe FX bardware owners:

be like:

 

[FractalAudio]

Having never played the majority of Fender amps IRL, I was quite surprised with how much dirt is on them. I just figured everything was a high-headroom deal minus the Bassman, which I also didn't think got as dirty as it did. Totally blew my mind how much dirt you can get, especially hitting the input harder, and usable dirt, not the flubby shit.

Take a Deluxe Reverb. Gain on 10, Treble on 10, Bass at 0. Nasty.

 

[Chocol8]

Take a Deluxe Reverb. Gain on 10, Treble on 10, Bass at 0. Nasty.

That works on most Fender amps! The tweeds and browns may need the presence turned up a but too if available.

 

[FuzzyAce]

So far they're all sounding great, but the Tweed and BF Bassmans will get extra love from me. TW bassman cleans are always , the BF overdriven is . Even in Helix, the Dripman is my favorite amp for lead tones. I do wish we had a bit more cabinet selection in ICONS, I really think that portion should be decked out. In the AM4, I have an EC champ maxed out with a Solo100 cab and some graphic eq that sounds huge.

 

[Ed DeGenaro]

Having never played the majority of Fender amps IRL, I was quite surprised with how much dirt is on them. I just figured everything was a high-headroom deal minus the Bassman, which I also didn't think got as dirty as it did. Totally blew my mind how much dirt you can get, especially hitting the input harder, and usable dirt, not the flubby shit.

Brown Deluxe is my fave Marshall :-)

 

[FuzzyAce]

Brown Deluxe is my fave Marshall :-)

Didn't Gibbons use one of those back in the day?

I've always liked an old tweed Super cranked too.

 

[Chocol8]

Didn't Gibbons use one of those back in the day?

I've always liked an old tweed Super cranked too.

Yes, supposedly the early ZZ Top albums use a Brown Deluxe a lot.

 

[FuzzyAce]

Yes, supposedly the early ZZ Top albums use a Brown Deluxe a lot.

Cool, thought I had read that before. I love those old wholly tones.

 

[DrewJD82]

Take a Deluxe Reverb. Gain on 10, Treble on 10, Bass at 0. Nasty.

After having a more recent DRRI that stabbed my ears with piercing high end, my knee-jerk is to cover my ears and brace for impact, but I'll give this a shot at 50dB through studio monitors later.

 

[aflynt]

Yeah. IRL you kind of need to crank a Deluxe Reverb before you get through the razor wire. They are often too loud to gig at that point these days though.

-Aaron

 

[RiffDuck]

5150III's shold've been in the Fender volumes

<ducks>

 

[Orvillain]

 

[FuzzyAce]

I didn't realize he'd been a slapper for so long?!

 

[Chocol8]

After having a more recent DRRI that stabbed my ears with piercing high end, my knee-jerk is to cover my ears and brace for impact, but I'll give this a shot at 50dB through studio monitors later.

Fender treble can be spikey...if the volume is too low. The key is the crank the treble and the volume to both be in the 6-10 range.