First rule of capo club is..

Virtual hugs for all of you.

As I said, people discuss from their past experiences on here. Nobody is wrong.

Let us be a big family. All of us need some kind of help and hugs sometime.
Hugging No Hugs GIF by What We Do in the Shadows
 
I’m just wondering why you took such great offense. It’s not that big of a deal that some people don’t find a capo necessary.

I'm not taking offense at all (sorry in case it came across like that), but as one of the topics (or a very related one) was "are you a bad guitar player when you use capos?", I found it quite adventurous to come up with whatever statements saying things along the lines of "there's always ways around a capo" - when there clearly are situations when that is completely untrue. I posted some examples that could never be played without a capo and I added some reallife experience of situations when there's absolutely no way to get around without using one.

And all the time Mr. @maguchi (whom I defenitely have no axe to grind with at all, in fact, I pretty much respect him) came around with "solutions" that simply are no solutions for either situation. Add to this that I even said I usually don't like using capos myself most of the time, either (heck, I am possibly the most standard tuning guy there is, I hardly ever use any drop tunings and all my guitars are tuned in standard E).
Yet, I can very clearly see how you can be forced into using a capo, especially in case there's paid gigs requiring you to play things how they are written or how the originals sound. Heck, not even the infamous "Wonderwall" can too easily be played without a capo (yeah, I know, I know, it's possible, but it's just sooo much easier to simply slap a capo into the 2nd fret).

And it's not getting any better once there's an actual MD in, say, a musical theatre environment.
"Hey, Mr. Axeman, that's not what's written in the score!"
"Yeah, I know, but I just don't feel like using a capo, so I came up with these alternatives which IMO work just as great!"
Said noone ever. Well, maybe someone did, but rest assured it likely was his last day on that particular gig. You either play what's in the score or have damn good reasons not to (such as things being literally unplayable, which happens quite sometimes when the guitar voice was written by non-guitar-players).

So, as said, no idea whether I came across arrogant, offended, wound up or anything, but all I tried was setting some things straight, based on my very own experiences.
 
I don't use capos frequently.

I don't wanna see people debate over silly questions which I asked.

Hugs for everyone.
You posted something on the Internet. Flamewar is inevitable, however unprovoked.

The thread title was a nice joke on the movie "Fight Club". Guess what? Fight!!! Line-by-line irrelevant dissection without regard to context or intent!

Gotta love the Net, and its denizens. I can get pretty peculiar about some issues too, sometimes.

:bonk:bonk:bonk
 
You posted something on the Internet. Flamewar is inevitable, however unprovoked.

The thread title was a nice joke on the movie "Fight Club". Guess what? Fight!!! Line-by-line irrelevant dissection without regard to context or intent!

Gotta love the Net, and its denizens. I can get pretty peculiar about some issues too, sometimes.

:bonk:bonk:bonk

It's one of my brother's favourite movies. I didn't watch it completely because of rumors of pictures of something in there. Just like they wanna keep the existence of the club in the movie a secret, I thought of the "capo club".
 
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You are given a score and you need to play them as written. I have never seen or been given music that has a requirement that a capo is to be used, must be used or can be used.

I have been. Quite sometimes in fact.

You can play it this way.

Of course. Doesn't sound like in my example at all, though.

Really, you're missing the point with all your examples. Not a single one works as well as the voicings I posted in a certain context (which is what capos are pretty much all about).
In fact, IMO any Xadd4 chord only ever works well under very specific conditions (as the add4 is pretty much *the* avoid note on a major chord), hence voicings. Coming up with any random Eadd4 voicings isn't solving this. And, most of all, it's not exactly proving that you never need a capo. Because sometimes you just do, in case you want to play a certain voicing. That's all I said right at the start of this unholy debate, nothing less, nothing more.
 
Yes, I agree, you are correct. You are given a score and you need to play them as written. I have never seen or been given music that has a requirement that a capo is to be used, must be used or can be used. Not even the shows that I've played in musical theater. Usually chords are written out like this (the pencil marks were added by me), I have seen chord symbols sometimes too.
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I’ve come across some music theater scores that call for a capo, but it’s always a mixed bag depending on who wrote the arrangement.

The worst is when you get a piece of music that specifies to use a capo and then the notes written are relative to the capo position :wat
 
I use a capo to hold the strings in place on an acoustic neck while taking the bridge saddle out to reshape it. I also use a shubb as a string damper sometimes because it can be set very lightly and works way better than a fret wrap in the studio.
 
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