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Found a singer to take his artistry to the next level.
Jan Terry is one of those artists that you just can't put a finger on what makes their music so... something.
Here's another (Mark Gormley - Little Wings):
Found a singer to take his artistry to the next level.
The end started at 0:00That would be the intro, the body, and the end.
It’s not about who anybody enjoys listening to more, it’s about how their emergence caused dramatic shifts in the guitar playing world. Satch and Vai are incredible players, but neither one of them was a pioneer in a completely new style or technique. They built on the trend that started with Eddie, much like so many in the sixties and seventies built on what Clapton and Hendrix started.
Satch brought guitar driven instrumental music to the Top 100 Charts for the first
time since the era of The Ventures and the likes of Duane Eddy. That was massive!
Actually Jeff Beck says hold my beer...Satch brought guitar driven instrumental music to the Top 100 Charts for the first
time since the era of The Ventures and the likes of Duane Eddy. That was massive!
And he did it with multiple Songs and Albums.
While it's true Eddie was a pioneer, Satch and Vai pioneered a different kind of movement (which was certainly a branch connected to what Eddie was doing) that presented the guitar in a more front and center context, vocalizing the instrument in a way that replaced the singer. But they also had/have serious chops that were very different and fresh at the time. Beck definitely helped lay the foundation for that kind of style, whereas I think Eddie was more influential to bands with a singer. They're all pioneers imo, just to different people and in different ways.It’s not about who anybody enjoys listening to more, it’s about how their emergence caused dramatic shifts in the guitar playing world. Satch and Vai are incredible players, but neither one of them was a pioneer in a completely new style or technique. They built on the trend that started with Eddie, much like so many in the sixties and seventies built on what Clapton and Hendrix started.
My submission. This guy’s timing is impeccable:
While it's true Eddie was a pioneer, Satch and Vai pioneered a different kind of movement (which was certainly a branch connected to what Eddie was doing) that presented the guitar in a more front and center context, vocalizing the instrument in a way that replaced the singer. But they also had/have serious chops that were very different and fresh at the time. Beck definitely helped lay the foundation for that kind of style, whereas I think Eddie was more influential to bands with a singer. They're all pioneers imo, just to different people and in different ways.
Vivian and Jimmy Bain put it together and then convinced Ronnie to put his name on the project and write the lyrics and vocal melody.On to Hearing Aid, Viv and Ronnie put that together. at the time we had no idea those two were 100% on the outs. Vocally i still love what they put together. Paul Shortino, Geoff, Rob and Dave Meniketti really brought it! Ted Nug and Vince Neil go to sit out with Blackie Lawless lol!
As for the guitar players, all pretty cool, Cavazos could have sat out. Viv Lynch did great and the Maiden boys added a little harmony! Yngwie got his moment too! As fans when that came out we loved it all!
It don't get no cooler than this right here..Actually Jeff Beck says hold my beer...
Blow By Blow 1975 #4
Jeff Beck w. Jan Hammer Group Live 77 #93
There And Back in 1980 #21
Flash in 85 #39
Vivian and Jimmy Bain put it together and then convinced Ronnie to put his name on the project and write the lyrics and vocal melody.
One of my favorite soloists on there is Buck Dharma, who I was totally unfamiliar with when it came out.
I did not know that but it makes sense. Sounds like they wrote it in 12 seconds. The solo Buck did was uber simple blues licks and stood in contrast to the shred solos, but at least he was true to his style and did not try to shred.Vivian and Jimmy Bain put it together and then convinced Ronnie to put his name on the project and write the lyrics and vocal melody.
One of my favorite soloists on there is Buck Dharma, who I was totally unfamiliar with when it came out.
I did not know that but it makes sense. Sounds like they wrote it in 12 seconds. The solo Buck did was uber simple blues licks and stood in contrast to the shred solos, but at least he was true to his style and did not try to shred.