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No apologies
They sound good! I need some loud gigging time with them. I am going to run the trumpets through them and see how they do and will be jamming them next Friday, with any luck \m/Except on the player side
Done thinking. Just bought some EVH Stealth cabs \m/
- Thread starter JiveTurkey
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They sound good! I need some loud gigging time with them. I am going to run the trumpets through them and see how they do and will be jamming them next Friday, with any luck \m/
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So hooked the FM3 board up in the loop. Used my post-fx preset which is basically my all in one gigging preset minus the amp block. I kept the cab block and just used a Null cab but used the hi cut parameter as I'm currently too dumb for anything else. Sound KILLER up loud. Strat is bright as fuck so kept treble and presence back. Big surprise is trumpets and synths sound damn good up loud through these speakers. I am betting acoustic simulation would fall apart immediately but trumpets, 80s synth, flutes and organ presets all sounded damn good. VERY pleased with the results
gearJunkie
Shredder
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That's f'n awesome!
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AutomationBias
Roadie
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"I've got a chewed up homemade plywood box covered in milk-paint", proceeds to show us the most majestic cabinet I've ever seen
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It kinda seems like it; what with the dreaded Silent Stage Phenomenon always nipping at our heelsSweet!
Technically, isn't that considered a Full Stack in the 2020's.
Boudoir Guitar
Rock Star
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I thought the 20's stack was your GR-55-on-muh-Kemper-on-muh-pedalboard stack that internet image searching does not give me any hits on?It kinda seems like it; what with the dreaded Silent Stage Phenomenon always nipping at our heels
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I wasn't going to put this. But I am putting this.
The physics of cabinets, especially since I started using amp modeling; have had me struggling. I fight with my own perceptions on this piece of the rig chain quite a bit. Especially around meal time where my brain is in overthink mode.
I LOVE 412s but they have to be up LOUD where the sound is at least "even" with what the physics of the experience are giving me. 212s are a lesser but almost worse situation where they are too much to lug around and I don't generally l like what I get out of them.
With 112s; I feel like I get more of the pure amp tone and experience without relying on that OOMPH that a 412 gives you. It's not that there's anything wrong with that (pro-tip: because there isn't). It's just I really find myself struggling with the low end as speaker count and enclosure size goes up.
This is all gobbley-gook; I know. It's just what my food lacking brain is up to at the moment
The physics of cabinets, especially since I started using amp modeling; have had me struggling. I fight with my own perceptions on this piece of the rig chain quite a bit. Especially around meal time where my brain is in overthink mode.
I LOVE 412s but they have to be up LOUD where the sound is at least "even" with what the physics of the experience are giving me. 212s are a lesser but almost worse situation where they are too much to lug around and I don't generally l like what I get out of them.
With 112s; I feel like I get more of the pure amp tone and experience without relying on that OOMPH that a 412 gives you. It's not that there's anything wrong with that (pro-tip: because there isn't). It's just I really find myself struggling with the low end as speaker count and enclosure size goes up.
This is all gobbley-gook; I know. It's just what my food lacking brain is up to at the moment
la szum
Goatlord
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It's true. 4 x 12s have a shit ton of Mass. You need a lot of Air moving to balance out the Mass.
This is why I use dual 1 x 12s at home, and in our rehearsal space (or a 2 x 12). You just get
more Air moving through less Mass, and Magnet, and can maybe even turn your amp up a
little louder and get something more than just preamp sizzle. Not that there is anything
wrong with preamp sizzle.
This is why I use dual 1 x 12s at home, and in our rehearsal space (or a 2 x 12). You just get
more Air moving through less Mass, and Magnet, and can maybe even turn your amp up a
little louder and get something more than just preamp sizzle. Not that there is anything
wrong with preamp sizzle.
Boudoir Guitar
Rock Star
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- 3,064
If there is one takeaway point from this thread (which did actually inspire my actions yesterday morning to a degree):I wasn't going to put this. But I am putting this.
The physics of cabinets, especially since I started using amp modeling; have had me struggling. I fight with my own perceptions on this piece of the rig chain quite a bit. Especially around meal time where my brain is in overthink mode.
I LOVE 412s but they have to be up LOUD where the sound is at least "even" with what the physics of the experience are giving me. 212s are a lesser but almost worse situation where they are too much to lug around and I don't generally l like what I get out of them.
With 112s; I feel like I get more of the pure amp tone and experience without relying on that OOMPH that a 412 gives you. It's not that there's anything wrong with that (pro-tip: because there isn't). It's just I really find myself struggling with the low end as speaker count and enclosure size goes up.
This is all gobbley-gook; I know. It's just what my food lacking brain is up to at the moment
Less thinking; more buying.
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