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Well you see, "Next Gen" implies whatever I've been actively working on since late 2017 (and passively since 2004, 6 years before joining Line 6) is some generational improvement of an existing product line instead of something totally left-field that may or may not have anything to do with guitar processing at all.Well this is true, i don't think YGG would want idle minds
So OFC there is a Next Gen Plan in the works, how far is it in all those steps you described ? we certainly don't know and wont know
Yyyyyep.Yes when he implied that line 6 does a lot, but is not the best at anything... Reverbs and delays are ok but not the best amps are well on par to the QC lol and the audacity and balls to suggest that the QC is what the Helix 2 should be hahahahahahahah
It's kinda a pet peeve of mine—Of the dozens (or hundreds) of things Helix does extremely well, sure, let's continue to set each and every one to a completely different, subjective, arbitrary standard. Amps? Oh, it's not as good as that one model in another product I've been gigging with for 5 years. Reverbs? Not as good as the Strymon I've played every Sunday morning since it was released. Delays? SoundToys EchoBoy. Monophonic pitch-shifting? Eventide. Polyphonic pitch-shifting? Okay, maybe it's the best but it's too DSP-intensive so I'll say Fractal. IR loading? DAW plugins that can blend 16 IRs at once. Looper? BOSS RC-600. Latency? Analog stomps. MIDI implementation? TouchOSC on an iPad. Ease-of-use? A box that all but cloned Helix's UI and added a touchscreen.
Since June 11, 2015, we've maintained that Helix was always designed to be the centerpiece of one's guitar rig, never a replacement for one's guitar rig. Why would we have bothered putting 4 effects loops on the thing if we believed no one would need them?
I have a Roland JP-8080 and use it for exactly one custom preset. It's all over my record and I've tried to recreate it in every softsynth I own but have never gotten close enough. It doesn't mean all those advanced VSTs are somehow inferior to a VA synth from 1998; I'm just accustomed to that particular sound, and that becomes the baseline by which everything else is compared. Likewise, if I'm intimately familiar with playing Strymon reverbs every Sunday morning, of course the Deluxe reverbs in Helix may not instantly and perfectly fulfill that intimacy and familiarity. They were meant to sound great as their own thing.