Man, I'd think its pretty subjective to the player and type of music being played. For me I guess it's spring, but juuuuuust a touch if using with delay. Ideally from an old Fender reverb unit with a Roland Space Echo, for maximum authenticity.
I don't think there is a best. Depends on the context, I feel like they all can be tweaked to sound good. I do think a short slap back with spring verb is a cool combo though.
EQD Afterneath for all sorts of fun with just about anything
Most of my time = whatever is in the Yamaha THR10
Other configurations I use:
Strymon Volante - Spring
Fender Reflecting Pool Delay/Reverb – mostly Plate
EQD Dispatch Master – I’m unsure what other than Digital
EQD Avalanche Run Delay/Reverb – see above
Full Ambient knob twiddling = Meris Mercury 7 and Polymoon
Strymon Timeline and Cloudburst – I need some more time with them
Digitech Polara and Alexander History Lesson – see above
I’ll mostly run a longer darker plate with delay. And in that case the delay would be max 3 repeats where the last can be made inaudible with playing style. Ambient/post-rock is my thing and usually there’s no typical way of things at all.
Too subjective to vote without some contextual guardrails. There are 2 scenarios where I use reverb with delay:
1. Shimmer verbs when I want to be fabulous - almost always with tape or space echo.
2. The spring reverb on the space echo - it’s just part of the thing, though the RE-202 adding other reverb types in a firmware update was pretty clutch.
In almost all other cases it’s verb is just getting in the way for a lot of the stuff I play.
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