Counterpoint:
Those folks in the 1950s just absolutely nailed it.
Great modern stuff:
View attachment 23383
- The tune-o-matic is one of the stupidest bridge designs out there with a laundry list of problems and inconveniences.
- The Tele ashtray is pretty ugly without the intended cover (made before the idea of palm muting became a thing) and can have a bit sharp edges too.
- The original Fender tremolo wasn't that good at staying in tune even for the light warble people would use at the time.
The issue is that those bad aspects of the design are still so pervasive for "vintage accuracy."Try and imagine what it would have been like if there was forums in the 50s......
Anyway,
The Quad Cortex power supply sucks.
The Fractal user interface is decades outdated.
The HX Stomp power brick can double as a tire stop.
The Kemper toaster looks like it belongs in a bad 50s sci-fi flick.
Bottom line is the average Joe consumers are buying and loving all of these things
that all us anal dweebs find ugly, stupid, bad, etc.
It's buyer NOSTALGIA that they shun these improvements "because Jimi or Jimmy didn't need them!"
And Setius is by far the worst thing they ever made.Mayones are incredible!!!! Owned an all black Setius years back and the build was top shelf all the way.
And Setius is by far the worst thing they ever made.
Fractal UI is as simple as it could be to do as much as it does. Very easy to program from the front panel and the computer interface is the best one. The Quad Toytex power and build quality is far more an issue. HX is just cheap nasty and Kemper has the audacity to not look conventional.Try and imagine what it would have been like if there was forums in the 50s......
Anyway,
The Quad Cortex power supply sucks.
The Fractal user interface is decades outdated.
The HX Stomp power brick can double as a tire stop.
The Kemper toaster looks like it belongs in a bad 50s sci-fi flick.
? I mean the other stuff is massively better.I bet you got one them arsehole thingies too, huh?
opinions are just like em.....
But it makes me wonder. The ‘60s and ‘70s especially were full of so many terrible new and original guitar designs that I could see guitarists being conditioned to just stick with what was tried and true instead of taking risks.
How many guitarists got burned back then buying what was advertised as the best new innovation in guitars only to be frustrated with it being garbage?
Why we as humans get so hung up on innovation is the real question? Kill the old for the sake of the new!
- The original Fender tremolo wasn't that good at staying in tune even for the light warble people would use at the time.