80% of digital modellers & c buyers are bedroom players according to marketing researches

The majority of musicians I know IRL gig, there’s only 2 off the top of my head that don’t. TBF, these are mainly people I’ve met while gigging myself, they just somehow never got tired of dealing with band BS. After the first week of November I can go back to the “gigging guitarist” title.
 
Sure, but people in bands know people in bands. Most people who I have ever met who play any instrument play almost exclusively at home. Maybe a little ensemble at a music school or a pub every 6 months, but usually not. I know a former opera singer who is a great pianist. She only ever plays piano at home.

There's just no way the sheer volume of sales could be anything other than mostly people not playing in bands.

This sure was the case when I was still playing out regularly (150+ gigs a year back in the nineties). I met a ton of players and working musicians when I was still out there doing it every weekend.

Nowadays I'm primarily a home player, but I'm also in a "dad band" that gets together once a week to play stuff we all enjoy. And I don't really interact with any players outside of the guys in the band, so the only people I "know" are the goofy fuckers I hang with online. I don't go to open mikes or organized jams, so there's really no exposure to other players at this point. And I'm okay with that. The weekly thing gets the 'loud, with other people' thing out of my system, and home recording is a completely different experience. I enjoy the process maybe more than the outcome when I'm working on stuff, as it's a very therapeutic way to de-stress from the day-to-day grind.
 
It's always been that way. Even in the 60's those little Sears catalog guitars and amps outsold Marshalls and Fenders by a large margin. It was all tube back then because that's all there was. Then SS amps outsold everything in the 70s-00's. Now digital. But most guitar gear is bought by hobbyists, not professionals. Just like most golf clubs are not bought by PGA pros.
Damn those home golfers.
 
The majority of musicians I know IRL gig, there’s only 2 off the top of my head that don’t. TBF, these are mainly people I’ve met while gigging myself, they just somehow never got tired of dealing with band BS. After the first week of November I can go back to the “gigging guitarist” title.
Yeah exactly. I'm constantly gigging, often with 3-4 other bands a night, so the vast majority of musicians I know are gigging musicians that I meet on our shows. Many of them use modeling though so I don't know what real impact that has on the amp vs modeling discussion.
 
If so, they'd need it louder, I'd think. :knit
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I'd say 100% of statistics involve some level of uncertainty or approximation, and their accuracy depends on how they’re collected, analyzed, and interpreted.

There was a joke in the four decimals precision randomly chosen number
:farley
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I still gig quite a bit. Anywhere between 150 - 200 gig/yr. I loved my Mesa Express and my H&K GM36 tube amps. The problem with them is even though they are low wattage, they are still too loud for most of the venues we play. When we play 1000 and above capacity venues, I could bring them and they would sound really good because I could crank them. When I finally went the digital route, I brought my Kemper to the local 1500 cap venue. The soundman immediately embraced me (I know him) and said, "finally, somebody gets it". He said it sounded glorious. I asked him about my Mesa. He said, oh, that still sounds pretty good but it doesn't sound as good as what you had tonight. I knew my tube amps were doomed. I'm getting up there in age and now I use a little board with a Kemper Player on it and I don't care where I play, how little or how big the place is, I'm always consistent and since we use IEM's all the time, I really have zero need to drag my amps out anymore. I sold off 6 tube amps last year. I'm probably going to keep the two I have now, but that's in case I get to play a stadium gig!! lol Or.... maybe just because they look cool.

Either way you slice it, my life is better because of digital gear and I'm saying that as an old guy that has loved (and hated) his tube amps. I can set up in 10 minutes and for most local shows we use the same production company so they call up our scene, take a level and we can play. The thing I don't understand with home/apartment/townhouse players is why they are bothering with tube amps at all. I used to have an OX box which did a decent job but it was still a bit of a letdown. I think if you embrace the technology and actually take the time to learn whichever piece of gear you own, you can sound pretty damn good without even a cabinet in sight. Almost any unit you pick up these days is more than capable of giving you a great guitar sound. Bedroom players should absolutely be flocking to these things!
 
The desire to make music and the desire to perform for an audience are entirely separate things. I know that from the perspective of people who love performing, that sounds absurd. But it really isn't.

So yeah. It should surprise nobody that the overwhelming majority of musical instruments are purchased by people who have no intention of ever performing.

It really is two completely different things as far as fulfilling different needs. Well, at least for me it is. Performing in front of an audience is an adrenaline rush, while writing/recording or playing at home alone is more of a relaxation thing. Playing with others (but without an audience) falls somewhere between the two, maybe closer to the adrenaline end of things.

My old band back in the 90s had a house gig where we were at the same place, three or four nights a week, EVERY week, for about four and a half years. By the time that run ended, the adrenaline rush had dissipated to the point that it wasn’t enough to offset the grind of all those late nights, humping gear back & forth, and the ever present drama from drunks and druggies both in the crowd and in the parking lot afterward.

Shit, I even had my car stolen from the parking lot one night during our last set!

After we called it quits, I packed up everything and didn’t touch a guitar for about two years. And even now, the handful of live shows I’ve done in recent years still don’t get me worked up like I used to get way back in the early days. However, spending a weekend working on stuff in my DAW is still really enjoyable, so that’s where the joy still is for me. That, and I get together once a week with a group of guys to play stuff that we all enjoy. That’s fun, too.
 
The desire to make music and the desire to perform for an audience are entirely separate things. I know that from the perspective of people who love performing, that sounds absurd. But it really isn't.

So yeah. It should surprise nobody that the overwhelming majority of musical instruments are purchased by people who have no intention of ever performing.


Between those two there's also the simple joy & fun of playing with others, not necessarly in front of an audience.

With right people I can easily have a band, play in the rehershal room and never (or almost never) play in front of an audience. You have to keep things fresh, write songs, jam, learn covers and so on but it works. At least for me has worked that way for some time.

You hang out with your friends and play some rock and roll in the meantime. Is a good way to enjoy life in my book,
 
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spending a weekend working on stuff in my DAW is still really enjoyable, so that’s where the joy still is for me

Writing and recording used to be my main hobby along with playing in a band since i was 16 or so when I built the rehearshl room in my partent's house basement and started fiddling with microphones and 4 tracks recorders.
That's somenthing I miss now that I don't have the time to do it.

I'm pretty sure that when my younger kids will be older I'll find the time to do it again.

Writing and recording is the best way to be a "bedroom player" and a great way to be a muscian.
 
I’m sure bedroom players way outnumber the players who play outside that environment.
 
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