In retrospect it wouldn’t have been the worst idea for them to hold this thing back a year or so to get some of the new stuff polished.
Product Managers always want one more year of development and twice the number of engineers.
I assume the floor will take over in the total compared to XL - mostly driven by price, but also form factor.
Can't speak to form factor, but Helix Floor still moves notably more units than LT does.
Line6 are the number 1 option for a LOT of people out there. Don't believe the hype. Line6 have the reach, and their technology is top notch. Forum gripes - even mine - are NOT reflective of reality.
Oh, 100%. We're all currently squatting in a tiny, goofy, filled-with-über-particular-argumentative-geeks-likely-somewhere-on-the-spectrum microcosm dedicated to expensive flagship digital guitar modeling gear. (Sheepishly raises hand:
"Present.") It absolutely, positively does not reflect the music industry or music-playing public (or even electric guitar-playing public) in general. If it did, Yamaha and Line 6 would've been bankrupt decades ago.
Yeah it's pretty fucking blatant. It seems like there's a few accounts now that joined in the last few months who are specifically here to shit on L6.
Fractal fans in the YouTube comment section on Stadium videos... See, I maybe kinda get them. They're perhaps rooting for the perceived corporate underdog—propping Cliff and co. up against the nameless, faceless behemoths that are Yamaha/Line 6, Roland/BOSS, InMusic/Headrush, etc. Team Helix actually has fewer engineers than NDSP claims to have, but whatever.
Tonemaster Pro users generally seem to be chill. If they're not, I go straight to their profile and... whattayaknow, Fender employee. What the hell,
this is like the third time! They don't even bother hiding it.
Helix users never pull that crap and if they ever do, we'll smack 'em down.
Kemper users seem to stick to their communities as well.
But select sycophants of another box... I don't get them at all. Their energy is dripping with crypto-startup-destroy-all-competitors-by-any-means-necessary-my-heroes-are-Patrick-Bateman-and-Jordan-Belfort-level cynicism. Fifteen years ago I might've pondered something similar, with Seinfeld's trademarked lilt: "What's
the deeeaaal with these guys in bedazzled Ed Hardy t-shirts?"
TOP's new terms of service sent a bunch of people looking for another forum and it seems a few of them ended up here. As you said, there is a big difference between "I am waiting for this feature/amp/whatever" vs the vendor slogging seen in a few threads lately.
Oh, did they finally start forcing everyone to divulge MI company affiliation?
The effects haven’t been updated at all and for a new flagship device it just feels really half baked. That’s a fair view.
For the umpteenth time, Stadium
absolutely has new effects; we've been developing them for years and instead of sitting on them, we released them via Helix/HX firmware updates. When we release new effects for Stadium in the future, are you gonna complain when they show up in Helix/HX as well? Because gatekeeping's for chumps.
Agoura amps can't run on Helix Core architecture; otherwise, Helix/HX would've gotten them too.
Regardless, HX amps and effects sound notably better through Stadium hardware. It's not just us; a ton of artists, engineers, and long-time users have echoed this sentiment.
I can't fathom Line 6 (being the behemoth they are) letting a little company like Fractal eat their lunch in the "bang for the buck" category they have so dominated in the past.
I've never obfuscated my admiration for Fractal, but no one's "eating our lunch." Nor do I believe Cliff even wants to eat our lunch. Line 6 certainly wants Fractal to continue to do well, as companies that operate in good faith help lift all ships.
Truth be told, Helix Stadium XL ($2199) has already sold
260% faster than Helix Floor ($1499 at launch) did, and remember, back in 2015, there were only AxeFX II (close to $3k with the remote) and the Kemper toaster (~$2400 with the remote) in this space—POD HD500X, BOSS GT-100, and Atomic AmpliFire were ~1/3 the price.
Also, Line 6 seems to undercut Fractal in price. I expect that this will continue in the future so the max I could see the SM4 sell at would be $600 to undercut the AM4's $700 price. Line 6 can do this due to higher volume (and arguably better hardware engineering designed specifically for high volume manufacturing low costs).
HX Stomp is on sale right now, but it normally sells for $700. How is Line 6 supposed to vastly upgrade its power, sound, capabilities, and UI
and sell it for the same price, given the economy, DDR RAM price gouging, and thing-we're-not-supposed-to-discuss? Hell, if we were to start developing HX Stomp right now as is with zero changes, we'd likely have to sell it for $850-900.
For better or worse, sophisticated multieffects aren't commodity items like TVs. If people really insist a Stadium-level Stomp SKU must be $700-800, we'd rather develop something else. Besides, HX Stomp is still selling like hotcakes, largely because of intangibles I probably shouldn't get into here because there be sharks in these waters.