What Are You Working On Right Now?

I started a little contest in a Mastodon FB group after all the recent Brent replacement discussion there. Partially in pursuit of my 'put up or shut up' conquest on the internet after a lot of people talked a lot of shit (myself included to a degree) in the last week. I figured it'd be fun to post up a backing track to Mastodon tune and have everyone post a solo for it, in the context that Mastodon calls you up the day they're playing in your town and want you to guest on that song, if you deliver, you get to join the band. I already made the backing track so I'm gonna noodle a bit over it for my own submission.
 
I started a little contest in a Mastodon FB group after all the recent Brent replacement discussion there. Partially in pursuit of my 'put up or shut up' conquest on the internet after a lot of people talked a lot of shit (myself included to a degree) in the last week. I figured it'd be fun to post up a backing track to Mastodon tune and have everyone post a solo for it, in the context that Mastodon calls you up the day they're playing in your town and want you to guest on that song, if you deliver, you get to join the band. I already made the backing track so I'm gonna noodle a bit over it for my own submission.
That sounds like fun!
 
As someone who listens to a lot of isolated tracks I often notice how much fizz and sizzle guitars have
Something a lot comment on as to being digital fizz and aggressive high frequency swarm of bees
But once in the mix it all works

¯\_(ツ)_/¯

Truth! Cymbals eat a ton of that up in a mix.... but if it is not there the guitars
can lose all their bite and cut. :rawk


It's why I love Marshalls so much. They never don't sit well in a mix, unlike some
of the more scoopy and mid/upper-mid lacking amps and how they are dialed in. :idk
 
I have never learned a Loudness song before. Prime 80s material, so shouldn't be too
far from learning a Dokken tune. :headbang


 
Truth! Cymbals eat a ton of that up in a mix.... but if it is not there the guitars
can lose all their bite and cut. :rawk


It's why I love Marshalls so much. They never don't sit well in a mix, unlike some
of the more scoopy and mid/upper-mid lacking amps and how they are dialed in. :idk
Yes and all these amps that sound thin and fizzy on original studio recordings aren't digital, those are those actually vintage coveted tube amps that we all so cherish no? Not digital recreations or modelled amps.

:cool:
 
I built this one over the weekend. Dimarzio Norton bridge and Injector neck with some trick wiring under the hood, which includes a series-parallel CTS push-pull switch and a super cool kill switch from Tesi Switches. Featuring a partially scalloped birdseye maple compound radius neck, jumbo stainless frets, and the amazing Vega Trem! Shout out to Andres from Vega Trem for hooking me up with the right stuff. This came out great, sounds and plays killer and is very hard to put down. 😎

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Nope, can't get that stretch consistent. So...., now I think this is the best way...
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It changes the hardest stretch from 1/14 - 3/19 to 2/15 - 4/19, which is definitely more do-able for me, and my length-challenged pinky, consistently. Plus, that stretch is now the same 2 notes, all 3 times.

So many of these, wide-note-change riffs get you thinking of all the different ways to play them. Other riffs, where the notes are closer together, not so much.

Now I just need to stick with 1 way, so my brain can settle in to it! :rawk
 
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