Just depends on if you can get it to sound more "raw" by turning up e.g treble or presence or cutting out bass.The talk about having to smooth out the overdrive to make it sound a bit more processed because players don’t know what real amps sound like anymore worries me a little… Sounds like a tone designed for players demoing in a store and playing alone at home instead of a tone designed for players who are gigging and/or recording. Nothing wrong with that, but it’s not what I would want personally.
Just depends on if you can get it to sound more "raw" by turning up e.g treble or presence or cutting out bass.
For example many Bogners can sound nice and smooth if you don't turn up the treble a lot because they have so much less high end than a typical Marshall due to the oddball taper of the treble knobs.
All the Victory amps I've tried have been voiced nicely. I tried the Super Sheriff last year and got some great hot rodded Marshall tones out of it in no time. I still kick myself for selling the VC35 + 1x12 Alnico Gold cab. It was a great rig for Vox based tones.
More like trying to make it easy to travel with. IMHO I'd take something like that over a larger headshell amp any time.At 50 watts and EL34s, I don’t understand the need to make it so compact - is it cost savings for Victory?
At 50 watts and EL34s, I don’t understand the need to make it so compact - is it cost savings for Victory?
Portability. The VC35 I had was 35W and came with a cute little carry case too. You could sling your amp on your shoulder, guitar case to the other and still carry a cab or pedalboard in your hands.At 50 watts and EL34s, I don’t understand the need to make it so compact - is it cost savings for Victory?