Thinking about selling the Stealth
- Thread starter JiveTurkey
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Selling my 2004 Marshall 1960av...
Great amp but I just don't have the desire to turn it on. Biggest issue causing these feelings is almost 100% because of me not having a proper speaker cab. These F12 loaded 112s are great for modeling purposes but not the same experience with amps at all. Running it through the Suhr is a blast but boiling it down to digital at that point makes the III more fun since I am running it through studio monitors. My desire for a face ripping Marshall still burns but that lack of cabinet will have me in the exact same spot in an instant.
JiveTurkey
Goatlord
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What speakers are in it?
MirrorProfiles
Rock Star
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Killer amps, but I sold mine when I bought NDSP Gojira.
Wouldn’t rule out owning another again but when it was sat next to an OG block letter 5150, I always picked that one to play.
Wouldn’t rule out owning another again but when it was sat next to an OG block letter 5150, I always picked that one to play.
JiveTurkey
Goatlord
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Yah the 1992 is kinda on my radar atm.
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The original Marshall Vintage.
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Oh, selling a Mesa Oversized slant also. It came with V30 x pattern with c90.
JiveTurkey
Goatlord
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Cries in 193lbs
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That sentence was complete after “great”.
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But then how is he supposed to sell it to me for an insulting low price?I vote keep it and buy a 412.
Boudoir Guitar
Rock Star
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As much as Inlove the romance of tubes and amps and glowing glass and knobs…
Great amp but I just don't have the desire to turn it on. Biggest issue causing these feelings is almost 100% because of me not having a proper speaker cab. These F12 loaded 112s are great for modeling purposes but not the same experience with amps at all. Running it through the Suhr is a blast but boiling it down to digital at that point makes the III more fun since I am running it through studio monitors. My desire for a face ripping Marshall still burns but that lack of cabinet will have me in the exact same spot in an instant.
…I just always wind up falling into this same sorta place not too long into any tube acquisition these days…
JiveTurkey
Goatlord
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In a gig where we do our own sound; a tube amp is great. And at rare times at home when I can crank it up LOUD. But things like last night with killer pro sound reinforcement; it's a tougher sell. Even if it is a blast to rip through one
James Freeman
Rock Star
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Right now I think a blend of Vintage 30 and Greenbacks in a 4x12 cab is a winning combination, these are my favorite guitar speakers.
Probably 2 greenies on top and 2 v30 at the bottom, I haven't tried this blend in a 4x12 cab yet but when I connect two separate cabs (4x12 + 1x12) to the amp the sound in the room is gigantic.
PS.
A 1x12 with one Vintage 30 is just about as loud as a 4x12 with Greenbacks, efficiency difference is real.
Probably 2 greenies on top and 2 v30 at the bottom, I haven't tried this blend in a 4x12 cab yet but when I connect two separate cabs (4x12 + 1x12) to the amp the sound in the room is gigantic.
PS.
A 1x12 with one Vintage 30 is just about as loud as a 4x12 with Greenbacks, efficiency difference is real.
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Life Eats Life
Shredder
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Dude, I can’t tell you how many times I’ll be in
Great amp but I just don't have the desire to turn it on. Biggest issue causing these feelings is almost 100% because of me not having a proper speaker cab. These F12 loaded 112s are great for modeling purposes but not the same experience with amps at all. Running it through the Suhr is a blast but boiling it down to digital at that point makes the III more fun since I am running it through studio monitors. My desire for a face ripping Marshall still burns but that lack of cabinet will have me in the exact same spot in an instant.
the zone and the zone is the cone of the speaker
invisibly connected to my eardrums.
Sounds like you need to get in the ‘Ace Mix’ zones on the cones brotha’!
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