Yes, I've got my eye on the Player II Modified series. The specs would be right up my alley, but I don't like the colour options.
I'm also considering trying a Henry's again, but I'm put off by the woods they use. When I buy a Strat, I want alder and maple, not okoume or paulownia.
I already own a MIJ Fender Modern Strat with two humbuckers and a mahogany body (fuckin‘ awesome guitar, BTW), but now I want a more classic SSS Strat as well.

Man, I’m dyin’ to play a Kotzen model, Tele or a Strat, just because the neck. I can get on with the Player necks but definitely prefer something beefier and I regularly consider ordering a new one for my red/Gilmour Strat as it’s .88.-90 and I definitely wouldn’t mind a straight up 1” fatass.
I actually kinda dig the blonde/white burst!
The larger rack is strats that are set up 1/2 step flat....
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Of all the Strats that have come and gone, the one I most regret selling is my ca. 2002 YJM. Back then you could order one for about a grand and it would show up direct from Corona. Now it's about a $2500 proposition - not crazy, but... oops?
I still have a factory-scalloped Hamer Virtuoso, and a Californian that a previous owner had scalloped. I've been thinking about selling that one - maybe to help pay for another YJM?
I'm partial to the Supervee Bladerunner. Though after a few years of setting up Strats, I started to realize that you can make almost any stock bridge surprisingly smooth and stable if you get all the other variables (spring tension, nut friction, string tree height, etc.) just right.
It's almost laughably chunky compared to a shredder neck. It's worth owning
one just because of the neck shape/size/contour.
I moved on from the Tele I had of his, because it wasn't really a Telecaster. Not sorry, Richie!
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Technically, I only have one Fender Strat - an American professional II