The Edge ditched his tube amps for residency

Speaking of The Sphere, I have not wanted to go to Vegas in a long time, but I want to check that out!!




the eye flames GIF
 
Never really looked at one of these. Love the control layout!

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Just as an FYI, the UA Ruby's most idiotic feature is that the Bass and Treble knobs only work when the Channel switch is set to the Brilliant channel. It's not like they couldn't have done "set them to zero for authentic behavior, or use them for tone shaping" for the other channels in a digital box...
 
Just as an FYI, the UA Ruby's most idiotic feature is that the Bass and Treble knobs only work when the Channel switch is set to the Brilliant channel. It's not like they couldn't have done "set them to zero for authentic behavior, or use them for tone shaping" for the other channels in a digital box...
I dunno, I'd say the most idiotic feature is the lack of MIDI in something so obviously designed for performance. Oh well, I guess my Zoom 9000 from 1994 is still vastly superior. :D
 
Some thoughts occur:

If he was using Fractal into real amps recently, then probably in order to keep effects chains/ presets working him and his guitar tech have not touched the fractals or his rack switching routing, and replaced the real amps with the amp sims. Easier than re-working every Axefx preset to include the amp sims in their various blends as well.

It's also probable that front of house uses their own presets to blend the various amp signals, since different songs use different combinations and blends of AC30s and Tweeds. Again, just changing the amps for pedals means all front of house needs to do is replace mics for line inputs.

Also, when they were trying it out it was probably quicker and easier to have amp replacements with one knob per function controls, no menu diving needed.

IIRC the last time the Edge had his amps on stage for a tour was about 15 years ago. Once the amps are off stage and you're only hearing them through mics and monitors, it's less of a big deal if they're big wooden boxes or little metal ones.
 
And an aside: I find the way UA and Line 6 distinguish between "Blue" and "silver" speakers quite interesting. There's this idea that a blue is middy and a silver is more scooped/edgy/brighter, which isn't really based on much.
 
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