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The current Valvenergy pedals ARE sleepers (in the good way). So this new line has me interested (even though I'm pedaled out, generally speaking).Yup, that’s some boring shit.
The current Valvenergy pedals ARE sleepers (in the good way). So this new line has me interested (even though I'm pedaled out, generally speaking).Yup, that’s some boring shit.
yes, its pretty quiet . definitely not like the old Name days where there are leaks all over and new product rumours considering its next week its been pretty underwhelming
Whatcha talking about.. can't wait to get in on some tuner action
I assume that cost is including things like flights, hotels, shipping a whole pile of your amp range etc. Especially if you can't just take them to a dealer afterwards, or sell all of them at NAMM, but have to bring them back to Canada.I think DI is right though this could be the beginning of the end
If we take a company like REVV who has said on a podcast it costs about 70,000 CAD to go to Namm they would have to sell 25 amps just to break even , with all the social media and net promotions available in 2024 is is really worth it , when you can connect with your dealer network and customers online ?
For example BluGuitar is going to be at NAMM and last year they had I think one of those 5x10 foot spaces that cost $2295 USD, fits a couple of their cabs and a few Amp 1s on top. I think for Blug it's more about seeing friends in the industry who are all over the world.
I mean that gets you a dinky little area that is fine for a pedal maker or BluGuitar who makes just plain compact gear.That's for the entire event, not per day? Wow, it's actually... reasonable. I somehow assumed NAMM space was way more expensive than that.
Fender takes up an entire floor when you factor in all their brands. I’d bet the space isn’t even the bulk of the cost. Airfare, lodging and shipping all that product can’t be cheap.I mean that gets you a dinky little area that is fine for a pedal maker or BluGuitar who makes just plain compact gear.
If you are Fender or Ibanez you are paying $20K+. So it's not that surprising that some of the bigger names are the ones that are pulling out when that $20K+ might be better put into say online marketing.
Really depends what personal connection with folks buying your products is worth. And I’m not talking about one amp. Buyers like GC and Sweetwater are there. Not to mention 9000 knuckleheads like myself running around with a gimbal giving you a metric shit ton of free press.I think DI is right though this could be the beginning of the end
If we take a company like REVV who has said on a podcast it costs about 70,000 CAD to go to Namm they would have to sell 25 amps just to break even , with all the social media and net promotions available in 2024 is is really worth it , when you can connect with your dealer network and customers online ?
some of it is cartage and booth set up , I could be wrong ,but I believe things like cabinets and stuff you are not allowed to move due to liability , its a group of Namm insured employees that do all the heavy lifting and they cost a good chunk of changeI assume that cost is including things like flights, hotels, shipping a whole pile of your amp range etc. Especially if you can't just take them to a dealer afterwards, or sell all of them at NAMM, but have to bring them back to Canada.
You can check the prices for exhibiting at NAMM here: https://www.namm.org/thenammshow/exhibit/2024
For example BluGuitar is going to be at NAMM and last year they had I think one of those 5x10 foot spaces that cost $2295 USD, fits a couple of their cabs and a few Amp 1s on top. I think for Blug it's more about seeing friends in the industry who are all over the world.
So it's a shame that tradeshows like this are going away, but also understandable if the costs have become prohibitive. For releasing products in the Internet age it's just easier to control the narrative by releasing your product at the right time, rather than when everyone else is doing it as well.
This is quite cool.