splitting line level signal - what should I buy?

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I have a stereo signal at line level that I wish to send to my Cranbourne Audio headphone amp. But I also need to send it to my interface for times when I need to record it.

It must be transparent and the ability to monitor via the headphone amp must still be optional even if I send the signal to the interface.

The Radial MC3 looked good, but it's discontinued.

Any suggestions would be greatly appreciated.
 
Balanced line level should split just fine, you can use a patchbay and have it half normalled to do the mult.

Per ChatGPT

It’s technically fine to split a balanced line-level signal on a patchbay because of how professional audio gear is electrically designed.





1. Line outputs are low impedance


Most professional line outputs have an output impedance around 50–200 ohms. This means they can deliver signal easily without being affected by what they are connected to, within reason.





2. Line inputs are high impedance


Line inputs are typically 10,000 ohms (10 kΩ) or higher. High impedance inputs draw very little current from the source.





3. Splitting does not overload the source


When you split a signal to two inputs, those input impedances are effectively in parallel. For example:





Two 10 kΩ inputs in parallel = 5 kΩ total load.





Even 5 kΩ is still vastly higher than a 100 ohm output impedance. This large ratio (50:1 in this example) means:





• The source is not stressed


• Signal level remains effectively unchanged


• Frequency response is unaffected





This is called impedance bridging. Modern audio systems are designed around this concept.





4. Balanced connections remain balanced


A balanced output drives two signal conductors (+ and –) plus ground. When you split the signal, both conductors are still duplicated equally. This preserves:





• Noise rejection


• Common-mode rejection


• Signal symmetry





So you do not lose the benefits of balanced wiring by splitting passively.





5. Why this is specific to line level


Line-level outputs are active, buffered circuits. They are meant to drive multiple loads.





Instrument pickups and some vintage gear are passive, high impedance sources. Splitting those does cause level loss and tonal change. That is a different electrical situation.

l

When splitting can cause issues





Rare but possible cases:





• Very old or unusual output designs


• Unbalanced outputs into multiple destinations


• Extremely long cable runs


• Ground loop problems





But with modern professional equipment, passive multing on a patchbay is standard practice.
 
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