It‘s strange. I like the sound of them in the review videos. But when I tried them myself I found them incredibly dark and boomy. The only one I find usable for my own mixes is the Rev-C.
No and I will not if there’s a chance my hard-earned money makes it into the wallet of someone like Glenn Fricker. I just ended a conversation with Artist Relations of Laney. They lost any and all possibility of gaining me as a potential customer.
It‘s strange. I like the sound of them in the review videos. But when I tried them myself I found them incredibly dark and boomy. The only one I find usable for my own mixes is the Rev-C.
Its like that with a lot of the "mix ready" stuff...its boring as all hell to play, often sounds really dull or overly boxy or midrangey. I can't even usually bring myself to record with those sorts of sounds even though I know I'll switch to them in the mix. I know it often freaks the clients out to practice their parts with that sort of sound. My solution is usually to have a HPF/LPF plugin on the track after and bypass it during tracking
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.