Agree with this, but also, I can’t imagine the market for this is anywhere big enough for the sort of scale Mesa makes things at. Unless they charge silly money for itI think a “Triaxis 2” would be a better move than an RI but yes
The Studio Preamp is IMO a bit more responsive and amp-like when compared to the triaxis, which feels a little flat in comparison. That said, the triaxis is still pretty awesome and can cover WAY more ground with less tonal compromise re: channel balancing.That Michael Nielsen video rips! I’ve never played a real Triaxis. How do they compare to the studio or quad pre tonally?
Big same. There is no such thing as a jack of all trades in amplification - only master of none.The older I get I just want stuff that is laser focused on doing one thing really well rather than swiss army knives jack of all trades stuff that do a bunch of stuff kinda good.
Maybe it would sell well and be sweet... I dunno... just wouldn't be for me.
I def wanna fuck w that recto they are coming out with that has the black face plate and less knobs.
I'm just the opposite, give me the choices to make the tone my own. I love amps like the Triaxis, mark VII, Road King, etc. This stuff isn't hard and it isn't complex to use, and I like having it all in one unit. That's part of the reason the new Soldano 88 preamp with MIDI and IRs is so appealing to me.The older I get I just want stuff that is laser focused on doing one thing really well rather than swiss army knives jack of all trades stuff that do a bunch of stuff kinda good.
Maybe it would sell well and be sweet... I dunno... just wouldn't be for me.
I def wanna fuck w that recto they are coming out with that has the black face plate and less knobs.
I’ve had Roadking and Triaxis and I have an X88ir now. The X88 kills the original and the Mesa stuff.I'm just the opposite, give me the choices to make the tone my own. I love amps like the Triaxis, mark VII, Road King, etc. This stuff isn't hard and it isn't complex to use, and I like having it all in one unit. That's part of the reason the new Soldano 88 preamp with MIDI and IRs is so appealing to me.
Only if they use light up rotary encoders.An updated Triaxis in a better form factor would be amazing. The 19" depth was crazy. The Triaxis was my main gigging preamp for a long time and I'd love to see them modernize like Synergy and Soldano are doing.
I couldn't justify the $1600 or so they cost back in 93 when I got my MP-1 instead, for 1/3 less. But I absolutely loved the idea of being able to dial up all sorts of tones, in a stereo unit, that was digitally controlled so you could switch on-the-fly to anything you wanted with a MIDI controller. Which imo, is even better than a versatile amp. And I still think it's a great idea, if you're like I was back in my cover band gigging days, and wanted to get really close to each song's recorded tones.I'm just the opposite, give me the choices to make the tone my own. I love amps like the Triaxis, mark VII, Road King, etc. This stuff isn't hard and it isn't complex to use, and I like having it all in one unit. That's part of the reason the new Soldano 88 preamp with MIDI and IRs is so appealing to me.