Quad Cortex Mini

Yeah that's all on Aggregate devices not the QC.

I would make sure you select your Apollo first then the QC and select drift correction on the QC device. Set your Apollo to match the sample rate of the QC (is it 48KHz?) to minimize issues.

Yeah, I have drift correction set on the Mini, clock source set to Apollo, and sample rate at 48 in Logic.

It’s def not the QC, I’m just trying to get cute using an aggregate, which would be ideal.

At this point though I just want to figure out how to configure the setup to re-amp, while still using my monitors on the Apollo.
 
Spent the morning going back over reverbs and delays.

I find the big thing that’s different between Neural verbs and delays vs FAS is with Neural you don’t need to be afraid to crank the mix higher. With FAS stuff if you approached 40-50% you be washing out. With Neural stuff you need to sit about 10-15% higher in mix to really get going.

Reverbs. I find a lot of these reverbs to be really good. The Nordic and Studio are super clean and classy. 👔 Sit really well. The Blossum verb is dope, especially since there aren’t a ton of character verbs in the QC. Having a ducking control is big so you can really crank it into a massive swells but still sit with your playing. I wish all the verbs had a ducker. I kind of like Neurals shimmer. :bag They give enough controls with the HPF and LPF to either take the top end edge off when doing the octave up thing, or brighten up an octave down. The H90 is still the king of anti-shimmers, but the QC’s is really nice. I used to use the Cave all the time as the only game in town for a big verb, but it’s funny how smooth that sounds to me now. All in all I think the Neural verbs are actually pretty good tbh. I think they could use one dedicated gigantic verb. A Blackhole/Supermassive type, but otherwise they aren’t really lacking for much.

Delays. Neural isn’t lacking shit for core delays. The analog delay is really badass, (soooo good) as are the Digital and Tape. That trifecta is really stronger than I remember. I’m not a big Circular Delay guy, so I kind of bailed on this one. The Dual Delay seems ok, it won’t rival the Aurora MTD in FAS but I think I can probably dial it in better with the time. One thing I do like about Neural delays vs FAS is that the Neural delays initial repeat is softer. FAS delays have an initial repeat that is much more pronounced, which can be tricky to sit without carefully setting the mix/feedback. This kind of make Neural delays slot in really nice. This biggest omission in my opinion is a Deluxe Memory Man. It’s been 5 years dudes. :hmm

Fun fact, I liked that Analog delay so much on the QC, I was like, I’m going to death match that with the FAS Icons analog delay, I know the QC’s is better and I’m going to prove it. I level matched everything, and… gawd damn FAS knows delays. :ROFLMAO: On the bright side it’s razor thin between them and full credit to Neural for punching way higher then is generally recognized.

I didn’t bother with plugin reverbs and delays, but generally speaking I think the QC is in a really good place for verbs and delays. Some really inspiring stuff in there.

_______________

The Mini’s unsung hero is the dedicated power button. It’s frigging lovely. :ROFLMAO:

The SLO plugin amp shows the way, by nesting the channel and modes in one model. I wish every model, and all other modelers would do this. I want to select an amp, not micromanage a list of channels and modes of the same amp.
 
The SLO plugin amp shows the way, by nesting the channel and modes in one model. I wish every model, and all other modelers would do this. I want to select an amp, not micromanage a list of channels and modes of the same amp.
That’s why I want the IIC+ PCOM 😈

I agree fully that QCs effects are amazing and the difference is so razor thin that I really don’t think about it.
 
Is it a physical push button or is it a touch sensitive power like the big QC
1771270221456.png
 
Spent the morning going back over reverbs and delays.

I find the big thing that’s different between Neural verbs and delays vs FAS is with Neural you don’t need to be afraid to crank the mix higher. With FAS stuff if you approached 40-50% you be washing out. With Neural stuff you need to sit about 10-15% higher in mix to really get going.

Reverbs. I find a lot of these reverbs to be really good. The Nordic and Studio are super clean and classy. 👔 Sit really well. The Blossum verb is dope, especially since there aren’t a ton of character verbs in the QC. Having a ducking control is big so you can really crank it into a massive swells but still sit with your playing. I wish all the verbs had a ducker. I kind of like Neurals shimmer. :bag They give enough controls with the HPF and LPF to either take the top end edge off when doing the octave up thing, or brighten up an octave down. The H90 is still the king of anti-shimmers, but the QC’s is really nice. I used to use the Cave all the time as the only game in town for a big verb, but it’s funny how smooth that sounds to me now. All in all I think the Neural verbs are actually pretty good tbh. I think they could use one dedicated gigantic verb. A Blackhole/Supermassive type, but otherwise they aren’t really lacking for much.

Delays. Neural isn’t lacking shit for core delays. The analog delay is really badass, (soooo good) as are the Digital and Tape. That trifecta is really stronger than I remember. I’m not a big Circular Delay guy, so I kind of bailed on this one. The Dual Delay seems ok, it won’t rival the Aurora MTD in FAS but I think I can probably dial it in better with the time. One thing I do like about Neural delays vs FAS is that the Neural delays initial repeat is softer. FAS delays have an initial repeat that is much more pronounced, which can be tricky to sit without carefully setting the mix/feedback. This kind of make Neural delays slot in really nice. This biggest omission in my opinion is a Deluxe Memory Man. It’s been 5 years dudes. :hmm

Fun fact, I liked that Analog delay so much on the QC, I was like, I’m going to death match that with the FAS Icons analog delay, I know the QC’s is better and I’m going to prove it. I level matched everything, and… gawd damn FAS knows delays. :ROFLMAO: On the bright side it’s razor thin between them and full credit to Neural for punching way higher then is generally recognized.

I didn’t bother with plugin reverbs and delays, but generally speaking I think the QC is in a really good place for verbs and delays. Some really inspiring stuff in there.

_______________

The Mini’s unsung hero is the dedicated power button. It’s frigging lovely. :ROFLMAO:

The SLO plugin amp shows the way, by nesting the channel and modes in one model. I wish every model, and all other modelers would do this. I want to select an amp, not micromanage a list of channels and modes of the same amp.
Great post and positive reaction to this thing. Nice!
 
I agree fully that QCs effects are amazing and the difference is so razor thin that I really don’t think about it.

Yeah im pretty impressed with the depth and quality of the core effects. Some good stuff in there, and the modulation stuff is pretty comprehensive at this point. They are kicking some ass with modulations imo.

Is it a physical push button or is it a touch sensitive power like the big QC

Physical.

But, I had to power cycle my brick yesterday and it started back up. I need to test again if does that auto boot thing when it gets a power cycle from the source, but having a physical button is still a step forward over that soft touch thing on the QC.

Great post and positive reaction to this thing. Nice!

In some ways I think the Mini, in its current dev cycle, is sort of proving to be what I’d hoped from the original launch QC. This little bastard is kind of sick. :ROFLMAO:
 
Mine doesn’t turn on automatically when I plug it in which is nice, but I didn’t know you could change that behavior. I just remember going “oh, the old QC used to turn on whenever it got power”
 
Mine doesn’t turn on automatically when I plug it in which is nice, but I didn’t know you could change that behavior. I just remember going “oh, the old QC used to turn on whenever it got power”

Yeah I def don’t remember that from the OG. Badass nonetheless.
 
  • Like
Reactions: Dez
Spent the morning going back over reverbs and delays.

I find the big thing that’s different between Neural verbs and delays vs FAS is with Neural you don’t need to be afraid to crank the mix higher. With FAS stuff if you approached 40-50% you be washing out. With Neural stuff you need to sit about 10-15% higher in mix to really get going.

Reverbs. I find a lot of these reverbs to be really good. The Nordic and Studio are super clean and classy. 👔 Sit really well. The Blossum verb is dope, especially since there aren’t a ton of character verbs in the QC. Having a ducking control is big so you can really crank it into a massive swells but still sit with your playing. I wish all the verbs had a ducker. I kind of like Neurals shimmer. :bag They give enough controls with the HPF and LPF to either take the top end edge off when doing the octave up thing, or brighten up an octave down. The H90 is still the king of anti-shimmers, but the QC’s is really nice. I used to use the Cave all the time as the only game in town for a big verb, but it’s funny how smooth that sounds to me now. All in all I think the Neural verbs are actually pretty good tbh. I think they could use one dedicated gigantic verb. A Blackhole/Supermassive type, but otherwise they aren’t really lacking for much.

Delays. Neural isn’t lacking shit for core delays. The analog delay is really badass, (soooo good) as are the Digital and Tape. That trifecta is really stronger than I remember. I’m not a big Circular Delay guy, so I kind of bailed on this one. The Dual Delay seems ok, it won’t rival the Aurora MTD in FAS but I think I can probably dial it in better with the time. One thing I do like about Neural delays vs FAS is that the Neural delays initial repeat is softer. FAS delays have an initial repeat that is much more pronounced, which can be tricky to sit without carefully setting the mix/feedback. This kind of make Neural delays slot in really nice. This biggest omission in my opinion is a Deluxe Memory Man. It’s been 5 years dudes. :hmm

Fun fact, I liked that Analog delay so much on the QC, I was like, I’m going to death match that with the FAS Icons analog delay, I know the QC’s is better and I’m going to prove it. I level matched everything, and… gawd damn FAS knows delays. :ROFLMAO: On the bright side it’s razor thin between them and full credit to Neural for punching way higher then is generally recognized.

I didn’t bother with plugin reverbs and delays, but generally speaking I think the QC is in a really good place for verbs and delays. Some really inspiring stuff in there.

_______________

The Mini’s unsung hero is the dedicated power button. It’s frigging lovely. :ROFLMAO:

The SLO plugin amp shows the way, by nesting the channel and modes in one model. I wish every model, and all other modelers would do this. I want to select an amp, not micromanage a list of channels and modes of the same amp.


Try out this Stereo Micro Processor Block trick @2112 came up with. Set the Left to 500ms and the Right to 550ms and you get a sweetheart delay going on.

 
I am an amp guy who has tried various modelers (Kemper, Helix) over the years including an initial pass with the QC about two years ago that didnt last. I picked up a nano a few months ago and starting with less options was helpful to get a handle on the eco system and obviously was around for the V2 capture launch which was I started to think about jumping back in to a full sized QC. I got a mini about a week ago and sold my Nano. I am incredibly impressed with the mini. I have used it with a power amp through a cab and also through my desktop monitors and it is really, really good.

My problem was always tweaking sounds and option paralysis and so far, I am def not having that with the mini. An amp capture, an IR a reverb and a delay and it sounds and feels really good. I know there is a lot more to seach out and create more complex paths but this is the first time I have been able to get a sound I really liked from a modeler without having to have compressors and eq blocks, high pass and low pass filters to find a satisfying sound.

The UI is really intuitive too.
 
My problem was always tweaking sounds and option paralysis and so far, I am def not having that with the mini. An amp capture, an IR a reverb and a delay and it sounds and feels really good. I know there is a lot more to seach out and create more complex paths but this is the first time I have been able to get a sound I really liked from a modeler without having to have compressors and eq blocks, high pass and low pass filters to find a satisfying sound.

The UI is really intuitive too.
💯 this is a huge QC factor. Just fuckin sounds right with very minimal effects, no stupid EQ tricks or deep parameters to tweak. For me it’s noise gate, drive, a capture, IR, chorus, delay and reverb - done.
 
💯 this is a huge QC factor. Just fuckin sounds right with very minimal effects, no stupid EQ tricks or deep parameters to tweak. For me it’s noise gate, drive, a capture, IR, chorus, delay and reverb - done.

This is why I personally rank the QC as number one in modeling right now, even though I'm a fan of most of the top modelers. You just don't get those same number of "help I can't get this thing to sound good" posts online as you see with so many others. The thing is just a musical beast.
 
This is why I personally rank the QC as number one in modeling right now, even though I'm a fan of most of the top modelers. You just don't get those same number of "help I can't get this thing to sound good" posts online as you see with so many others. The thing is just a musical beast.
I am sure the other modelers out there sound great so not a knock on them at all. For me, the QC was just easy and that was a priority for me for it to actually be something that would stick around and get used....Honestly 1 minute to set levels at the beginning or switching a guitar and that was it. Best thing, coming back to the few sounds I made in my first hour the next and the following day and they still sound great and didnt do any further adjusting.
 
I am sure the other modelers out there sound great so not a knock on them at all. For me, the QC was just easy and that was a priority for me for it to actually be something that would stick around and get used....Honestly 1 minute to set levels at the beginning or switching a guitar and that was it. Best thing, coming back to the few sounds I made in my first hour the next and the following day and they still sound great and didnt do any further adjusting.

Exactly. The QC and real amps are the only thing I can plug my guitar into and go "aw hell yeah" almost immediately. Other modelers are great, but they often require more work to get to a good spot.
 
  • I’m going to have to figure out the scene assignment because it wasn’t readily intuitive on Cortex Control. But I haven’t RTFM.
  • I’m not entirely sure why they don’t group the IR Loader with the Cab in the selection screen. Same function but two different areas in the list.
  • I really wish they had the plugin devices grouped with the rest of the devices. So you could select the Plini Chorus from the Modulation block for ex. It kind of creates the disconnect in content selection when you go two different areas.
Re: Scenes, it's very intuitive once you get used to the fact that params (including bypass!) are not scene-aware by default. Press and hold until the little 4-square icon appears in the corner, and then scenes (for the parameters selected) will work effortlessly. This works for all kinds of things you might not expect, like levels and mutes in output blocks, for instance. Good stuff.

Agree about the weird groupings sometimes being a PITA. I wish you could group a list of faves under one unified user-defined group. I think of that micropitch as a delay and it's tucked away in modulation. A couple of other things I use frequently are tossed arbitrarily into utilities. (And, as I'm always saying, the search functionality is cumbersome at best, maybe even a little broken?)

That Nordic Hall reverb is great. I really wanted the PCM to win me over (because the UA version blew my mind a couple of years ago), but after diving into all of them, and briefly falling for Plate Lush (a plate for lushes, naturally) again, I've found myself using Nordic a lot. It's just really rich without getting in the way.
 
Back
Top