James Freeman
Rock Star
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People see numbers and immediately skip reading, such a shame, it is actually super easy and well worth the results.
I don't actually think that is true. There are plenty of other things that will affect the sound of an amp other than the level going into it - capacitance, noise-floor, impedance loading, etc.the capture itself will be identical to my capture if we both use 12dBu as reference signal.
I'd imagine the input signal gets normalized regardless prior to inference. I'll check the repo for something like standardscaler in there.People see numbers and immediately skip reading, such a shame, it is actually super easy and well worth the results.
You basically have to normalize the data for neural network training.I'd imagine the input signal gets normalized regardless prior to inference. I'll check the repo for something like standardscaler in there.
capacitance, noise-floor, impedance loading, etc.
Yes and 400$ in my pocket...
I can step in here, as a total noob on profiling/capturing whatever. I have no amps.
But consider this. All the tech talk aside.
Leo clearly proves to me, just me and my own preferences.
That 90% of what every one is talking about… simply does not matter (to me).
All 5 examples sound good and I could sit and play any of them with the sole intention of playing guitar and having a good time enjoying music, and be totally clueless about what is real or not, better than whatever or worse than whatever. Because the differences (yes I heard differences between all examples) simply does not matter to me.
I already know and decided that profiling/capturing is not for me. I’m happy enough with amp modeling as it is, cheap or expensive. So I can’t really contribute anything to discussions down to details that are discussed here other than offer you all another perspective on things. :)
Your scientific discussions. They are interesting to read, even to me. I appreciate that.
So the difference between Tonex and NAM would come down to other factors for me.
If I had to, the Tonex wins as it’s a hardware pedal that a noob like me actually can use.
Okay so I've been testing a few JCM800 captures from ToneHunt.
My experience is there is no gain or sound consistency whatsoever, might as well be two totally random amps, the reason is probably people are capturing at completely arbitrary re-amp levels, moreover, if there's no detailed notes I have no idea what the amp settings were, what load was used, or if it was a real amp at all.
The only captures I 100% trust and know they are accurate are my own.
I still very much prefer modeling because I have full control and know exactly what's going on.
Exactly the curse of A/B/C comparisons - they make us place far too much emphasis on things that actually don't really matter in anything but comparisons. Whatever fits your use case the best is the way to go. The real truth is, there is no "best" and you should play what makes you the happiest.
Yep, it's gonna vary wildly based on all kinds of things, which mirrors my experience with kemper / tonex / QC. Some people (myself included) try to make collections or packs for a specific amp though, which does help narrow the focus a little, as well as documenting everything about the settings and gear. Steve's adding metadata to the nam files - and IF people fill that out, it will be helpful for informing UI instances like plugin or tonehunt. But it is what it is for now and just sort of the nature of the beast. Helps getting to know the names of creators that do good work and starting there vs diving into the abyss too, since there are a lot of people who really know what they're doing. Output level normalization is being considered too, which would balance the capture playback levels better.
Captures from tim robertson, jon arnold, helga behrens, philip priss, emile rohbe for example
A few good spots:
NAM_JonathanArnold – Google Drive
drive.google.comJZ NAM Models – Google Drive
drive.google.comNAM Models - PippPriss – Google Drive
drive.google.com
Lots should / will be on tonehunt, but I just have these handy from my bookmarks
Yeah I know that. Not everyone does. So right there and then, you've expanded the scope of your guideYou can use a buffered pedal after the reamp box and forget about capacitance and impedance matching.
How I do it:
PC -> Reamp Box -> 25k Volume Pot -> Buffer -> Amp.
You have the freedom to be the exact opposite if you want, if you feel hopeless.Look ... there's no pretty way to say this .... but if people are going to insist on posting messages that are factual, reasonable, considered, objective, accurate and totally lacking any fan-boi'ing ..... well ... then ..... what hope is there
All the best,
Ben
Yes, you're right, I'm not saying they should phase cancel or anything, just mitigate some of the gain randomness and the nonsense we've seen on youtube lately.But IMHO there's always gonna be differences, even with the same amp.
Okay so I've been testing a few JCM800 captures from ToneHunt.
My experience is there is no gain or sound consistency whatsoever, might as well be two totally random amps, the reason is probably people are capturing at completely arbitrary re-amp levels, moreover, if there's no detailed notes I have no idea what the amp settings were, what load was used, or if it was a real amp at all.
The only captures I 100% trust and know they are accurate are my own.
I still very much prefer modeling because I have full control and know exactly what's going on.
If you have enough brain power to use a DAW and Reamp shit, measuring voltage on your 1/4" plug requires 1/100 of that brain power.This entire level/gain-of-captures issue is pretty academic.
You have the freedom to be the exact opposite if you want, if you feel hopeless.
If you have enough brain power to use a DAW and Reamp s**t, measuring voltage on your 1/4" plug requires 1/100 of that brain power.
I know and my response in wich I forgot to add a funny smile, was meant as an ironic response to yours. It’s all goodJust wanted to clarify that my post was intended to show that I %100 agree with every point you and the others made
All the best,
Ben
Like for legible postHey James !
I don't know if you think this might be part of the issue or not (?) but setting up an amp and a guitar for a good live tone -or- a good recording tone are not only 2 very different things, but are also not as easy as some think.
It takes, time, experience and knowledge of not only how to do things correctly, but also very importantly, having high quality gear and knowing how to set up that gear, mics, rooms, signal chains etc. properly. Even doing a D.I Capture requires most of these same skills, sans the mic and room.
I personally think the only Capture's that anyone can totally trust as being authentic-to-the-amp-being-used are (a) the ones you do yourself and (b) the ones you buy from trusted reputable makers who own the actual amps ie:- Amalgam, TJ, Jason Sadites etc. and hopefully soon, people like Michael Britt.
That's not to say there aren't "other" good Captures in NAM or Tonex land - but there seem to be a lot of people who all of a sudden "own" Dumbles, Two Rocks, 1964 AC30's, Original mint Plexi's, classic 60's Fenders, MarkIIB Boogies etc. I just don't believe them - and there is no way to verify or trust anything they are saying and posting / listing for Capture downloading.
Ben
Most people should be murdered.Most people don't even own a multimeter.
Most people should be murdered.