I'll wait to see if it nulls better than the Valeton GP-5 before calling it that way![]()
So neither one paints a terribly accurate picture and both look like they were drawn by children?Mods described running an MK2 profile on an MK1 as painting the same picture with 2 different crayon sets
Mods described running an MK2 profile on an MK1 as painting the same picture with 2 different crayon sets (seems like a poor example to me). You may have someone favor one picture over the other, but the artwork is identical. I am guessing that this means that V2 would be the equivalent of using paint vs crayons.
So neither one paints a terribly accurate picture and both look like they were drawn by children?![]()
I do notice that the shine seems to be wearing off the penny with respect to the Stadium though. Lots of people saying it sounds too much like the Helix and costs way more. I do seem to hear it is pretty stable though. Kudo's to Line-6 for that.
LOL. Which is why I thought it was a bad example to use.So neither one paints a terribly accurate picture and both look like they were drawn by children?![]()
I think it is certainly a tragic story to tell. Something so revolutionary was simply allowed to rot on the vine while others took over. I have often argued that Kemper should have refocused their marketing on how great a gig rig Kemper is. IMO, they still maintain an advantage in this area. Arguing that they are perfectly accurate is simply an insult to people who have evidence to prove it isn't true.... but that seems to be the hill they decided to die for.I heard the Neural DSP V2 captures are being highly rated foe their accuracy in comparison to V1. So it seems like Kemper kind of got upstaged when that happened, and it's a back to the drawing board scenario.
All said and done, however, worth remembering that Kemper was the first to come up with a method to profile guitar amps, so I would harbour no doubts that V2 profiling will be a step up from V1 (other than that really strange analogy about paint and crayons).
I find it quite sad as well.In all honesty, from Day 1, you could easily be forgiven for thinking that Kemper are deliberately trying to "de-credibl'ize" and "clust-f*ck-up" this whole hardware and software upgrade.
Its gotten so bad its depressingly laughable ... and this is *the* company that literally invented and started the whole profiling / capturing universe![]()
I think that your POV is likely common. While I find it difficult to justify a 2K purchase to replace my MK1 that is (after all) still getting the job done every week, when the time does come, MK2 is very unlikely to be my next choice for all the reasons you outlined.Going from Helix to Stadium, you’ve (currently!) gained a better interface, focus view, better quality converters, 40+ amp channels based on the new Agoura platform, hype mode, some lifestyle improvements, 1st version of Showcase. You also gained first generation teething problems which are either ‘so bad I can’t stand it’ (some users have returned them) right through to ‘I have no issues worth worrying about’. They’ve sold tons of the things and consequently you’ll get a lot of opinions. I’m in the second camp but then again it’s my fun time - I’m not making a living from using it.
For me as a Kemper user who switched, I’ve gained all the above plus all the original amps and effects. I’ve also gained the ability to do two amps at once if I want to. I’m very much enjoying it.
The biggest thing I’ve gained (and the old Helix users have gained) is a platform with enough legs to grow. There’s been one upgrade already which added the 1st gen of Showcase (I’m enjoying it already) plus 3 more amps. They’re saying ‘proxy should be March’ and I have a high amount of confidence it’ll be March. Of course I could be wrong but I don’t think they’ll be far off. The company was up-front with how much had changed hardware wise whilst building on a 10 year legacy of free upgrades. This spoke to me,
I know you shouldn’t buy futures but (coming from a Kemper Mk1) it’s been an upgrade for me in most ways already. One of the reasons I didn’t go Kemper MK2 was because I felt like I was buying the same box again and the official forums had no interest in making me feel better about this. I didn’t have the confidence it would evolve over the years for this reason but I never dreamed they’d drop the ball in the way they have with the ‘new profiling’. I have a reasonable expectation of continuous improvement here in stadium land - I no longer felt that way with Kemper which is a shame.
Yeah, rackmount design doesn't exactly go hand in hand with the emphasis on large surface area touchscreens, which the market is favoring right now (and IMO for the foreseeable future.)I don't see that being a priority. Honestly, rack gear is cool but we are seeing a shift away from it. Line 6 launched their new gen as floor unit only (at the moment) and has stated before the floor units greatly outsold the Helix rack.
I wouldn't be shocked if the Axe Fx IV line launches with a floor modeler to start.
I was an early adopter when the original toaster was released, and I immediately got the sense that CK could be a little bit... resistive to change. In the years since Kemper has done a lot to improve the platform, so I'm not pretending they don't put the work in. But I can recall recommending a very minor change to the KPA's MIDI implementation and CK replying, essentially, "It cannot be your way because it is my way." (When the two ways were by no means mutually exclusive.)You are correct - Kemper products aren't going to change.
I was an early adopter when the original toaster was released, and I immediately got the sense that CK could be a little bit... resistive to change. In the years since Kemper has done a lot to improve the platform, so I'm not pretending they don't put the work in. But I can recall recommending a very minor change to the KPA's MIDI implementation and CK replying, essentially, "It cannot be your way because it is my way." (When the two ways were by no means mutually exclusive.)
That put me of a mind to jump ship almost immediately. When I did finally decide to give the (then new) Helix Floor a go... well, the forum moderators weren't a problem at that time, but some of the Kemper faithful became absurdly hostile over the idea of anyone trying another modeler. I was happy to get away from the whole scene.
I don't disagree with your assessment. Touchscreens are great "oh-ahhh" value to the masses for sure.Yeah, rackmount design doesn't exactly go hand in hand with the emphasis on large surface area touchscreens, which the market is favoring right now (and IMO for the foreseeable future.)
I have always defended the Kemper ecosystem as being particularly friendly to the gigging community and live performance. The device is well suited to this use; however, once other devices started showing up with OTHER strengths ..... strengths that lots more people than the frequent gigger found useful, .... Kemper did NOTHING to respond and became openly hostile (and down right KGBish) to those that wouldn't tow the line.I was an early adopter when the original toaster was released, and I immediately got the sense that CK could be a little bit... resistive to change. In the years since Kemper has done a lot to improve the platform, so I'm not pretending they don't put the work in. But I can recall recommending a very minor change to the KPA's MIDI implementation and CK replying, essentially, "It cannot be your way because it is my way." (When the two ways were by no means mutually exclusive.)
That put me of a mind to jump ship almost immediately. When I did finally decide to give the (then new) Helix Floor a go... well, the forum moderators weren't a problem at that time, but some of the Kemper faithful became absurdly hostile over the idea of anyone trying another modeler. I was happy to get away from the whole scene.