You don’t understand it.I mean, yeah. I’ve seen this shit happen in person, and it’s kinda funny but not.
“Oh sweet baby Jesus guys I need to have authentic speaker representations for each song!”
Sound guy: “the fuck you do!”
You don’t understand it.
The Kone is for the pleasure of the guitar player. It’s that ‘amp in a room’ sound we all seek.
You don’t mic a Kemper Kone and you can still send a line out to FOH when you are live if you want. You can even lock the output to FOH to single ‘good enough’ cab choice if you don’t want to share your accuracy with the philistines in the audience.
It only applies when the defendant feels like itI also think it’s funny we’re talking about accuracy, when accuracy wasn’t important before, as long as it sounded good.
lol! You definitely don’t get that part. I was highlighting the selective adherence to the ‘accuracy’ jihad with my comments.I also think it’s funny we’re talking about accuracy, when accuracy wasn’t important before, as long as it sounded good.
Seems kind of strange that someone would crave a perfect null, but not care about having the "amp in the room" sound from the cab doesn't it?You don’t understand it.
The Kone is for the pleasure of the guitar player. It’s that ‘amp in a room’ sound we all seek.
Here is a Vs using a Mark Vii in iiC mode.
Which is the real amp?
The tonal difference I can deal with. To me I’d guess the second half is the amp since it’s less compressed than the first.Yeah, they definitely sound different. Which is better? Depends on if you like a sizzle to it, or more muted top end. My issue with profiling the amps I mentioned was that it took multiple times for us to get something we liked. As I previously mentioned, this was a hair over a year ago. Has the profiling process improved? If so, that's good.
As it pertains to the thread at hand, I'd have hoped they'd have ironed out this process, made the overall sound closer, and very importantly, modernized the user interface. That doesn't appear to have happened, at least not on-device.
Geez man. You have really missed out. We have already clocked up to 146 pages of all the edifying material above just on this thread! Looks like your weekend is all booked up now.Wait. There’s an MKII? How the fuck did I not know this?! @JiveTurkey wtf bro?
Thanks for the recap, don't have time to read the 20 pages I missed these last days, now I can give my contribution:The conversation keeps trying to pivot on some point nobody made because the made point prior was “Kemper doesn’t sound the samest of modern profilers”. That’s it. Then like 20 pages of people quoting that with a list of shit that doesn’t have anything to do with that.
I'm pretty sure a couple of us have said that yes, the 1st one sounds like crap compared to the 2nd one.Do you have 4 people saying that either one sounds like crap?
It definitely could be aliasing causing the cloudy nasty mid-range in the first clip, sure. I'll say that if it makes you feel better.Do you have someone saying they can clearly hear aliasing so bad in one that it makes it sound awful?
I don't know man, you've been arguing that this whole time. Why change?!I am not going to argue that more accurate would not be better though.
You don't even need null tests to be able to hear that the Kemper sounds different to the source amp, and in my experience, this holds true 99% of the time.Short of booking out some time at the Cern Large Hadron Collider .... a well set up and done Null Test is as good as we have for us lay-people to determine how accurate a copy of a static Amp set up is.
lol nobody says that!! Mr. 1880's !!As we might say down here, is it just me, or has this thread actually disappeared up its own arse where the Sun doth not shine (?)
The thing is, for live use, I would feel sorry for anyone on stage using one of those pathetic NAM players.... or God forbid a Tonex. Just to think about the pathetic excuse for efx that Tonex has and all anyone talks about is null tests. This baffles me.
I was highlighting the selective adherence to the ‘accuracy’ jihad