Southpaw-DD
Roadie
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- 115
Tim is in the fucking clear now! He should have that badge removed.
Pics or it didn't happen.

Tim is in the fucking clear now! He should have that badge removed.
Classic!But no valvetron
Tim is in the fucking clear now! He should have that badge removed.
AbsolutelyAgreed. @DrewJD82 All in favor?
NeverBought Shit!
I was trying to be nice and say it with some decorum. But if you want to take it that way so be it. I won’t apologize for your feeling hurt
I was trying to be nice and say it with some decorum. But if you want to take it that way so be it. I won’t apologize for your feeling hurt![]()
I think the thing a lot of champions of accuracy don’t understand is the creators of these devices are doing two different things. Two things these zealous few find to be in conflict.
Yes, the creators pursue accuracy as one of their primary goals because consumers make purchases based on perceived ‘value’ and accuracy is one of the few features that is objectively proven. If your device is ranking high in the accuracy competition it adds value.
They also strive to hit the benchmark of ‘good enough’ because the value is also in features that are not so easily ranked but do add value on a more personal level. One man’s frivolous feature is another man’s necessity.
They don’t hold themselves to the standard of absolute accuracy because if they did none of them would have brought anything to market yet.
They also can’t stop improvement at their last release they qualified as ‘good enough’ because the market is always moving. The competition will undermine their market share with new features and/or accuracy improvements. Marketing
So the creators of these devices, like most of the users, see managing the balance of accuracy with a bundle of more esoteric features as the correct path.
And this has the accuracy puritans screaming ‘Blasphemy!’.
Anti-aliasing filters are applied prior to doing the FFT in the DSP. In the case of a 48Khz sample rate, everything above 24Khz is removed. After the FFT and about a butt ton of other DSP, a reverse FFT is performed to bring the signal back into the time domain (out of the frequency domain) where it is sent to the D/A converter to rattle a speaker somewhere.Those frequencies above 24 kHz ALIAS. A harmonic at, say, 34 kHz will alias to 14 kHz. A harmonic at 47 kHz will alias to 1 kHz.
When you distort a signal you create harmonics that go into the hundreds of kHz. If you don't oversample those harmonics alias into the audible range.
I suspect that any artifacts found in a digital amp are likely a creation of poor filtering and processing algorithms that create the artifacts. Oversampling helps to minimize these side effects.The issue is those frequencies above Nyquist reflect back down to the audible range due to aliasing. It's often a secondary effect compared to the main signal, but you can hear it if you have that ear (and those who can hear it, cannot unhear it).
IMHO the Kemper sounds great, is likely to sound better with the upgrades, some of those improvements will be esoteric and only matter to highly trained ears in studio environments ... and those who compare stats like null tests.
I do believe that Kemper is DSP limited ..... certainly more so than an Axe III Fx. At the end of the day, there are plenty of people out there that can't tell the difference between Kemper, QC, and the amp.... this is tripply true if the guitar is in the mix.... and even more so in a live event.I think the thing a lot of champions of accuracy don’t understand is the creators of these devices are doing two different things. Two things these zealous few find to be in conflict.
Yes, the creators pursue accuracy as one of their primary goals because consumers make purchases based on perceived ‘value’ and accuracy is one of the few features that is objectively proven. If your device is ranking high in the accuracy competition it adds value.
They also strive to hit the benchmark of ‘good enough’ because the value is also in features that are not so easily ranked but do add value on a more personal level. One man’s frivolous feature is another man’s necessity.
They don’t hold themselves to the standard of absolute accuracy because if they did none of them would have brought anything to market yet.
They also can’t stop improvement at their last release they qualified as ‘good enough’ because the market is always moving. The competition will undermine their market share with new features and/or accuracy improvements. Marketing
So the creators of these devices, like most of the users, see managing the balance of accuracy with a bundle of more esoteric features as the correct path.
And this has the accuracy puritans screaming ‘Blasphemy!’.
Interesting analogy. Gamers that live and die by geekbench scores and then never play any game under 4KComputer geeks/gamers: we have geekbench scores for processors so that we don't get fooled by adverts.
Guitarists/Audiophiles: that's stupid, why would I want to rely on facts?
So you know whether your kemper/goldplated cables etc are doing as good as they were advertised to be able to do?
Guitarists: * mutters something about tones feeling good though *
CAN I INTEREST YOU IN A MONSTER CABLE.Interesting analogy. Gamers that live and die by geekbench scores and then never play any game under 4K.
I also like your gold plated cables comment. Lots of people still buying these at Guitar Center.... even the digital cables!
Sold home audio and home theater for over a decade. Snake oil. Nothing more.CAN I INTEREST YOU IN A MONSTER CABLE.
Anti-aliasing
Well, he’s an EE doing EE stuff.I find myself fascinated by the idea that you're lecturing Cliff about digital signal processing.
Electrical Engineer.What does EE stand for in this case?
Just think about it for a little bit. Imagine a 20KHz sine wave. Now square it in the digital domain. Boom now you have a 40 KHz signal. If you didn’t operate at a higher sampling rate (ie 80Khz and above), the result is an aliased sine wave in the audible range.Anti-aliasing filters are applied prior to doing the FFT in the DSP. In the case of a 48Khz sample rate, everything above 24Khz is removed. After the FFT and about a butt ton of other DSP, a reverse FFT is performed to bring the signal back into the time domain (out of the frequency domain) where it is sent to the D/A converter to rattle a speaker somewhere.
You are thinking linear systems only.In between input and output it is possible to create unwanted side effects, but this isn't aliasing.
Indeed.Nyquist theorem states that all frequencies below the Nyquist frequency can be exactly recreated into an analog signal.
Over sampling (ie operating at a higher sample rate) is necessary to avoid aliasing due to higher frequencies CREATED entirely in the digital domain (frequencies that did not exist before) by a non-linear operation.I suspect that any artifacts found in a digital amp are likely a creation of poor filtering and processing algorithms that create the artifacts. Oversampling helps to minimize these side effects.
My nephew feels the same about playing at his church.