Funny thing is, to my ears, the MBritt ones are just glorious - I really like the mid-forwardness of them, but I know that puts a lot of people off them - but all my stuff is clean to classic rock - "ACDC style" tone is as heavy as I get - most of my playing these days is edge of breakup to crunch - covers - so his stuff really suited me.
Every bit the same over here. The KPA by buddy lent to me had a whole bunch of the MBritt profiles, only slightly adjusted to suit his gigging needs, and I still remember how I simply just didn't want to stop playing them. I also found the options to tweak the tonestack perfectly acceptable (and that was *way* before liquid profiles came up), so I never understood how people would take so much issues about profiles only being snapshots of an amp. Sure, it defenitely has to do with them being low to mid gain as well, so they were reacting just fine to gain tweaks, might be totally different in the high gain realm, but I'm not exactly interested in those kinda tones.
Also, the KPA seems to take pedals just fine, so you could always go that way, too.
Anyhow, to these day, it's been some of the most satisfying out-of-the box playing experiences.
If I’m understanding it correctly, Kemper profiles are some kind of complex eq mojo applied to a single static base amp model regardless of the target amp characteristics.
I think they're using more than just one baseline model. I seem to remember someone posting a video of updating a KPA and it said something like "updating amp model
s" or so. I very obviously have no idea how the algorithm decides on which model to use, but it'd make sense to start with at least some variety of gain characteristics because even the most elaborated pre/post EQ-ing will only take you this far.
Maybe there's also some trickery happening regarding amp dynamics. As we all know, some amps clean up more when dialing down your guitar volume, some less so - no idea what could be done for these differences to find their way into a profile, but using input level as an additional gain modifier can take you a long way. I used that "trick" back in the days to make some Guitar Rig patches react more dynamically.