ian_dissonance
Shredder
- Messages
- 1,850
Pretty sure you can put the blocks wherever you want on the GT-1000.Hush! You'll make GT-1000 cry!
Pretty sure you can put the blocks wherever you want on the GT-1000.Hush! You'll make GT-1000 cry!
Hush! You'll make GT-1000 cry!
Pretty sure you can put the blocks wherever you want on the GT-1000.
They’re all always in the path, but you can move them around and reorder them.I thought some GT-1000 blocks where fixed in place, depending on the signal path?
Why is it weird to be open minded to go back and try a thing just to double check yourself?
I'd actually say that is exactly the kind of open-mindedness and experimental nature that we could do with seeing more of in the world.
I've owned 2 Quad Cortexes, 2 Axe FX II's, 2 Axe FX III's, 3 Helix's, as well. If you want a laugh, go and see what I was saying about the Axe FX II back in the day!! I was very hot and cold on it.
The true story is - I went back to the Kemper, because throughout the time period between 2011-2021, I second guessed myself a lot when it came to the Kemper. "Was I being too harsh? Maybe I didn’t profile the right amp. Maybe I didn’t use it 'right.'"
And pretty much every single time I confirmed it to myself - "Nope. Still don't like it."
- I wanted to like it.
- I gave it multiple chances.
- But I didn't fall for hype.
- I didn't fall for sunk-cost bias.
- I now have a fully informed and rock solid opinion, based on real world data.
For me, the gear is part of the journey. I've always had a core set of expectations, and everything else outside of that is experiment-zone.
I would say in all that time, for modelling gear specifically, the most fun and intuitive unit for me was the Helix. Line6 really gamed the change with that one. I might plug it in today actually, haven't for a while!
Heck even the III! It's important to be critical of gear while at the same time realizing there is such a thing as too critical. It is a very fine line.Axe FX II back in the day!! I was very hot and cold on it.
It is a very fine line.
I have maintained for over 10 years that Kemper has mis-marketed their device. Sure, at first, they were the only capture device in existence and claimed this to be their unique selling point. Fair enough; however, what everyone missed is the implication of this architecture and its effect on live performers.But I must say having had years of "it's perfect" to now presumably "its perfecter" is funny. Good that it's better, for obvious reasons, but funny, considering the uproar I've seen on Kemper forum previously when tests would show inaccuracies; and also the company's stance that profiling is spot on.
If L6 hits the ground running with their version of captures/profiles (and what reason would we have to think they won’t at this point) the value proposition of Kemper is very small for a new buyer without a massive price drop, IMO.If Stadium's Agoura and Proxy stuff is at least as good as Kemper profiles, I can hardly find a reason to choose Kemper Stage mk2, unless they lower the price enough to make you think twice.
The Kemper Rack, toaster and player will still sell well for a while, at least until Stadium Rack and Stomp are announced.
Kemper still has a chance to bring a proper next gen lineup in the next 3-5 years and stay in the game. But they have a lot of work to do.
Would a persona who was highly influenced by a Null test be a good candidate for a Kemper purchase ...... or would other factors (like routing, Ui/Ux glitz, etc) make it unlikely that such a person would buy a Kemper even if a Null test proved beyond doubt that Kemper had the best capture tech?
Updating fractal firmware has often enough had me re-tweeking. Definitely would not update in the middle of gigging, if there were amp sim changes, as it's hard to predict the results.Kemper is very well designed for gigging musicians. The fact it doesn't model, but rather "profiles" simply adds to how great it is for this purpose since profiles DON'T change tone from one firmware release to the next.
I don't know what the right marketing would be for Kemper at this point, really..Kemper seems to be finding it difficult to change their thought pattern from "We are the only one" to "We are best for". The fact that they are leaning into "its perfecter" is emblematic of this IMO.
Are you one of those people who has only ever used a Helix?If Stadium's Agoura and Proxy stuff is at least as good as Kemper profiles, I can hardly find a reason to choose Kemper Stage mk2, unless they lower the price enough to make you think twice.
The Kemper Rack, toaster and player will still sell well for a while, at least until Stadium Rack and Stomp are announced.
Kemper still has a chance to bring a proper next gen lineup in the next 3-5 years and stay in the game. But they have a lot of work to do.
Everyone else seems to get it, whether they like the unit or not. You're the one who doesn't get the actual and verifiable USP of the Kemper.I have maintained for over 10 years that Kemper has mis-marketed their device.
You make this sound like a much bigger deal than it is. No modeler on the market to my knowledge auto-updates itself. So anyone who cares about keeping the same sounds can simply avoid updating.The fact it doesn't model, but rather "profiles" simply adds to how great it is for this purpose since profiles DON'T change tone from one firmware release to the next.
I wouldn't buy the "old" profiles, but there are some people who prefer MKI profiles to the source tones.If MKII does actually profile much better, who is going to still be buying the old profiles?
I know I would not. I would sell my toaster or stage and buy a much less expensive player
and get newer higher quality profiles for it.
It's a bit of a weird position to be in, especially if before you were telling people that the previous profiles were bang on accurate.We are likely to see this for Kemper MK2 where many paid profile vendors will have to sell new packs to make updating all their profiles worth the time and effort it requires.