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I can sympathize. I've got an infant son who makes it very difficult to find time to play. I am playing less than 1.5 hours per week right now whereas I used to play more like 7 hours a week.Yeah, "more than I need" is a key takeaway here. I should acknowledge that my inability to fully appreciate the FAS experience stems from the fact that I barely have time to play guitar, much less deep dive into the FM3's (perhaps not especially well-presented) feature set.
Hahaha I'll see yourand raise you a...
(For myself, that is.)
Say that 10x fast.mbenigni-bait
I can't even say it one time slowly.Say that 10x fast.
One of my best friends got himself a Quad Cortex and made me a stupid good deal on the FM3 he was using before. I've been messing with this thing for less than 30 minutes trying to create the sound of my Diezel Herbert and hooooly shit, this thing is good. I am pretty sure I am going to die of starvation infront of this thing tweaking parameters.
Digital has come along way since I sold my Kemper a few years back
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mbenigni-bait. I'm probably going to put my FM3 up for sale in the next week or two. I just never feel compelled to turn it on.
It was and remains appreciated. If I do sell it, it'll be for the same price.
But dat price you got it for doe
Rock on broseph
It was and remains appreciated. If I do sell it, it'll be for the same price.
If anything, a second QC. But that's crazy, so probably nothing LOL.Whatcha replacing it with? (Or saving for the Dual Cortex? )
I think Fractal could blow up the whole narrative by developing a simple mode for on device editing.I can sympathize. I've got an infant son who makes it very difficult to find time to play. I am playing less than 1.5 hours per week right now whereas I used to play more like 7 hours a week.
It takes a fairly substantial time investment to learn the Fractal ecosystem. A lot of the amazing functionality is essentially inaccessible if you don't have the time to learn and implement it on your own presets. I spend a load of time watching Fractal tutorials on YouTube, reading the forums, and even consulting the manual / blocks guide.
I’ve been preaching this since the AX8. Adding an option to “hide” everything but the authentic parameters (think Helix) is all they’d need to do to appeal to a whole new class of potential buyers.I think Fractal could blow up the whole narrative by developing a simple mode for on device editing.
I’ve been preaching this since the AX8. Adding an option to “hide” everything but the authentic parameters (think Helix) is all they’d need to do to appeal to a whole new class of potential buyers.
But the answer is always, “then don’t use those parameters!”
What’s more attractive to a non-reader? A four hundred page novel or a copy of the Cliff’s Notes?
Uh, it's already there. Authentic amp page + DynaCabs.I think Fractal could blow up the whole narrative by developing a simple mode for on device editing.
The stock settings on the amps, cabs and FX sound really good.
None of the criticism for the GUI is that you can go insanely deep with tone creation. It's that access to all of that stuff all the time can get confusing when trying to make quick tweaks. Being able to go easily from basic to advanced parameters could actually be a GAME CHANGER for a lot of people.
I think Fractal could blow up the whole narrative by developing a simple mode for on device editing.
The stock settings on the amps, cabs and FX sound really good.
None of the criticism for the GUI is that you can go insanely deep with tone creation. It's that access to all of that stuff all the time can get confusing when trying to make quick tweaks. Being able to go easily from basic to advanced parameters could actually be a GAME CHANGER for a lot of people.
I‘m waiting…[…] Part of me really wants to try going entirely digital !!! <shock horror!>
Exactly this for me. The FM3 always seems like it would fare better tethered to a PC for editing/configuration, but it doesn't bring enough I/O, etc. to effectively bump the QC off my desk. The QC is filling the same role for me that AxeFX 3 is serving for you: audio interface, I/O hub, etc.
So the FM3 is over by the power amp/ guitar cab rig, where I turn it on and kind of skim the surface, figuring I'll eventually get around to connecting a laptop. (But the last time I tried that, FAS Edit installation failed, woot.) Meanwhile, maybe a few things sound a little better, but through a guitar cab, meh, it's kind of a wash?
Then I turn on the QC and the interface is slick as hell, I'm downloading captures, pushing EQ nodes around on a touchscreen, etc. etc. etc. and it's just a blast. I start feeling like I'm trying too hard to want the FM3.
All that said, I can totally see where an AxeFX 3 semi-permanently connected to my desktop PC would be a blast.
I can sympathize. I've got an infant son who makes it very difficult to find time to play. I am playing less than 1.5 hours per week right now whereas I used to play more like 7 hours a week.
It takes a fairly substantial time investment to learn the Fractal ecosystem. A lot of the amazing functionality is essentially inaccessible if you don't have the time to learn and implement it on your own presets. I spend a load of time watching Fractal tutorials on YouTube, reading the forums, and even consulting the manual / blocks guide.
A movie.What’s more attractive to a non-reader? A four hundred page novel or a copy of the Cliff’s Notes?