Fast, Tight, Dry Amps, What You Got?

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I had an SP77 and a V800 back then. I couldn’t even find an X88 in the UK .
 
Haha! I wasn't one of the mopers.... so I am going to claim immunity. :LOL:

I prefer the GPDI/IR to the Pitbull, Ed.

I know there were/are a lot of iterations of the Pitbull, so maybe this is not
the one for me. :idk
 
Haha! I wasn't one of the mopers.... so I am going to claim immunity. :LOL:

I prefer the GPDI/IR to the Pitbull, Ed.

I know there were/are a lot of iterations of the Pitbull, so maybe this is not
the one for me. :idk
Yeah I wished I still had off all Fryette I had the Memphis.
But the GPDI-IR has become my go to
 
The 50/12 is a lower gain amp that seems to come up on the used market a lot more frequently than most of the Fryette models. The Ultra Lead is the one most known for being fast and dry, but the CLX, CL100, and CL50 are also known for having that character. As per the video I posted earlier in this thread, the GP/DI Pitbull mode was made to sound like the CL50.

If you want the GP/DI to be as immediate and tight as it is capable of sounding then try turning the dynamics control completely counterclockwise, set the power amp mode to tight, run the master volume low, set the gain 1 below noon, engage the more switch, and set it to Pitbull mode. Adjust the EQ and gain 2 to your desired settings.
 
The 50/12 is a lower gain amp that seems to come up on the used market a lot more frequently than most of the Fryette models. The Ultra Lead is the one most known for being fast and dry, but the CLX, CL100, and CL50 are also known for having that character. As per the video I posted earlier in this thread, the GP/DI Pitbull mode was made to sound like the CL50.

If you want the GP/DI to be as immediate and tight as it is capable of sounding then try turning the dynamics control completely counterclockwise, set the power amp mode to tight, run the master volume low, set the gain 1 below noon, engage the more switch, and set it to Pitbull mode. Adjust the EQ and gain 2 to your desired settings.
Trying that. Thanks
 
I was just listening to Danzig III: How The Gods Kill, and it struck me how unbelievably dry but aggressive John Christ's tone is. I always heard he played VHT amps at the time. Not sure which model, but I love that tone.
 
Yeah I wished I still had off all Fryette I had the Memphis.
But the GPDI-IR has become my go to

I sent mine back. It was kind of redundant. I use the Fractal more, an Engl Preamp
more, and my Amps. :idk

Just feel like those all give me more of what I enjoy than the GPDI/IR.

I may revisit it again in the future.
 
For fast, tight and crisp I kind of like the Roland Jazz Choruses. They're solid state, and not very boutique or expensive, but are impressive amps when you play them. I got a JC-77, but I played through several JC-120s before and both are very good. I bought this one in 1989 and haven't had no maintenance or nothing done to it before yet. It still sounds great. Tight, crisp and each note sounds well defined and has a definite attack. Thinking of getting a newer JC-40 as a backup to this one.

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Mind blown. :beer
 
I really feel like Engl is central hub of the fast, tight, and dry tonal wheelhouse. For me. :idk

Since starting this thread, and trying a few VHT/Fryette offerings (beyond what I have
already owned in the past), it has left me with the belief that VHT/Fryette may be dry, but
they are not all that tight. Definitely looser than the Engls.

Yngwie uses Superleads/Plexis.... and the 80's Shredders were using JCMs.... and those
both had a fast enough response for them. :unsure:

Still like to try a Sig X or Pitbull CLX at some point, but no rush there. Still love Steven
and what he does. Just not quite what I am chasing at this point in time. :beer
 
I really feel like Engl is central hub of the fast, tight, and dry tonal wheelhouse. For me. :idk

Since starting this thread, and trying a few VHT/Fryette offerings (beyond what I have
already owned in the past), it has left me with the belief that VHT/Fryette may be dry, but
they are not all that tight. Definitely looser than the Engls.

Yngwie uses Superleads/Plexis.... and the 80's Shredders were using JCMs.... and those
both had a fast enough response for them. :unsure:

Still like to try a Sig X or Pitbull CLX at some point, but no rush there. Still love Steven
and what he does. Just not quite what I am chasing at this point in time. :beer
I don't even find most Fryette amps to be that dry. Really, it was only the Ultralead for me that had this quality and I found it so dry that it lacked any character to me¯\_(ツ)_/¯ That said, I have only played my Savage and people say it's super tight and I don't really find that to be very true. It's tight, but not as tight as many others I've played... And I appreciate that, because if it was as tight as people said, it'd be way too one-dimensional for me.
 
I don't even find most Fryette amps to be that dry. Really, it was only the Ultralead for me that had this quality and I found it so dry that it lacked any character to me¯\_(ツ)_/¯ That said, I have only played my Savage and people say it's super tight and I don't really find that to be very true. It's tight, but not as tight as many others I've played... And I appreciate that, because if it was as tight as people said, it'd be way too one-dimensional for me.

That mythology is all over the Internet, though, and has led me astray! :hmm




:LOL:



:beer
 
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