Good point. And it's forerunner, heads loaded down with a big ass resistor functioning as pre-amps.The original idea of the Soldano X88R was all preamp and was paired up with a HH V800 often.
Funnily enough I used to prefer the SP77 to the X88 or SLO then.View attachment 43818
I had an SP77 and a V800 back then. I couldn’t even find an X88 in the UK .
As for finding them that was easy once I moved to LA in 87 lolView attachment 43818
I had an SP77 and a V800 back then. I couldn’t even find an X88 in the UK .
Why would you expect a Dekiverance to be that? It exists because of folks moaning that the Ultra Lead is to immediate.
Correct. But it wasn't intented to be like what folks moped about the earlier amps.Why ask why?
I didn't say it is was wrong, Ed. Just that it was different.![]()
Yeah I wished I still had off all Fryette I had the Memphis.Haha! I wasn't one of the mopers.... so I am going to claim immunity.
I prefer the GPDI/IR to the Pitbull, Ed.
I know there were/are a lot of iterations of the Pitbull, so maybe this is not
the one for me.![]()
Trying that. ThanksThe 50/12 is a lower gain amp that seems to come up on the used market a lot more frequently than most of the Fryette models. The Ultra Lead is the one most known for being fast and dry, but the CLX, CL100, and CL50 are also known for having that character. As per the video I posted earlier in this thread, the GP/DI Pitbull mode was made to sound like the CL50.
If you want the GP/DI to be as immediate and tight as it is capable of sounding then try turning the dynamics control completely counterclockwise, set the power amp mode to tight, run the master volume low, set the gain 1 below noon, engage the more switch, and set it to Pitbull mode. Adjust the EQ and gain 2 to your desired settings.
Yeah I wished I still had off all Fryette I had the Memphis.
But the GPDI-IR has become my go to
I’m still stoked with mine especially as add-on to the MkV:25I sent mine back. It was kind of redundant. I use the Fractal more, an Engl Preamp
more, and my Amps.
Just feel like those all give me more of what I enjoy than the GPDI/IR.
I may revisit it again in the future.
For fast, tight and crisp I kind of like the Roland Jazz Choruses. They're solid state, and not very boutique or expensive, but are impressive amps when you play them. I got a JC-77, but I played through several JC-120s before and both are very good. I bought this one in 1989 and haven't had no maintenance or nothing done to it before yet. It still sounds great. Tight, crisp and each note sounds well defined and has a definite attack. Thinking of getting a newer JC-40 as a backup to this one.
View attachment 44733
JPIIC also! (Cued to the riff)Yngwie uses Superleads/Plexis.... and the 80's Shredders were using JCMs.... and those
both had a fast enough response for them.
I don't even find most Fryette amps to be that dry. Really, it was only the Ultralead for me that had this quality and I found it so dry that it lacked any character to meI really feel like Engl is central hub of the fast, tight, and dry tonal wheelhouse. For me.
Since starting this thread, and trying a few VHT/Fryette offerings (beyond what I have
already owned in the past), it has left me with the belief that VHT/Fryette may be dry, but
they are not all that tight. Definitely looser than the Engls.
Yngwie uses Superleads/Plexis.... and the 80's Shredders were using JCMs.... and those
both had a fast enough response for them.
Still like to try a Sig X or Pitbull CLX at some point, but no rush there. Still love Steven
and what he does. Just not quite what I am chasing at this point in time.![]()
I don't even find most Fryette amps to be that dry. Really, it was only the Ultralead for me that had this quality and I found it so dry that it lacked any character to meThat said, I have only played my Savage and people say it's super tight and I don't really find that to be very true. It's tight, but not as tight as many others I've played... And I appreciate that, because if it was as tight as people said, it'd be way too one-dimensional for me.