OrganicZed
Roadie
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I have guitars with compound radius and guitars without. From my experience it makes little difference to the playability of a guitar and it would not sway me one way or another.
You remind me of something a late friend used to say: "I like all women. Some just more than others."Personal preference is far from objective truth. Differences are sometimes just differences,
and there is not a need for a fight to the death for eternal supremacy.
I like all the radii. Different feel for different vibes and approaches.![]()
The radius increases the closer you get to the bridge.Does the radius decrease as you go higher on the fretboard on a compound radius guitar, or is it the other way around?
Flatter as you go up and in a perfect world the cone of the fingerboard should match exactly that of the strings. It’s often not something that you feel much but it helps with an even dynamic response.The only thing that I can think of, that a smaller radius may make a noticeable difference with, is when you're playing a minor chord shape across the 3 top strings, but playing each note separately, thus needing to roll your finger across those notes. Ex: Em- 1/12, 2/12, 3/12
I'd love to try that on a small radius, because I have trouble keeping those notes separate. Actually, I'm lying. I can't do it.
Does the radius decrease as you go higher on the fretboard on a compound radius guitar, or is it the other way around?
Once you get past 14” straight you hardly notice in practice unless you like the lowest possible action and play the full dynamic range to the point of slapback on the next fret.A local guy (walking distance) has an Indonesian Jackson soloist SL4X listed on CL. I believe that has a compound radius. I’m kinda not really interested in Indonesian guitars but it would be a cheap introduction. Hmmm. I wonder if he’s going for any trades.
There is nothing ergonomic to say that a curved board is better than a totally flat one but familiarity and marketing starting with Fender.
There is less than 1mm difference in finger placement between 7.25” and dead flat. I’m not seeing it considering the huge performance degradation with small frets and the radius.If you had said that to me before I got an Squier SQ I would probably agree. Coming from a Rock/Shred background I always played flatter fretboards. My first reaction with the Squier was how comfortable it was, just in a different way. Not really for the fast stuff, stretchier chords were a bit awkward, but for bar chords, thumb over, or was really comfy.
I think we tend to think about ergonomics only when playing fast, but there's something to be said about playing just in a different style. Playing SRV stuff is a different technique vs playing Polyphia, both highly technical, but having different requirements as far as ergonomics go.
I have no idea why this happens, on paper a flat board should be better for everything, but IME is just not how it works.
As controversial as this is, not at all as controversial as saying I like 6000 frets as much as 6230.![]()
You can easily feel it but 1mm in the middle of a movement makes no difference to the ergonomics of this.I’ve read that the human finger can detect imperfections as small as 13 nanometers. I’m not saying this is the same thing but I’m also not going to discount a 1mm difference.