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I’ve never owned a guitar with a compound radius neck. I’m just wondering if it’s all that or just an unnecessary complication. Are there any special things required in the setup? What else can you tell me about it?
I have a Kiesel 7-string with a 20" fretboard radius, so quite flat in comparison to most guitars. It plays absolutely great and I don't really notice the flatness of the fretboard.It’s about next fret clearance.
It also addresses that the fingerboard is normally a cylinder and the the string plane is a cone . The two don’t fit together properly with the same next fret clearance even without bending a string.
This means that different parts of the neck have a different next fret clearance that in turn a different potential dynamic range. The best rule of thumb for sonic performance is the flatter the better.
There is nothing ergonomic to say that a curved board is better than a totally flat one but familiarity and marketing starting with Fender.
Compounds improve this problem greatly but the range should be related to the string geometry or it still has issues. Bend a string and all the issues are back but the starting point is better. Ironically the only radius that has no issues is no radius.
No it isn’t just like they plek a guitar without reading it individually at tension first. They are both very bad examples of the concepts in practice.Had only one guitar with compound radious, was a 2016 Les Paul standard, and while the neck was really nice it didn't gave me a wow reaction therefore my answer is I can take it or leave it.
My experience is limited and maybe a Gibson neck is not the best compound radious around, I don't know.
Leaving familiarity and feel out of the equation, is flatter better then? Classical nylon string guitars are generally pretty flat, iirc.… Ironically the only radius that has no issues is no radius.
I don't see why when you look at the difference in the amount your thumb has to move. Zero on the low E and maybe a half mm on the A.Leaving familiarity and feel out of the equation, is flatter better then? Classical nylon string guitars are generally pretty flat, iirc.
I do use a wrap-around thumb technique very often so a flat radius would have to have a less wide fretboard to feel ok, I’d imagine.
Good. ThanksI don't see why when you look at the difference in the amount your thumb has to move. Zero on the low E and maybe a half mm on the A.
Thumb over would be no problem.
Yeah, that makes sense. The AZ series has something like 9-12”. I may just have to try it.Also by the time you get to the 16"~20" range you are not going to be able to tell because of diminishing returns as you get closer to the ideal ( flat.)
I know but you can see that it would be no different on that . I used that clip because there aren't really any other flat fingerboard guitars.I’m talking about actually fretting with my thumb though. I can get used to anything but it is easier on my Strat than it is on my SG.
Oh. We’re the Vigiers totally flat? That’s interesting.I know but you can see that it would be no different on that . I used that clip because there aren't really any other flat fingerboard guitars.
Only the Shawn Lane is actually flat.Oh. We’re the Vigiers totally flat? That’s interesting.