Dang! PRS S2 Wood Library??

Mine is a few years old so it has the "S" pickups, not sure how different they are compared to USA. The 58/15 S pickups were wound higher than PAF level, and while the bridge sounded great, the neck was too fat and muddy. The new ones have USA 58/15 LT pickups which are like lower wind PAF's, about 7.2k I think. I would bet the neck sound killer although not sure if the bridge would have enough heat. Depends on what you're after I suppose.

I put in a set of Wolfetone Dr Vintage neck and Marshallhead bridge in mine, which is about that 7.2k neck and 8.8k bridge. It's more balanced and open sounding. I also swapped the pots and switch to better quality.

Here's my NGD thread where I talk about swapping out the pickups and electronics
Nice! Just read your NGD thread! Nice score on that guitar by the way!

I’m really excited for this guy. They took over $500 off for me so I’d say I got a steal for what this is. Especially with how lovely the tops are. Also compare my S2 with a Core wood library with the same finish at $6810 at Sweetwater and I’d take mine all day! The burst is derpy AF and I think my top hangs just fine.
 

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Nice! Just read your NGD thread! Nice score on that guitar by the way!

I’m really excited for this guy. They took over $500 off for me so I’d say I got a steal for what this is. Especially with how lovely the tops are. Also compare my S2 with a Core wood library with the same finish at $6810 at Sweetwater and I’d take mine all day! The burst is derpy AF and I think my top hangs just fine.
Congrats! Those are really nice looking. I am sure they sound great with the US electronics in them.

I saw one admission of someone being a major PRS fan boy. I am definitely in that category. I started buying PRS guitars in 2006 and have never sold any of the ones I bought. I have more than my fair share of them but not as many as other people I know on various forums. PRS makes some very fine guitars.
 
Congrats! Those are really nice looking. I am sure they sound great with the US electronics in them.

I saw one admission of someone being a major PRS fan boy. I am definitely in that category. I started buying PRS guitars in 2006 and have never sold any of the ones I bought. I have more than my fair share of them but not as many as other people I know on various forums. PRS makes some very fine guitars.
Yeah until I read it was 100% USA made I had no interest in the S2’s for the money. Now, that’s a whole other story. Especially for as nice as these tops are.

Everything about this wood library run is phenomenal. And the store is easy to work with.

It’ll be here tomorrow dawg!
 
I am not sold. Just doesn't make sense to my mind. :idk That's a lot of precious wood
wasted if that is the case. If that is legit flamey or quilted tops why would they carve it like
that. It's the kind of top you would leave in tact if it were not a foto top or a veneer, no?

Doesn't mean that I think the top is not Maple. I have no doubt that it is. Just that the blingy
surface is probably not the same exact wood as the "top."
How much wood do you think they carve off when making a proper carved top?

It's all about reducing labor/time costs, rather than material costs. Making a few bevels and doing some sanding is less work/time than carving a top (even via CNC) and carefully sanding it.

I'm guessing the grade of tops they use here are also lower by some metric - which might still be pretty high by PRS standards as they tend to aim for very nice figuring on most of their guitars.
 
How much wood do you think they carve off when making a proper carved top?

It's all about reducing labor/time costs, rather than material costs. Making a few bevels and doing some sanding is less work/time than carving a top (even via CNC) and carefully sanding it.

I'm guessing the grade of tops they use here are also lower by some metric - which might still be pretty high by PRS standards as they tend to aim for very nice figuring on most of their guitars.
If the guitar has the "wood library" designation that means the wood came from the vault and has a high amount of figuring to it. It would be considered better than a 10 top. Things can change once it is carved because they can't see inside the blank of wood. However, you can make some educated guesses by looking at the top and back and seeing what looks to run all the way through the blank.
 
How much wood do you think they carve off when making a proper carved top?

It's all about reducing labor/time costs, rather than material costs. Making a few bevels and doing some sanding is less work/time than carving a top (even via CNC) and carefully sanding it.

I'm guessing the grade of tops they use here are also lower by some metric - which might still be pretty high by PRS standards as they tend to aim for very nice figuring on most of their guitars.
First part is correct. The differentiator on S2’s is the simpler carve takes less time and is easier to complete and the necks have scarf joints as opposed to a single big piece of wood. Also production runs get the lesser visual quality tops.

Where these differ is ANYTHING labeled “Wood Library” all comes from the same vault of wood. A dealer has to commit to a minimum of 10 guitars to even go in there to source blanks. The two guitars I picked (red and purple) in particular also have THE 2 best tops of the run of 10.

As far as being wasteful with the wood, you’re paying a premium for anything PRS or from any custom builder. A shit ton of wood gets wasted on the process.

If the guitar has the "wood library" designation that means the wood came from the vault and has a high amount of figuring to it. It would be considered better than a 10 top. Things can change once it is carved because they can't see inside the blank of wood. However, you can make some educated guesses by looking at the top and back and seeing what looks to run all the way through the blank.
Yep. Better than 10 tops which is what floored me. If you zoom into the pics I posted you can see how thick the tops are. It’s nuts. And yeah, if you look at all the guitars in the run, you can really see the variance in the tops start to shift from “Holy fuck that is gorgeous to not too shabby”
 
Yup. All about amount of wood “wasted” in the carving, as well as time spent.
Makes me wonder why Suhr gets $4000 for a plain fiesta red strat, but people balk at a $4600 set neck, carved top PRS Core. They’re absolutely not the same level.
I think with Suhr the issue is probably that, aside from their standard series (or whatever they are called), that fiesta red strat is an individual custom spec guitar where PRS is doing batches. Still agree TOTALLY with your point, but it is a difference. I played a used Ian Thornley strat at a GC the other day and was not really psyched on the finish? Was the first "antique" finish I've seen on a Suhr in the flesh and overall I found it kinda wonky looking. Played great even though I didn't love the neck shape; sounded phenomenal; but the finish looked more like a flawed factory finish than anything actually antique?
 
On the carved vs. beveled top thing, keep in mind that the price per board foot of thicker wood is higher. So the top wood for a carved top is more expensive, not just because there is more wood there to begin with, but even the price-per-unit-of-wood of that bigger chunk is higher because thicker wood is more expensive per board foot, typically. So with a carved top you are starting with a more expensive grade of wood, even for the same level of figure, using more of it, in a process that takes longer and causes more wear on tools.
 
I think with Suhr the issue is probably that, aside from their standard series (or whatever they are called), that fiesta red strat is an individual custom spec guitar where PRS is doing batches. Still agree TOTALLY with your point, but it is a difference. I played a used Ian Thornley strat at a GC the other day and was not really psyched on the finish? Was the first "antique" finish I've seen on a Suhr in the flesh and overall I found it kinda wonky looking. Played great even though I didn't love the neck shape; sounded phenomenal; but the finish looked more like a flawed factory finish than anything actually antique?
Does Suhr CNC their own bodies and necks in-house?
 
Does Suhr CNC their own bodies and necks in-house?
Yes. The bulk of the guitar is made in house. They used to use CTS pots but switched to Bournes due to getting too many bad pots from CTS. They have the tuners made for them and the new two point bridge is also made for them.

As a side note on Suhr, I swapped out the humbucker in my custom Suhr Standard last year and put a Thornbucker 2 in it. The wiring in that guitar is the best I have ever seen. Everything is cut to exact lengths and done in a very neat manner. They shrink wrapped areas to keep things insulated. I haven't looked in my other Suhr guitars to see if they are the same. I wouldn't have even known this if I hadn't decided to swap the pickup. I didn't hate the pickups I had them put in it when they built it for me. I just decided to try the TB2 because I prefer pickups that use A2 magnets around the 9k range for bridge pickups. The one that was in it was a little hotter and brighter. The TB2 fits the guitar better for my liking.
 
If the guitar has the "wood library" designation that means the wood came from the vault and has a high amount of figuring to it. It would be considered better than a 10 top. Things can change once it is carved because they can't see inside the blank of wood. However, you can make some educated guesses by looking at the top and back and seeing what looks to run all the way through the blank.
I respectfully disagree based on what I have read over the years. It is my understanding that the "Wood Library" designation has nothing to do with the quality of the wood but is simply a dealer making specific wood and component changes to a standard model in the PRS line and they must order in quantity of 10 pieces. They can choose to use 10 tops, they can choose to use PS wood, different pickups, tuners, etc. They can choose 10 tops, but do not have to and many WL runs have wood that certainly would not qualify as a 10 top (but maybe has a RW neck). The only woods that I know of that are higher in the chain than 10 top wood is the discontinued "Artist Series" wood designation (which was supposed to be better than 10 top but not quite PS level) and the PS Wood which is of course the cream of the crop. I could be wrong, but that is what I have gathered in the few years I have been following PRS. My PRS 594 HBII WL is a 10 top and designated as such on the headstock, but it did not have to be and were it not, the top would not have been better and likely not as eye pleasing. If anyone can point me to an official explanation indicating otherwise, I am happy to eat some crow for dinner ;~))

Here is the WL description from Ish Guitars (where I purchased my WL from):
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But, what is a PRS Wood Library? Wood Library guitars can only be ordered in quantities of 10 pieces by a PRS Signature Dealer (that's us!). They can't be ordered by a customer like other PRS Core models. The dealer must go to the PRS factory to hand-select woods and options, of which there are many. Out of the 10 guitars ordered, there can be 5 of each variation, with 5 total colors to be selected. That means that each variation gets 1 color, making every guitar it's own unique piece.
+++++++++++++++++++++++++++++++++
 
I respectfully disagree based on what I have read over the years. It is my understanding that the "Wood Library" designation has nothing to do with the quality of the wood but is simply a dealer making specific wood and component changes to a standard model in the PRS line and they must order in quantity of 10 pieces. They can choose to use 10 tops, they can choose to use PS wood, different pickups, tuners, etc. They can choose 10 tops, but do not have to and many WL runs have wood that certainly would not qualify as a 10 top (but maybe has a RW neck). The only woods that I know of that are higher in the chain than 10 top wood is the discontinued "Artist Series" wood designation (which was supposed to be better than 10 top but not quite PS level) and the PS Wood which is of course the cream of the crop. I could be wrong, but that is what I have gathered in the few years I have been following PRS. My PRS 594 HBII WL is a 10 top and designated as such on the headstock, but it did not have to be and were it not, the top would not have been better and likely not as eye pleasing. If anyone can point me to an official explanation indicating otherwise, I am happy to eat some crow for dinner ;~))

Here is the WL description from Ish Guitars (where I purchased my WL from):
+++++++++++++++++++++++++++++++++
But, what is a PRS Wood Library? Wood Library guitars can only be ordered in quantities of 10 pieces by a PRS Signature Dealer (that's us!). They can't be ordered by a customer like other PRS Core models. The dealer must go to the PRS factory to hand-select woods and options, of which there are many. Out of the 10 guitars ordered, there can be 5 of each variation, with 5 total colors to be selected. That means that each variation gets 1 color, making every guitar it's own unique piece.
+++++++++++++++++++++++++++++++++
It is possible that your understanding is correct. I know they have changed how they do things several times over the years. I have a couple of artist pack guitars that have the higher grade top on them. I remember they came up with a different option when they discontinued the artis pack. Thinking back, it may have been the initial wood library program. I have seen a good number of wood library guitars with the 10 on the headstock.
 
It is possible that your understanding is correct. I know they have changed how they do things several times over the years. I have a couple of artist pack guitars that have the higher grade top on them. I remember they came up with a different option when they discontinued the artis pack. Thinking back, it may have been the initial wood library program. I have seen a good number of wood library guitars with the 10 on the headstock.
Yeah, and I have no idea why they never put any kind of designation on the Artist series stuff. I mean, an "A" on the back of the headstock where the "10" for 10 top normally goes would not be that difficult and at least then users would know instantly if it was an artist series guitar. Without that, you need to contact PRS to verify if you don't have the original paperwork.
 
Isn't another thing that kind of muddles the whole 10 top thing that there isn't any specific grading to meet that qualification, its just rated on a per batch basis? Leading for it to be possible for a non 10 top guitar from one batch to have higher quality figuring than a 10 top for another batch?
 
Isn't another thing that kind of muddles the whole 10 top thing that there isn't any specific grading to meet that qualification, its just rated on a per batch basis? Leading for it to be possible for a non 10 top guitar from one batch to have higher quality figuring than a 10 top for another batch?
Yeah, it would be better if they had some defined criteria that the pieces of wood have to meet to get that 10 top designation that is consistent. I haven't seen a 10 top for a while that didn't look like a 10 top. Back in the 2000's I saw more than a few.
 
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