I watched the whole thing in one shot. Really great interview for some insight into the guy, but the biggest nugget of wisdom from a production standpoint is the good ole 'if it sounds good, it is good'. I was hoping to hear his thoughts on ear candy and the bells and whistles he often adds, but I dug the interview regardless.
Hahaha and the lack of interviews being a business decision, "people only remember you for your success that way" is a fair play.
I couldn’t stop either, just loved every second of it.
The main things I got from it:
- his brain always seems to be in creative mode, he can barely sit still and ideas are just jumping out of him from one thing to another.
- SUPER modest but clearly so skilled in so many areas of music. Any compliment on production or engineering was deflected onto the band “Great hi hat sound” “Yeah he could really play well”.
- Must have had something very unique to impress Bob Ezrin/George Drakoulias/Rick Rubin so fast. Those guys recognised his talent and nurtured him so he could thrive.
- Bob Ezrin sounds brutal, like a LOT of engineers have paid their dues working for him and it’s not a nice experience
- Brendan was born to make records. Even without music or drink or drugs I don’t think a typical school or structured environment would have worked for him. His talents aren’t really compatible with that sort of structure. In many ways he’s the total opposite to Rick Rubin - Rick is patient, methodical, chooses his words carefully, has no (formal) musical or technical ability.
- I think his approach is to really get to the point early in the process and capture that. Nothing seems laboured, it’s all about getting it happening early on
- his ability as a musician should not be underestimated. I think the greats he’s worked with recognise this pretty quickly.
- Brendan really had an enormous stamp on the sound of rock music for 20+ years. RHCP/Pearl Jam/STP/Soundgarden/RATM/Limp Bizkit/Korn/Incubus, as well as working with greats like Neil Young/Springsteen/Dylan/ACDC
- his work has generally aged SO well, a lot of defining albums that somehow sounded timeless from day 1