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Do I want a 100W Ritchie Blackmore...
Or do I want a 50W Artist Edition...
Or do I want to remain married, sleep at night, etc.
What did you get? I am counting on you to keep breathing life into this thread.
Do I want a 100W Ritchie Blackmore...
Or do I want a 50W Artist Edition...
Or do I want to remain married, sleep at night, etc.
As I was just telling JiveTurkey, I wussed out.What did you get? I am counting on you to keep breathing life into this thread.
Seeing as I can count my new amps on zero hands, I suspect you're talking to the wrong guy.
Personally, I'd get the Artist, just because it's the newer amp and I never hear anyone talk about the Blackmore anymoreP.S. If you really want to keep breathing life into this thread, I'll ask again in earnest: What would you guys go with given the choice? A 100W Ritchie Blackmore, or a 50W Artist Edition. And why?
Buy the Blackmore! Then I don't have to feel so bad and envious because you have an Artist Edition and I don't.Getting more and more pregnant-er by the hour.
Those new Modded Marshalls are sounding sweet,
but not German enough for me at the moment.
But I talk about the Blackmore (and by extension the Savage?) all the time. If only because I dig the captures I've heard. But the problem with making decisions based on some black box capture named "ENGL Blackmore #5" for instance, is that you might find out after the fact that the chain you liked had three overdrives stacked in front of it.Personally, I'd get the Artist, just because it's the newer amp and I never hear anyone talk about the Blackmore anymore
Report back! :)I kind of want a Blackmore. Then I can take it to my buddy Dave’s place and run it with him and his Artist. And produce even more glorious tones in his basement studio.
Personally, I'd get the Artist, just because it's the newer amp and I never hear anyone talk about the Blackmore anymore
Buy the Blackmore! Then I don't have to feel so bad and envious because you have an Artist Edition and I don't.
I kind of want a Blackmore. Then I can take it to my buddy Dave’s place and run it with him and his Artist. And produce even more glorious tones in his basement studio.
Yeah man I REALLY like the Engl Smolski. The Crunch channel is actually quite good. All 4 channels are useful. I need to do a good demo of it. The Savage 60 MKII is also quite good. Much better than I remember the MKI being. I kinda hated the MKI but when this MKII came up for a stupid deal I gave it a go. Pleasantly surprised.
Very cool! I haven‘t tried the Smolski yet. Looks like it could be based on the Poweball II.Yeah man I REALLY like the Engl Smolski. The Crunch channel is actually quite good. All 4 channels are useful. I need to do a good demo of it. […]
I am smitten. That super dry, tight, percussive thing is a thing.
Any real world experience out there? Lovers? Haters? Mehers?
I had a Fireball 60 once upon a time and it kind of did nothing
for me. Traded it straight up for a Fryette Deliverance 60.
Been mucking about with the Engl Models on the Fractal and
really dig the Savage.
Thoughts? Experiences? Thanks!