JiveTurkey
Goatlord
- Messages
- 16,053
The idea of a pedalboard amp is an interesting one for about 5 minutes. Then you go gig on a dark stage and the great idea of a master volume knob anywhere NEAR my foot goes away instantly.
Floor modelers are dumb too. I'd own a rackmounted FM9, if it were available.The idea of a pedalboard amp is an interesting one for about 5 minutes. Then you go gig on a dark stage and the great idea of a master volume knob anywhere NEAR my foot goes away instantly.
Well, yes and no. The Super Crush is pretty damn good. The preceding Crush Pro was a warm wet hot bag of ass.I was going to comment that those dime amplification heads despite being ugly and cheesy, actually sound really good. You used to see them for under $200 all the time. I just looked and apparently people are selling them for $600 + now
I haven't tried the super crush, but... I have not been impressed by Orange's SS offerings. I think I'm the only one
I liked the last Crush Pro 100 The new one must be much moar betterer!Well, yes and no. The Super Crush is pretty damn good. The preceding Crush Pro was a warm wet hot bag of ass.
You're objectively wrong. It's a fact.I liked the last Crush Pro 100 The new one must be much moar betterer!
Floor modelers are dumb too. I'd own a rackmounted FM9, if it were available.
Have you ever owned a decent amp?Well, is it not the point of having a Modeller?
any amp you may need/want?, that are nearly indistinguishable form their real live counterparts
A multitude of effects pedals? that are nearly indistinguishable form their real live counterparts
A multitude of Cabs and Microphones
the ability to build complex chains and store them and recall them
Stereo effects
no cables and power supplies
a multitude of updates
Basically a studio at your hands all for under $4,000.00 complete with Powered cabs and Recording interface
Yes I am a unabashed model citizen
I don't quite understand the premise? If Orange makes a good sounding as amp for $500, why is it going to cost everyone else $999?My friend (who owns the shop I’m at PT) and I were discussing that YouTube has been awash with “Are T00bz Dead?” clickbait BS, and yet it’s always the same single amp (that does indeed sound great), the Super Crush 100. Okay, so there’s ONE solid state amp in production that sounds awesome. Where are all the others? If tubes are on their deathbed because solid state is SO good (looking at you, Fricker ya douche), where‘s the cavalcade of great-sounding SS amps In production?
There isn’t. Because no one‘s willing to spend what it would cost to build a really good one. $450 today is roughly $950-$999. I just think that even with tube amps climbing in price, people still aren’t willing to spend a grand on a solid state amp. If an amp sounded as good as the old Hughes and Kettner Attax, or Trace Elliott SS stuff, I think it could be really interesting.
Thoughts?
P.s. modeling is a whole other ball of wax, that I can assure you, regardless of how awesome it is, does NOT appeal to everyone.
Have you ever owned a decent amp?
When did the Axe 3 drop below FM9 prices? News to me.Axe FX 3 ? lol
Also, in response to the OP:
See modern bass amps
It's under the (admittedly big) assumption that Orange is doing it to a price point, with limitations therein. If it could be expanded to $999 (like a Mesa SS bass amp made in the US, for example), it would be interesting to see what they could come up with.I don't quite understand the premise? If Orange makes a good sounding as amp for $500, why is it going to cost everyone else $999?
Are people digging those Black star Amp1, 2, etc.? How about those Victory tubepre + ss power pedals? A lot of folks love their quilters.
There were some good solid state amps circa '93 for less than $450. Fender Princeton Chorus comes to mind (though it would be headroom-limited for some genres/gigs); the ubiquitous Bandit wasn't $450. Though I think both of those were pretty well pedal-plstform-only territory...
Yeah I guess Randall still is making amps. MF has most of their stuff in stock.
Because bassists generally want things as clean as possible, which is where SS excels.If I am recalling correctly the RG series in the 1980s was not cheap. Nor were the Roland JC120s. Those were
high-end SS options that rivaled the price of actual tube amps at the time.
Of course there were Crates and Peavey Bandits, but a few companies were pushing the envelope back then
on SS amplifier tech. Galien Kreuger is another great shout.
And I wonder why Bass Amps can still be SS to this day and be highly regarded, while not so much with
Guitar Amps.
Because bassists generally want things as clean as possible, which is where SS excels.
Because bassists generally want things as clean as possible, which is where SS excels.
And they're often not as insane and obsessive as us guitar players… in my experience.
ive had guys laughing at me walking in with my vh140c
Is that a stereo head?
There's this bad boy https://www.snkpedals.com/product/first-payment-preorder-vh300-solid-state-amplifieryeah, its two 70w amps you need a stereo cab for the full power, if they ever did reissue it would be better to do like the vh150 that was just a single power amp