AutomationBias
Roadie
- Messages
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SUPER happy with the Power Station. That opened the door to a lot of amps that I wouldn't otherwise be able to use to their full potential (Hiwatt, Bassman, Super Reverb, Plexi, etc).
So are these YouTubers using load boxes connecting them to studio monitors?
This is my situation now, I live in an apartment, but spend most of my playing time live with my band, so, I need a loud amp, but I can't play one at home. Annoying AF, and VERY hard when I decide to switch gears and play with a different amp. I pretty much have to depend on YouTube clips, thinking it will sound similar when I use it, or trying something in a store, which, face it, it's near impossible to play something in a store, at band volume, for 15 minutes straight.Years ago I wanted a “real” amp and cab so I scoured the forums looking for a good amp that sounded good at apartment levels. The general consensus was that the 5153 50 watt head sounded “good” at bedroom levels. I got it home, hooked it up, and could only turn it up a hair before it would blow my hair back. I was so confused - I was told by many people that THIS amp was THE one I needed.
At a volume that didn’t annoy my neighbors, it was bassy, yet thin, and just didn’t sound good to me. I eventually gave up and put it on CL. A guy came over to test it out with his Les Paul. Since he was trying it out, I let him open her up - SOUNDED GLORIOUS. This was what I was looking for! No way I would ever be able to play it that loud without an eviction notice. Every time I get an itch for a real amp, I remember that experience. I would definitely get an attenuator if I did.
Those are the best usecase for it.SUPER happy with the Power Station. That opened the door to a lot of amps that I wouldn't otherwise be able to use to their full potential (Hiwatt, Bassman, Super Reverb, Plexi, etc).
It actually works pretty well as long as your bedroom level doesn't mean someone sleeping next to you.
Rooms play a big partA big reason people don’t get the same exact sound is in large part because it’s the sum of the parts and you don’t have all the same parts. Hands ie… pick attack style and muting style, pickups, pick thickness, string gage, guitar wood, cables, pedals in the chain, amp style and build variances, speakers, cab size, mic or direct, post production or not etc. There’s so many variables.
I think Youtube demos can be a fun watch and to a degree can give you a rough idea of sound capabilities but more times than not those demos don’t really tell much on sound until you get it into your situation. They are great for showing how it’s built, how to use it etc but that’s about it in reality.
These are a lot of fun. I worked in a guitar store as a teenager when these first came out and remember unpacking the boxes and plugging them in for the first time.I bought a EH Mig 50 after watching 2 videos by JHS Josh Scott.
It’s been my favourite 50 watt tube head since the day it arrived
I bought the 2X 12” cab that was in a GAK sale at the same time .
Hi. I’m really tired of a phenomenon that has dogged me as a player over the years. It goes like this: I hear some guy playing a particular amplifier on YouTube. it sounds really good so I buy one. I get it home and I can’t begin to explore the tones that these guys get because at any meaningful volume, the amp is just too darn loud. I mean even at 1/2 it’s just ridiculously over loud for home use. As these players aren’t being filmed in Studio 2 of Abbey Road, and appear to be in a normal sized room, the quality of sound is often so good, I’m completely bemused over the distance between the sound I’m able to get and what I can hear in the YouTube clip.
I’m assuming that the amp is being driven hard to get these excellent tones. I’m no rookie, having been a player for 40 years. I suspect that some of the responses I receive will allude to an attenuator, but the players never mention their inclusion in the demos.
Any thoughts or suggestions welcome.
I have a different view on that.My amps are really good at tv level. Not all amps perform well at bedroom volumes. In any case, the majority of well-known youtubers are paid and the productions are made in such a way as to have the best possible sound. Usually before buying an amp I try it in person or look for videos made by ‘ordinary’ people and taken with IPhone and not mics or IR. If you hear the sound of the strings, what you listen to is a discreet representation of reality and of what you will find in front of your non-stadium room.
A lot of gear sounds great in YouTube videos because....a lot of gear sounds great these days. Doesn't mean its going to work for me, the way I want it to of course.In defence of "well produced demo content", i.e non smartphone clips, is consistency from demo to demo.
Watch half a dozen demos by players like like Ola, Zach Wish or Blake Mansfield and you'll often get the same set of guitars, mics and outboard gear AND the benefit of an experienced player with a good set of ears. If you want to hear the difference between two different amps you can compare demos by the same player and cross reference them with other clips.
The idea that a single person and their preferences can represent EVERY possible musical situation a piece of gear might be used for is an impossible standard to hold someone to.
Ha! That's actually a really good point.What I can absolutely glean from YouTube demos by you and others is...if you or Pete Thorn aren't making the thing sound really good...then I should probably just forget the thing exists no matter how useful the feature set may look.