I could be wrong but I thought the Flextone were a little better quality than the Catalyst which is made about as cheap as possible.
Yeah well, tone is in the fingers, so......I got a buddy that does Pro gigs with his Flextone II and damned if he don't make that thing sing for sure. Never owned one myself. I cant remember my Line 6 progression but it was something like XT Live, Vetta Amp, X3 Live, Spider IV, HD500/X, Spider Valve, HD25 combo, Helix. There were some others smattered in there too. I think I had a POD Floor Live or something at one point.
Wood was cheap back then, and so was everything else, but I was broke as a joke too, so I guess it's all relativeSo I'm not 100% sure on the Flextone specs, but I think back to the old Peavey Bandits and similar amps. Those things were cheap solid state amps, but they were well built. Very sturdy wood, quality speakers with big magnets and voice coils, huge amp components rated much higher than needed, etc. Basically built like a good tube amp without tubes.
Those F12's sound OK in that cabinet? That's open back, right? I might consider doing a similar conversion with my Flextone II 1x12.I got a 2x12 flextone from the pearl harbor lemon lot, put two celestion F12 200's in it and it made for an awesome "FRFR" power amp and cab
Yeah, an SM57 to the board was pretty much mandatory.The flextone ii xl I had was so bad it put me off modelling until I picked up a helix in 2020. It was fine at bedroom levels but couldn't have kept up with my dead granny on drums.
I ended up giving it to a friend who'd fallen on hard times and had to sell all his gear. He only played at bedroom level and really liked it.
Some had Celestions, but AFAIK they were just T75s with no low end LOL. Most of the guys I have seen using the Flextone III iteration had swapped for their speaker of choice and didn't bother with the speaker modeling in the unit at all.The Flextone was a more premium build as @Jarick mentioned. I think they had those Celestion designed speakers as well.