I've gigged for many years bringing and SG and a Stratocaster as a backup/alternative voice.
But in the last 10+ years I've decided I don't care about versatility anymore and I bring only Les Pauls or a Les Paul and an Explorer if there's some heavy stuff in the set list that deserves the Explorer look.
I, unfortunately, play only covers these days but I don't care about mimicking the original tones (and even parts when possible): I like what I like and I play how I play.
Granted I'm free to do that because I play for fun and not for money .
Same. I gave up on the pursuit of "one guitar to rule them all," as a concept worthy of trying to breathe life into.
I want specificity and character and quirkiness and limitations. I just find it more interesting as a musical approach
than trying to pigeon-hole a guitar into every shape when it is not even possible, and maybe not all that desirable.
I've owned this one for probably 20+ yrs now. It sat in a case for 8 yrs or so because I didn't really bond with it. One day suddenly I did and it became the one from that day on
Same. I gave up on the pursuit of "one guitar to rule them all," as a concept worthy of trying to breathe life into.
I want specificity and character and quirkiness and limitations. I just find it more interesting as a musical approach
than trying to pigeon-hole a guitar into every shape when it is not even possible, and maybe not all that desirable.
I want specificity and character and quirkiness and limitations. I just find it more interesting as a musical approach
than trying to pigeon-hole a guitar into every shape when it is not even possible, and maybe not all that desirable.
Since I only gig originals I just stick to a fairly simple palette of tones. I don’t own a guitar that does it all. I’ve always bought guitars for the unique sonic qualities they bring to the table.
Imagining myself in a cover band, probably a HSS Strat? I’m able to cover some ground with the LP Special and the P90s, maybe that.
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