EOengineer
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This topic comes up every once in a while around here and I thought it might be helpful to have a thread with some general info that would be a solid landing place for future questions and inquiries.
That’s pretty cool. What feature of modern wiring is beneficial for your bridge pickup? Maybe the more linear tone control response?I actually use a hybrid on my hot-rodded studio where the bridge uses modern and the neck uses 50's.
Do you use your tone knobs a fair amount when you play?I've tried 50s wiring several time over the years but it's just too non-linear in response so I always go back to modern wiring.
No, it's 99.99% of the time on 10, I think I even disabled (lifted) it at some point but wired it back in to load the pickups for a more familiar sound.Do you use your tone knobs a fair amount when you play?
Exactly. I'm running a hotter pickup (Wolfetone Fenris) that responds better (for me) to the tone control with modern wiring.That’s pretty cool. What feature of modern wiring is beneficial for your bridge pickup? Maybe the more linear tone control response?
No, it's 99.99% of the time on 10, I think I even disabled (lifted) it at some point but wired it back in to load the pickups for a more familiar sound.
I favor straight forward tight 80s chug, so my guitars and pickups are wired to suit that.
That doesn't mean that 50s wiring doesn't have many great sounds, particularly with mid gain or edge of breakup where it cleans up really nice.
IIRC, when backing down the volume to about 8, now the Tone control becomes more like a mid scoop control which goes along very well with cleaning up cranked NMV amps, in other words a 50s wired Les Paul into a Plexi is match made in heaven.
EDIT :I'm a PAF hater, so 50s wiring has its (well respected) place in history and guitar tone, just not in my universe.


Yeah this pretty much nails it. Once that volume is no longer on 10 the tone knob behavior is hard to explain. In practice, I find when my volume is around 7-8 I can roll back the tone knob and until you get down around 3-4, it sounds like it’s cutting lower mids and it aids in even more cleanup in a helpful way. Sort of a bandpass thing that gets me into tele on steroids territory.That doesn't mean that 50s wiring doesn't have many great sounds, particularly with mid gain or edge of breakup where it cleans up really nice.
IIRC, when backing down the volume to about 8, now the Tone control becomes more like a mid scoop control which goes along very well with cleaning up cranked NMV amps, in other words a 50s wired Les Paul into a Plexi is match made in heaven.
Exactly.Yeah this pretty much nails it. Once that volume is no longer on 10 the tone knob behavior is hard to explain. In practice, I find when my volume is around 7-8 I can roll back the tone knob and until you get down around 3-4, it sounds like it’s cutting lower mids and it aids in even more cleanup in a helpful way. Sort of a bandpass thing that gets me into tele on steroids territory.
Why would a higher voltage cap sound better? Are there specific ones you prefer?I prefer 50s wiring on a Gibson and I don’t like treble bleed capacitors. Also high voltage caps definitely sound better than small ones.
The physical size seems to affect the overall performance. You seem to get a more usable attenuation of the treble in a bigger cap less of tone or not. With the same pot and same value cap but a higher voltage version . Different materials also seem to slightly alter to mix of frequencies that get attenuated. I like a 150-600 v phone book paper cap 0.047 to 0.1 mfd in single coil guitars.Why would a higher voltage cap sound better? Are there specific ones you prefer?
Really cool! I guess I’m going to check out some big ole caps.The physical size seems to affect the overall performance. You seem to get a more usable attenuation of the treble in a bigger cap less of tone or not. With the same pot and same value cap but a higher voltage version . Different materials also seem to slightly alter to mix of frequencies that get attenuated. I like a 150-600 v phone book paper cap 0.047 to 0.1 mfd in single coil guitars.
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0.047 in a Tele.
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This is 150v and it sounds great ,physically large again. Even the bigger old ceramic discs sound better than smaller ones.
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Lower voltage than my preferred range but a good musical attenuation again. Try it , not expensive.