Starting to wire up my FM9 board

DrewJD82

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I’m starting to wire up my FM9 board; the goal was to keep the FM9’s jacks in great condition by not utilizing them every time I plug into it and getting some kind of breakout/junction box to take on the wear and tear. It’s also a pain in the ass to read everything on the back panel of the FM9 in gig lighting, I’d rather just have one area I plug everything into for convenience sake.

Tip #1- When measuring your board size, PLUG ALL YOUR SHIT IN and THEN measure! More specifically, use the EXACT cables you plan on using to do this, so you know how everything lines up. The more shit you cram in a small space, the more important it is to do this.


TBF, I had 14” to work with as I need this board to fit the case it’ll be going in (14”x 34”) eventually, so this particular issue couldn’t really be avoided and I’m hoping the newer low profile jacks save the day.

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There’s *just* enough room for that junction box to fit between the IEC and MIDI jacks. I mean JUST and not in a way I’d prefer in case something goes wrong. Everything would be too tight to work on without ripping it all apart.

I’d rather use all right-angle jacks coming out of the j-box and to the amp, like this-

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But the IEC location won’t allow for it, unless I raise the FM9 up about a half-inch and I don’t want to do that, so I’ll probably run with this instead-

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This leaves space for the IEC, MIDI cables and everything going into the j-box. There’s just enough clearance from the board height to not force the cables in any direction.

I was also going to do the same thing with the IEC, get a J-box for it, but I got one of these instead-
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It’s just a 1’ left-angle extension (right angle is pictured, I got a left angle) that I’ll tie down to the board with a zip tie/holder to take on any stress if someone trips on the power cable off the board. I figure any way I can keep power/audio lines from touching/running along side each other, the better off I’ll be. The j-boxes I/O is fully isolated.

On the other side I’ve got a basic I/O box for the guitar’s input. This was initially going to go where the single momentary switch is, but I need that momentary switch to switch to lead presets when I use the wah/Whammy pedals. In the future I’m going to add an A/B switch that’ll have both a wireless and this cable plugged into it so I can use whichever without disconnecting anything, or if the wireless goes down live.

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I’m giving those solderless pedalboard wiring kits a shot-

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It’ll be here tomorrow so I can complete all the actual connections to the board, as well as a low-profile right angle MIDI jack to go to the j-box. I have all these old cables I was going to cut up for it, but I hate soldering so screw it.

Once I’m done wiring it all up I’ll start on the snakes that’ll run to the amp, I only need one but I’ll make a backup or two for shits and giggles, all right angle jacks on one end and straight on the other.
 
Very nice.

I’ve been using those exact solderless patch cables for a while, and plugging and unplugging them, and they have been dead reliable. I even have a few George L’s that I put together, and used, like 15 years ago, that have never failed me either.

I’m actually using one of the old George L’s now, on my new board.
 
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Fin!

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I can’t believe that top left corner worked out the way it did and I’m glad I found those tiny MIDI cables. There’s not one point anywhere on this that is putting stress on the FM9 jacks. People tripping on cables or putting cymbal/drum/mic stands on the boards, that stuff has happened FAR more than anyone ever spilling a drink on my board.

I really dug those solderless cables and will definitely use them to wire up the non-modeling board. They’re a breeze! Literally just stick ‘em in the hole and screw it!

Everything worked the first time around, outside of me swapping the send/return cables. I just have to program the momentary switch on the right and I’ll be good to go for practice on Saturday!
 
Awesome! A couple of points/questions for discussion sake, and I KNOW I'm probably just missing it, but:

1. If you have the cables coming out of the junction box, going to the backline, couldn't you just have either permanently, or non-permanently JUST use that snake/those cables, WITHOUT the junction box?

2. Those midi cables look awesome, and in general, for "next time" (lol), I'm currently using the CME Pro midi cables, and they are SUPER low profile:

51xaraN-mpL._UF350,350_QL80_.jpg
 
Awesome! A couple of points/questions for discussion sake, and I KNOW I'm probably just missing it, but:

1. If you have the cables coming out of the junction box, going to the backline, couldn't you just have either permanently, or non-permanently JUST use that snake/those cables, WITHOUT the junction box?

2. Those midi cables look awesome, and in general, for "next time" (lol), I'm currently using the CME Pro midi cables, and they are SUPER low profile:

51xaraN-mpL._UF350,350_QL80_.jpg

I actually had my snake plugged into the FM9 and just coiled it and put it on top when traveling, but you lose a good amount of cable length doing that. And while I can tolerate a mess on my coffee table, I can’t tolerate a mess on my pedalboards. This is like the only area of my life I need organized and neat. :rofl

I actually really enjoy wiring these up, it’s probably my favorite thing to do with gear aside from playing it, so necessity isn’t always the main factor.

And the junction box is kind of future-proofing things; while I’ve never experienced any additional hum or buzzing going 4CM with the FM9 I’ve read others have and I assume it’ll be a matter of time until I run into some noisy power, so having each I/O isolated will help out with any of that.

And while it’s still possible to set the foot of a cymbal stand on a jack, with them being as close to the FM9 they’re less-likely to take a direct hit. People often bring up drink-spilling when it comes to expensive pedalboards but I’ve had plenty of cables destroyed from cymbal/drum/mic stands and people stepping on the boards during setup/tear down.
 
I actually had my snake plugged into the FM9 and just coiled it and put it on top when traveling, but you lose a good amount of cable length doing that. And while I can tolerate a mess on my coffee table, I can’t tolerate a mess on my pedalboards. This is like the only area of my life I need organized and neat. :rofl

I actually really enjoy wiring these up, it’s probably my favorite thing to do with gear aside from playing it, so necessity isn’t always the main factor.

And the junction box is kind of future-proofing things; while I’ve never experienced any additional hum or buzzing going 4CM with the FM9 I’ve read others have and I assume it’ll be a matter of time until I run into some noisy power, so having each I/O isolated will help out with any of that.

And while it’s still possible to set the foot of a cymbal stand on a jack, with them being as close to the FM9 they’re less-likely to take a direct hit. People often bring up drink-spilling when it comes to expensive pedalboards but I’ve had plenty of cables destroyed from cymbal/drum/mic stands and people stepping on the boards during setup/tear down.
You and I are A LOT alike, lol.
 
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