Well, I let this one die didn't I?
It all went slow for a long time. The singer had some personal stuff to work through that made things go slowly for a while - it felt like he was avoiding vocal recording. Plus, a mental defence mechanism I have; I pretend that it'll take about as many hours to do the guitars and vocals as it takes to do the bass and drum tracks. Because then I can face starting the project - if I really thought about the endless evenings & weekend days stretching out ahead of me, recording, shepherding 4 sets of egos and dreams, writing, re-writing, second guessing, dreaming new things up, editing takes together, playing with sounds... it'd be too much and I'd never want to start a recording project.
The big roadblock we had to get over was an interpersonal one. I'm hyper focused and driven to get results when it comes to recording. I've found it's the only way to really get shit done. I want to get home at night and be able to list of the things that have been accomplished on the road to the finish line. That means I think well ahead of time about what the part is going to be and how it fits into the whole song. It's not that I don't go experimenting and trying new things, it's just that when it comes down to it my instinct is to trust the decisions we made and the things that came naturally to the songs over months or years of writing, rehearsing and playing them live. The singer is not like that. At the drop of a hat, apparently on a whim, he'll chuck out everything he did before and just be like "what if the melody did this?"
And he'll do it for everything. He's got a real irreverence for any part that's already been written, and much prefers the excitement of just trying stuff in the moment. During tracking, and I mean any tracking - bass, guitar, vocals (his own and anyone else's) he'll let you get like half a take in before suggesting something different. Something that changes everything.
There's a golden rule in producing. Never say no to any idea, give it a try. So you give it a try. And you're halfway through giving it a try when the next suggestion comes. So you try that. And he seems to not realise that you've not actually tracked a full take of the first idea yet. Then you realise the new idea rubs badly against the bassline, so that'll need to be changed. Or the guitar part that I egotistically am attached to, a part that I'm proud of, spent 3 hours recording the week before and had honed over a year or playing the song live, suddenly doesn't work any more. And then I realise 2 hours have gone by and I don't have a single workable take.
At that point, I admit I started to say no, to protect past effort and decisions, going back to the original part in order to have *somethign* and that caused tension. It's taken me many months to start to understand how to navigate it and how our different methods can coexist.
You know what the real twat thing about it all is? The singer is great. He is inspired, and he has a vision. And sometimes following his ideas gets us to a magical place we would have otherwise missed. It just makes it all take so much longer.
So... June and July, we did about 4 tracks worth of lead vocals, bass for every track, and guitars for 12 of them. August, We started down a rabbit hole of re-inventing a few of the tracks, re-balancing them away from the live band vibe in search of something grander & cinematic. I also got an old piece of rack gear for the guitar, and went down a personal rabbit hole of looking for some unique, characterful guitar tones - the kind of stuff that's, like bad for lovers of tone but good for the song. September-December we pretty much stopped altogether other than the odd session here and there because a bunch of gigs came up that we focused on.
Then over Christmas I had a crossroads moment. My dear mate, an Italian songwriter & Guitarist who I've been making music with since 2015, said he wants to do a new album this year. I can't do two projects at once - I've got a full time job and a daughter who deserves a dad that's around and able to give her the family time for evenings playing games and weekends of fun adventures in the car.
I took stock of what we had, and what we'd need to do to get it to the finish line. With my time over the holidays I took a bunch of tracks and went to town adding orchestration, textures, abstractions that pushed them towards sounding like a record, and told the band "here's the list of things still to do. We need to get them done and the songs mixed by mid March because after that, I'm going to be working on a record with my Italian friend."
It'd be fair to say it's focussed minds. Over the last 3 weeks we've got another 7 vocals down, endless backing vocals, successfully re-framed 2 songs, re-tracked some bass... I'm hopeful, and if it carries on this way I think we'll have something a bit magic.