so.. the timmy.

Hey, I had that one too, the V1 Transparent Overdrive. Sold it on rather quickly, never got along with it.
I REALLY liked that Peach Fuzz clone they put out! The V1. I need to find that one again. Didn't they release an OCD clone at the same time they did this Timmy ripoff? I should have grabbed that instead.
 
I've never really got on with Timmy but the original Tim (1st run) was and still is my favourite overdrive. So much headroom, great for a base tone, and then brilliant throwing other pedals in front of it.
 
Shelved my Timmy awhile ago - as above I found it OK with some rigs and wtf?!? with others, and the odd bass and treble controls (to me). Both are cut.

I prefer the EQD Westwood for a "translucent" pedal... and just saw that they don't make 'em anymore.

Klon(e)?
 
Shelved my Timmy awhile ago - as above I found it OK with some rigs and wtf?!? with others, and the odd bass and treble controls (to me). Both are cut.

I prefer the EQD Westwood for a "translucent" pedal... and just saw that they don't make 'em anymore.

Klon(e)?


Man I’ve always been intrigued on the Westwood… this category isn’t exactly my main use case tho so haven’t managed to pull the trigger yet

Big EQD fan though… I even have a skulloctopus tattooed on my right foot :rofl
 
I think something that folks miss with the Timmy is also the fact that the bass cut is pre-gain and treble is post-gain, which really is apparent at higher gain settings. Sure, the Timmy shines best when used as a boost or a tone-shaper, but the real secret to getting it working in other scenarios is that pre-gain bass cut. I also like that the new V3 Timmy offers multiple gain stages (although I haven't tried it myself) which seems to make it more versatile than V2 and V1.
 
Imo Timmy was never meant to be a standalone dirt pedal, but it (or not) indeed spawned a whole trend/following of users that demanded "transparent" drive pedals to their high headroom clean sound. It all became weird really. Because even most of the pedal makers themselves never really thought transparent drives was meant for clean amps... but hey... people want it, give it to them.

I to was caught up in that mindset for a long time. In the end i came to the conlusion that having a layer of pedal breakup/dirt that is "transparent"/no character and sometimes purely lifeless didnt appeal that much compared to just letting the amp model do its own thing (breakup), and then.... going back to old proved and tested method, pushing an amp over. The overdrive pedal then adds its flavour.
So if its a TS, PT, klon, BB or whatever.... whatever fits the amp and guitar really.

The recent Lightspeed trend is also interesting as its praised for sounding "just like my amp but more". Its a fools game i think, because its simply just not true. It may sound very good, as good as a low gain transparent pedal can sound. But its still a layer of pedal gain on top whatever.

Each to their own i guess. But i prefer gain pedal that has their own strong personality these days. If i turn on a pedal, i want it to sound like i turn on a pedal, its supposed change the sound to something else, for me.
 
But i prefer gain pedal that has their own strong personality these days. If i turn on a pedal, i want it to sound like i turn on a pedal, its supposed change the sound to something else, for me.
I completely get what you mean, and that’s why I have a Tumnus Deluxe and TS-9 on either side of my Timmy, all of which are followed by a BD-2w and a RAT. But the Timmy does best what I sometimes need to do for certain scenarios: boosting a clean tone for leads; compresses the tone without adding overdrive but not in a way that a compressor pedal can do. Also, a Timmy is AMAZING as a psuedo-RAT style thing as well. Crank the gain all the way up, turn the bass to where it allows enough lower frequencies through without the whole thing turning into mush, and use the treble knob as you would use the filter on a RAT, et voila!
 
Imo Timmy was never meant to be a standalone dirt pedal, but it (or not) indeed spawned a whole trend/following of users that demanded "transparent" drive pedals to their high headroom clean sound. It all became weird really. Because even most of the pedal makers themselves never really thought transparent drives was meant for clean amps... but hey... people want it, give it to them.

I to was caught up in that mindset for a long time. In the end i came to the conlusion that having a layer of pedal breakup/dirt that is "transparent"/no character and sometimes purely lifeless didnt appeal that much compared to just letting the amp model do its own thing (breakup), and then.... going back to old proved and tested method, pushing an amp over. The overdrive pedal then adds its flavour.
So if its a TS, PT, klon, BB or whatever.... whatever fits the amp and guitar really.

The recent Lightspeed trend is also interesting as its praised for sounding "just like my amp but more". Its a fools game i think, because its simply just not true. It may sound very good, as good as a low gain transparent pedal can sound. But its still a layer of pedal gain on top whatever.

Each to their own i guess. But i prefer gain pedal that has their own strong personality these days. If i turn on a pedal, i want it to sound like i turn on a pedal, its supposed change the sound to something else, for me.

i definitely feel that. i got it as an experiment- and theres uses for the thing but primary OD aint it! i'm thinking about something with enough character to be usable on its own, for sure- and outa my motley batch- its looking like the mxr super badass overdrive which is an ocd circuit to my knowledge. it imposes just enough of its own thing, but not so much that it doesnt sound like a tele through a mesa mark... but it can really sound like neither and both concurrently, if you know what i mean. and an argument can be made that the ocd circuit is dynamically transparent-ish, which is more important to me than tonally transparent.
 
Tom Hardy Sony GIF by Venom Movie


Timmmmyyyyy
 
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